Showing posts with label Kareem James Abu-Zeid. Show all posts
Showing posts with label Kareem James Abu-Zeid. Show all posts

Thursday, April 17, 2025

NAJWAN DARWISH ~

 




To That Room


And I return to that town,

to that house,

to that room,

the bones of the dead beneath me;

they know me

though I do not know them.


I'm surrounded by the books and papers

of other dead;

I know them

though they do not know me.


This earth: the remains of strangers

naturalized by death.


I return

because one must return,

because the dead must rise again.




A Distant Country


How many bedrooms do I need

to get a bit of sleep?

How many chairs

to sit myself down?

How many roads

to walk back to you,

my distant country?

This time I've gone

and I'm not coming back.

Your job, now, is to slip out,

lovesick and afraid,

and come in search of me.




Lightning Writes Poetry


Lightning never sits down at a table

to write poetry,

yet it is poetry's only embodiment.

It lights up the whole universe

then disappears.

What poet hasn't dreamed

of becoming lightning?




As For My Singing


"Sing, sing before we slit your throat."

Did they think fear

would disturb my song?

True, I was scared of life,

but death

is the last thing I'm afraid of.

Why would a free man fear

to meet a friend?


So let our embrace be tinged with blood.

As for my singing in this moment,

I want it to be perfect.


My freedom lies in this:

No matter what they do,

the murderers still

cannot disturb my song.



______________

Najwan Darwish

No One Will Allow You Tomorrow

translated from the Arabic by Kareem James Abu-Zeid

Yale Univ. Press, 2024



Tuesday, January 23, 2018

ADONIS ~






"Ali Ahmed Said was born in a small village in Syria in 1930. His choice
of pen name — Adonis — is an indicator of the audacity of both his poetry
and his writings on Arab culture and society. In 1961, this self-proclaimed
Arab Nietzsche published Songs of Mihyar the Damascene, a complex two-
hundred-page collection that many consider turning point in modern
Arabic poetry. Its impact on Arabic poetics has been no less substantial than 
the impact T. S. Eliot's "The Waste Land" had on English poetics."

— Kareem James Abu-Zeid






Yale
2017