Showing posts with label the Beats. Show all posts
Showing posts with label the Beats. Show all posts

Sunday, March 24, 2019

LAWRENCE FERLINGHETT I ~








I Am Waiting

I am waiting for my case to come up   
and I am waiting
for a rebirth of wonder
and I am waiting for someone
to really discover America
and wail
and I am waiting   
for the discovery
of a new symbolic western frontier   
and I am waiting   
for the American Eagle
to really spread its wings
and straighten up and fly right
and I am waiting
for the Age of Anxiety
to drop dead
and I am waiting
for the war to be fought
which will make the world safe
for anarchy
and I am waiting
for the final withering away
of all governments
and I am perpetually awaiting
a rebirth of wonder

I am waiting for the Second Coming   
and I am waiting
for a religious revival
to sweep thru the state of Arizona   
and I am waiting
for the Grapes of Wrath to be stored   
and I am waiting
for them to prove
that God is really American
and I am waiting
to see God on television
piped onto church altars
if only they can find   
the right channel   
to tune in on
and I am waiting
for the Last Supper to be served again
with a strange new appetizer
and I am perpetually awaiting
a rebirth of wonder

I am waiting for my number to be called
and I am waiting
for the Salvation Army to take over
and I am waiting
for the meek to be blessed
and inherit the earth   
without taxes
and I am waiting
for forests and animals
to reclaim the earth as theirs
and I am waiting
for a way to be devised
to destroy all nationalisms
without killing anybody
and I am waiting
for linnets and planets to fall like rain
and I am waiting for lovers and weepers
to lie down together again
in a new rebirth of wonder

I am waiting for the Great Divide to be crossed   
and I am anxiously waiting
for the secret of eternal life to be discovered   
by an obscure general practitioner
and I am waiting
for the storms of life
to be over
and I am waiting
to set sail for happiness
and I am waiting
for a reconstructed Mayflower
to reach America
with its picture story and tv rights
sold in advance to the natives
and I am waiting
for the lost music to sound again
in the Lost Continent
in a new rebirth of wonder

I am waiting for the day
that maketh all things clear
and I am awaiting retribution
for what America did   
to Tom Sawyer   
and I am waiting
for Alice in Wonderland
to retransmit to me
her total dream of innocence
and I am waiting
for Childe Roland to come
to the final darkest tower
and I am waiting   
for Aphrodite
to grow live arms
at a final disarmament conference
in a new rebirth of wonder

I am waiting
to get some intimations
of immortality
by recollecting my early childhood
and I am waiting
for the green mornings to come again   
youth’s dumb green fields come back again
and I am waiting
for some strains of unpremeditated art
to shake my typewriter
and I am waiting to write
the great indelible poem
and I am waiting
for the last long careless rapture
and I am perpetually waiting
for the fleeing lovers on the Grecian Urn   
to catch each other up at last
and embrace
and I am awaiting   
perpetually and forever
a renaissance of wonder

Lawrence Ferlinghetti, “I Am Waiting” from A Coney Island of the Mind. Copyright © 1958







Friday, March 1, 2019

IRON CURTAIN JOURNALS ~






You may think you've had enough Ginsberg — not quite.
This is AG at his height and only rising.
He's spunky, daring and traveling solo
meeting poets and flavors along the way.
He will be crowned by students ceremoniously
the "King of May" in the Czech Republic and
then unceremoniously be booted out of the
country by the government who already
warned him to keep a low profile.
Impossible.

[ BA ]


University of Minnesota Press 2018
edited by Michael Schumacher




Sunday, June 4, 2017

Sunday, March 29, 2009

In memory of Natasha Richardson & Ronald Tavel




NEW BOOK

THE BEATS, a graphic history (Hill and Wang) edited by Paul Buhle Text by Harvey Pekar, Nancy J. Peters, Penelope Rosemont, Joyce Brabner, Trina Robbins, Tuli Kupferberg Art by Ed Piskor, Jay Kinney, Nick Thorkelson, Summer McClinton, Peter Kuper, Mary Fleener, Jerome Neukirch, Anne Timmons, Gary Dumm, Lance Tooks, Jeffrey Lewis

Since the Big Top is burning down, what better time to bring back the mad and beautiful voices in the wind that predicted much of the firestorm? A history of the Beats and later edges bohemia Post-WW2 /1950s highlighted with biographical portraits of three standup guys: Jack Kerouac, Allen Ginsberg and William S.Burroughs. Except for Neal Cassady the depictions aren't that well drawn (John Clellon Holmes with beret and goatee?) but the heart is right. The drawings pick up wonderfully in the spirit for Kenneth Patchen, Gary Snyder and the "Beat Chicks". We're missing a likewise two-page spread for Bob Kaufman, Jack Micheline and Lew Welch, but at least they nabbed Philip Whalen, Lamantia and Tuli Kupferberg! If it takes a comic book for a new audience to discover On the Road, Howl and Naked Lunch then so be it. As Pekar says, gazing out at us from a frame, "We all tried to imitate it."


FILM

IN BRUGES (D: Martin McDonagh)



Making a way — hands down, there is no film like Sexy Beast. None before and none perhaps ever, until In Bruges came around. I won't go into it all now, though I'm passionate about the film. It's an Irish gamer and has a winning side (one of a handful of Irish films that nails-it) and cinematically it is a thrill ride of everything technically astute while the entire film is running backwards, forwards, sideways at once. Perhaps? Who cares, it's a wonder, an absolute wonder toy of movie making. The actors, the main three, are supreme. As with Psycho, no one should give away the gist of a film — In Bruges is much the same. It was made to be opened up, meaning you opened up, your whole being while watching. There is a third film, in a short list of: never-been-made-before, and that would be Withnail and I. Blow my mind all three films hail from the same British Isles, a fighting term, I know, but I'm using it anyway just to point to a location. Most often these films are detested at first run. By the second and third viewing you're defending them with every inch of your life.