Showing posts with label Knopf. Show all posts
Showing posts with label Knopf. Show all posts
Thursday, January 23, 2025
MORE MOSAB ABU TOHA ~
Palestinian Village
On the hill in the village, you can chock
the wheels of your vegetable cart
with a stone your grandfather once used
to crush the thyme. Or smash garlic with a
stone your grandmother used as a doorstop.
You can lounge
on a wicker chair near a pomegranate tree,
where a canary never tires of singing.
You can dig a hole with your hands
and find an earthworm breathing
the freshness of soil revived by yesterday's rain.
You can make tea with sage or mint.
If a neighbor or a passerby smells it,
an invitation to join is extended.
You put more cups on your table,
you walk to the garden and pick
more fresh sage or more mint.
~
For a Moment
Her small body rides in my arms
as I run to the hospital.
There is no electricity
and the inner hallways are
a forest lined with cots.
The girl I carry
is dead.
O know that.
The pressure of the explosion
tore apart her thin veins.
I know she is dead,
but everyone who sees us
runs after us.
You are alive
for a moment,
when living people
run after you.
__________________
Mosab Abu Toha
Forest of Noise
Knopf 2024
Friday, November 29, 2024
THE EDITOR, JUDITH JONES ~
The longtime Knopf editor Judith Jones in her Manhattan apartment in 2007.
Credit...
Chester Higgins Jr./The New York Times
Monday, October 9, 2023
VICTORIA ADUKWEI BULLEY ~
There You Are
There you are
this cold day
boiling the water on the stove
pouring the herbs into the pot
hawthorn, rose;
buying the tulips
& looking at them, holding
your heart in your hands at the table
saying please, please, to nobody else
here in the kitchen with you.
How hard, how heavy this all is.
How beautiful, these things you do,
in case they help, these things you do
which, although you haven't said it yet,
say that you want to live.
Labels:
Faber & Faber,
Knopf,
poetry,
VICTORIA ADUKWEI BULLEY
Monday, December 19, 2022
Wednesday, September 16, 2020
RE-READING LANGSTON HUGHES ~
The Negro Speaks of Rivers
( To W. E. B. DuBois )
I've known rivers:
I've known rivers ancient as the world and older than the
flow of human blood in human beings.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy
bosom turn all golden in the sunset.
I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
Cross
My old man's a white old man
And my old mother's black.
If ever I cursed my white old man
I take my curses back.
If ever I cursed my black old mother
And wished she were in hell,
I'm sorry for that evil wish
And now I wish her well.
My old man died in a fine big house.
My ma died in a shack.
I wonder where I'm gonna die,
Being neither white nor black?
Epilogue
I, too, sing America,
I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well
And grow strong.
Tomorrow,
I'll sit at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.
Besides,
They'll see how beautiful I am
And be ashamed, —
I, too, am America.
Poem
We have tomorrow
Bright before us
Like a flame.
Yesterday
A night-gone thing,
A sun-down name.
And dawn-today
Broad arch above the road we came.
__________________
Langston Hughes
The Weary Blues
Knopf 1926
These poems come from Langston Hughes
100 years ago with his first book of poem
The Weary Blues
published by Knopf, a very young press
then, only ten years old, and recently
re-issued with its original 1926 book design
by Miguel Covarrubias.
Ever since George Floyd was murdered
we have sold out every book from our
little bookshop by Langston Hughes, and James Baldwin
and Toni Morrison and George Jackson and
Martin Luther King, and the Black Panthers,
and Malcom X and Audre Lorde and
Lucille Clifton and even MOVE
from dark burned streets of
Philadelphia rose up. A friend
of ours, who worked poetry in
the prisons back in the 80s-90s
told us then she couldn't find a
bookstore that carried any books
by James Baldwin, and she searched
high and low. No more.
Labels:
Black Literature,
Kevin Young,
Knopf,
Langston Hughes,
poetry
Saturday, June 27, 2020
LATE SONG ~
Late Song
Long evening at the end of spring
with soft rain falling and flowing
from the caves into the broken
stone basin outside the window
a blackbird warning of nightfall
coming and I hear again
announcing that it will happen
darkness and the day will be gone
as I heard it all years ago
knowing no more that I know now
but once more I sit and listen
in the same still room to the rain
at the end of spring and again
hear the blackbird in the evening
_________________
W. S. Merwin
The Pupil
Knopf
2001

Thursday, March 7, 2019
MARK STRAND ~
When I Turned A Hundred
I wanted to go on an immense journey, to travel night and day
into the unknown until, forgetting my old self, I came into
possession of a new self, one that I might have missed on my
previous travels. But the first step was beyond me. I lay in bed,
unable to move, pondering, at one does at my age, the ways of
melancholy — how it seeps into the spirit, how it disincarnate
the will, how it banishes the senses to the chill of twilight, how
even the best and worst intentions wither in its keep. I kept
staring at the ceiling, then suddenly felt a blast of cold air, and
I was gone.
Once Upon A Cold November Morning
I left the sunlit fields of my daily life and went down into the
hollow mountain, and there I discovered, in all its chilly glory,
the glass castle of my other life. I could see right through it,
and beyond, but what could I do with it? It was perfect, ire-
ducible, and worthless except for the fact that it existed.
Anywhere Could Be Somewhere
I might have come from the high country, or maybe the low
country, I don't recall which. I might have come from the city,
but what city in what countries beyond me. I might have
come from the outskirts of a city from which others have
come or maybe a city from which only I have come. Who's to
know? Who's to decide if it rained or the sun was out? Who's
to remember? They say things are happening at the border, but
nobody knows which border. They talk of a hotel there, where
it doesn't matter if you forget your suitcase, another will be
waiting, big enough, and just for you.
——————————
Mark Strand
Almost Invisible
Knopf 2012

Thursday, June 14, 2018
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