P O E T S W H O S L E E P
daydreaming w/ Bob Arnold
P O E T S W H O S L E E P
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Of all the marvelous books on Franz Marc's paintings
this smaller book is one of my favorites and the
author Peter-Klaus Schuster does such a wonderful job
his name deserves to be on the cover! at the very least
on the spine. Here is Schuster's thinking, "A painter
meets a woman poet whose personality differs from his own
almost to the point of contradiction, and yet he calls her "sister"
—that in a nutshell, is the story of the friendship between Franz Marc and
Else Lasker-Schuler." More on Else Lasker-Schuler in the future Birdhouse.
In this book we are offered a little over a year's correspondence from Marc to
Lasker-Schuler, known here as "Prince Jussuf", all through
a series of Marc's watercolors, from very late 1912 to the
spring of 1914. The heartbreak is that Marc was inducted into
WW I in 1914 and would be killed in the siege of
Verdun on March 4, 1916. A further darkness is that
these postcards were almost lost to the Nazis in 1939
as part of their campaign against "degenerate art."
Quick hands by a married couple, Sofie and Emanuel Fohn,
saved the Marc postcards with an exchange of works by
German Romantic artists for the expressionist artist's
exquisite postcards.
This book holds the story.
[ BA ]
The year Carson was born (1985)
we took him to hear Etta James
outdoors, Max Roach was there
as well. For the last twenty years
Carson has worked in a record store
that he manages with his own flair,
and he's played the drums for
thirty years.
It only makes sense that
Chuck Berry shows up after,
and with, Etta James on this
video — or he has while
I was watching.
[ BA ]
GIUSEPPE UNGARETTI
"I Know My Modus Operandi"
Translated by Walter Franceschi
I've yet to part with this issue of the wonderful
Lillabulero, circa 1973 and at an unbeatable price
of $2 when you consider what was coming inbetween
the covers — all devoted to Paul Metcalf — to this day
one of the sterling iconoclast's of American literature,
all his movements slide between poetry & prose, and one
isn't quite sure what this great grandson of Herman Melville
was, meant in the best of terms, like standingstill and listening
carefully and not quite pinpointing what that bird call is.
Russell Banks, yet to be famous, will begin to reveal what
will make him famous in how he handles our unidentified
birdcall in a fine rolling and tumbling interview with Paul Metcalf
between small town New Hampshire and small town Berkshire hills.
It remains one of the reasons I keep this issue of Lillabulero between the large three
volume set of Metcalf's collected works from Coffee House Press.
During the time of the interview Metcalf has written most of his major works,
age 54, and is wondering to himself what will be next.
Banks has fished from the author about as good as you can fish.
Contributors to this festschrift is about as good as it gets at this time:
McCord, Enslin, Jonathan Williams, Thomas Meyer, Corbett,
Grossinger, Sukenick.
I also keep this issue for the fine author's photo above.
[ BA ]
P O E T S W H O S L E E P
Of all the books now available on the life and
work of Ruth Asawa, this one is by far my favorite.
Less on the academic and mumbo-jumbo text and cleanly
told by two authorities, Tiffany Bell and Robert Storr,
this tall silvery volume is high on class and
exquisite throughout with profuse illustrations
chosen wisely for content, chronology and appeal,
never losing sight at how to present an artist to the public
with well fashioned bookmaking design, typography
and profound full page plates of Asawa.
It's a dream.
[ BA ]
David Zwirner Books
2018
Bosnia and Herzegovina
