Pantheon 2024
daydreaming w/ Bob Arnold
Winter Night, Sent to Wen Tingyun
Pains finding a poem to read you in the lamplight.
I haven't slept all night long — I have this cold quilt.
The courtyard is full of leaves blown off trees by a worried wind
and a sinking sad moon pierces the bed curtain and window scrim.
Dispersed, we have no time to carry out our wishes,
but in every rise and fall we see the mind in its original state.
Without a hidden perch in the paulownias,*
the sparrow circle the grove, vacantly chirping all night.
* Chinese parasol tree
Early Autumn
Tender chrysanthemums hold new colors, and
in the distant mountains dusk mist idles.
A cool wind startles the green trees —
clear rhymes to meld with red strings.
A longing woman, brocade in her loom,
someone trekking through the sky beyond the pass:
wild geese fly, fish are in the water,
and letters, too, get sent along.
The Scene in Late Spring
An impoverished home at the end of the lane. No companions, either,
except for a lover who stays in my dreams.
Waiting fragrances, fine silk? A banquet in some other house,
some other tower the wind is sending sings from.
I was woken this morning by the avenue's clamoring drums
and the chitchat of magpies in the courtyard interrupts my spring
sorrow.
How could I keep up with the human realm,
myself? I am an unmoored boat ten thousand miles away.
______________________
Yu Xuanji
Hiding In Caverns Formed
From Old Roots
TRANSLATED BY LUCAS KLEIN
Oxford 2024
As Winter Sets In
One morning while brushing your teeth,
a strange face in the mirror. Am I still in there?
you ask, No reply. This face: a field in need
of reseeding. A corsage your blind date
sat on. A tattered map fished from the glove
box of a vintage car. At this age, every day
a new face you can't renounce or forsake.
Your job (you were told this as a child when
Grandma came to stay, as she could be mean):
summon the grace to make this face welcome.
Amy Gerstler
Is This My Final Form?
Penguin 2025
Explores the powerful ways in which visual art has long provided its own rich outlet for protest, commentary, escape, and perspective for African Americans.
This important book showcases the potent role of visual art in African American history and culture. Featuring Black artists working in a range of media, from photography to sculpture to painting—including Amy Sherald, Benny Andrews, Sheila Pree Bright, Bisa Butler, Charles Alston, Elizabeth Catlett, Shaun Leonardo, and David Hammons, to name just a few—the book considers art that exemplifies resilience in times of conflict, as well as the ritual of creation, and the defiant pleasure of healing.
Reckoning, based on the exhibition of the same name at the National Museum of African American History and Culture (NMAAHC), explores the ongoing struggles Black Americans have faced in their pursuit to enjoy the fundamental rights and freedoms promised in the Constitution to citizens of the United States. Drawn from the museum’s permanent collection, the featured works respond to the dual crises of Covid-19 and systemic racism that shaped 2020, a period that has been called one of reckoning, as the world witnessed the killing of George Floyd, Breonna Taylor, and other African Americans, leading to some of the largest protests in US history.
Kevin Young is Andrew W. Mellon Director of the NMAAHC. Aaron Bryantis curator of photography at the NMAAHC. Bisa Butler is a textile artist. Michelle D. Commander is deputy director at the NMAAHC. Tuliza Fleming is curator of visual arts at the NMAAHC. Amy Sherald is a painter and portraitist. Deborah Willis is University Professor and chair of the Department of Photography & Imaging at Tisch School of the Arts.
The Ghost Wife
Who, after years
with her husband,
years of rearing
their strapping boy,
is scorched by an eye.
She was gathering laundry.
The sun stuttered
from the clouds.
The rice bubbled
on the stove. Her hands
and face bubbled
too. She did not
cry out. She did not
speak. She was hurried
indoors. What to do?
The neighbors. The talk.
The thing to do was
lay her in a coffin
upstairs
and close the lid.
