Columbia
daydreaming w/ Bob Arnold
Provided to YouTube by Grateful Dead/Rhino All Along the Watchtower (Live at Knickerbocker Arena, Albany, NY, March 1990) · Grateful Dead Dozin' at the Knick: Knickerbocker Arena ℗ 2004 Grateful Dead Productions, Inc. Arranger, Producer: Bill Kreutzmann Drums, Percussion: Bill Kreutzmann Arranger, Producer: Bob Weir Guitar, Vocals: Bob Weir Arranger, Producer: Brent Mydland Bodhran, Keyboards, Vocals: Brent Mydland Producer: David Lemieux Producer: Doran Tyson Arranger, Producer: Jerry Garcia Guitar, Vocals: Jerry Garcia Mixing Engineer: John Cutler Producer: Mark Pinkus Arranger, Producer: Mickey Hart Drums, Percussion: Mickey Hart Arranger, Producer: Phil Lesh Bass Guitar: Phil Lesh Vocals: Phil Lesh Writer: Bob Dylan
"MAN? BEWILDERED, HENRY STARED AT
THE WORLD OPPOSITE"
Man? Bewildered, Henry stared at the world opposite
and took up Intractable Problem: Am I part of it?
—(Yeah, man!)
— There's all that zealous; whereas he lean back.
There's all that competent; whereas he lack
a minimal plan.
Let's think of his nature as a kind of mist,
which cares through, and has been known to insist,
and frequent' does hurt,
and caves in, and recovers to open air.
There are the common opinions he declare
in the rapid of his 'art.
Oh his 'art thrashes. It will come to nix.
In time, in time, Henry will be towed away
as having counter-parked.
Devil a love will bail him from that fix.
Dispersing mist before the heat of day
in a corner of one galaxy.
_______________________________
John Berryman
Only Sing
152 Uncollected Dream Songs
Farrar, Straus, Giroux 2025
Townes Van Zandt's song from one of
the loveliest folk albums in a
long while; the daughter
of New Lost City Rambler John Cohen
Sonya was a newborn and at Newport
with her parents when Bob Dylan
went electric. She headed
for the hills.
Morning Letter to Friends
The Rolling Stones, Now! ℗ 1965 ABKCO Music & Records Inc. Released on: 1965-02-12 Composer Lyricist: Bert Berns Composer Lyricist: Burke Composer Lyricist: Gerald Wexler
Map
Midnight, there are people beyond the window enticing you
Cigarette butts, like silkworms start clambering
On the table, a glass of water also starts to churn
You pull open a drawer, inside are forty years of snow
A voice, someone's voice, asks: Is it true the sky's a map?
You recognize the pitch-black lips of the one who cries out
You recognize him
In fact it's you, it's that old you
You recognize your head
Just as it's coughed out into the distance from a hospital window
On the far horizon, blacksmith and saboteur move together
Those fighting fires squeeze onto a postage stamp
As they madly splash out the ocean
Swimmers in the water are splashing one another
Their swimming trunks are flour sacks
Printed with the words: Saboteurs far from the motherland
A whiff of a pungent odor
You sniff out the earliest news of the storm
Like a cloud, following the butcher's hooks you float out the
butcher's back window
Behind you, there's a leg still sitting on the butcher's block
You recognize it as your very own leg
Since you passed over that step
1990
___________________________
Duo Duo
The Boy Who Catches Wasps
translated by Gregory B. Lee
Zephyr Press, 2002
00:53 Intro 03:58 Margaret Atwood’s new memoir 12:21 How Margaret Atwood became a poet and novelist 19:37 Career themes 28:07 How Atwood’s personal life has influenced her writing 33:54 Can Margaret Atwood predict the future? 39:28 The state of politics today 48:32 Attacks from the right and left 52:21 Swedish Death Cleaning 58:38 Why Margaret Atwood loves birding
F R E D E R I C K W I S E M A N
Tony Cenicola/The New York Times
Caitlin Ochs for The New York Times
A Tale of Burnt Skin
carry me through the forest in your throat
there in the dark blue grass ants crawl over yellow bones
and bright sweet strawberries grow among corpses spilling a sweet smell
but let me collect the wild strawberries
God I really want to stay alive
don't breathe don't speak
you are the girl who tamed the Steppenwolf
didn't they tell you that you shouldn't burn skin
bitch where is your red scalp go remove his sticky promises
on the black twisted trunks by bygone trees
couldn't you wake him when he fell asleep with gum in his mouth
for it was already the apocalypse
now take a jar and strain your poisoned milk
over your cold first born
the one who doesn't know the way never gets lost
I carved maps on your back when I started to come
and kept the scars for myself
let them not judge those who were sentenced to death let them judge me
your venous arterial one . . .
lose me lost I am so tired of going back . . .
somewhere in a magical kingdom there lived a boy with a dimple in his chin
with a crater in his chest
with insects on his head: one half of the world — for mother
the other half — for father
he played the flute put birds in a box
but from his music wild berries sprouted
something quiet and unnoticeable like the creation of dust
happens in the hours when you let me go
the rain finally becomes rain and happily soaks into the earth
the sand cleverly stirs and grasps shoes in its lips
a wolf embroidered in cross-stitch is nailed above the bed for protection
until the time I am jarred awake again
carry me through the forest
the music broke out beat rustled
better never-ending music came from birds' eyes
in the blockaded space
and the one who initiated it
couldn't stop the blood
_________________________
Anna Malihon
Girl With A Bullet
translated from Ukrainian by Olena Jennings
World Poetry 2025