______________________
Esther Lin
Cold Thief Place
Alice James Books, 2025
Essay
I guess it’s too late to live on the farm I guess it’s too late to move to a farm I guess it’s too late to start farming I guess it’s too late to begin farming I guess we’ll never have a farm I guess we’re too old to do farming I guess we couldn’t afford to buy a farm anyway I guess we’re not suited to being farmers I guess we’ll never have a farm now I guess farming is not in the cards now I guess Lewis wouldn’t make a good farmer I guess I can’t expect we’ll ever have a farm now I guess I’ll have to give up all my dreams of being a farmer I guess I’ll never be a farmer now We couldn’t get a farm anyway though Allen Ginsberg got one late in life Maybe someday I’ll have a big garden I guess farming is really out Feeding the pigs and the chickens, walking between miles of rows of crops I guess farming is just too difficult We’ll never have a farm Too much work and still to be poets Who are the farmer poets Was there ever a poet who had a self-sufficient farm Flannery O’Connor raised peacocks And Wendell Berry has a farm Faulkner may have farmed a little And Robert Frost had farmland And someone told me Samuel Beckett farmed Very few poets are real farmers If William Carlos Williams could be a doctor and Charlie Vermont too, Why not a poet who was also a farmer Of course there was Brook Farm And Virgil raised bees Perhaps some poets of the past were overseers of farmers I guess poets tend to live more momentarily Than life on a farm would allow You could never leave the farm to give a reading Or to go to a lecture by Emerson in Concord I don’t want to be a farmer but my mother was right I should never have tried to rise out of the proletariat Unless I can convince myself as Satan argues with Eve That we are among a proletariat of poets of all the classes Each ill-paid and surviving on nothing Or on as little as one needs to survive Steadfast as any farmer and fixed as the stars Tenants of a vision we rent out endlessly
____________________
Bernadette Mayer
The Golden Book of Words
New Directions 2025
originally published by Angel Hair Books, 1978
Selva Oscura
When I close my eyes, I find myself in an expansive darkness
the color of dawn; I sense it on your fingertips.
Forget the lie that helped you live.
Bare your feet, bare your eyes —
very few things remain when we've bared ourselves
but in the end we can see them exactly as they are.
When I close my eyes I always find myself on a path,
the yards ruined to the right and left and in the corner
the house with windowpanes beaten by the sun, empty
I thought of your fingertips beating against the panes.
I thought of your heart beating behind the panes
and the very few things that set a man apart from others
are never overcome.
You don't know anything because you looked at the sun.
Your blood dripped into the black leaves of the laurel bush.
I see the nightingale and the marbled moon of evenings past,
when I dragged your blood into the river, dyeing it red.
I ponder — when I ponder — I ponder
my veins and the mystery of your hands,
guiding carefully, descending step by step.
When I close my eyes, I find myself in an expansive garden.
May 1937
____________________________
George Seferis
Book of Exercises II
World Poetry 2024
Translated from the Greek by Jennifer R. Kellogg
Spiral Staircase
In search of a bawdy shade
of blue, without the slightest wisp of cloud,
stair by stair ascend.
I've stumbled, by spiral's end,
out of this world and into heaven.
The Apple
One last apple among the leaves
of the highest branch, the sweetest.
The pickers must've missed it.
No matter — only I
can reach that high.
Watermelon
A man carves watermelons
beneath the green shade
of the vendor's stand.
Dozens of half-moons
make moonlight red.
Star Hunter
Forget about thrushes, quails,
woodcocks! I'm out hunting
stars with a butterfly net.
Undecided between Orion,
Vega, and Scorpio, I bet
on the Herdsman, Bootes.
At dawn I return empty-handed,
net burnt to a crisp.
I Built A Wall
It's my fault. Stone by stone
by stone I built a wall,
walled myself off from the world.
No way out now.
Even if I wanted to
feel your hand, one
step and I'd crack
my head on that wall.
Sunflower
Bright yellow in a field of green,
face to face with the sky,
holding its breath, calls it a day.
Not even the sun, for all its art,
can purge night from the sunflower's heart.
___________________________
Mario dell' Arco
Day Lasts Forever
World Poetry, 2024
translated from Romanesco by Marc Di Martino