Friday, October 14, 2016

DUSTY. . .DEFINITELY ~









Philips (UK) never released this classic gem to the USA.
It was Springfield's last album on the label.
August 1968







I can't leave Dusty Springfield without playing "No Easy Way Down"
from her seminal album Dusty in Memphis.
"Son of a Preacher Man"
that John Hurly and Ronnie Wilkins wrote for Aretha Franklin
(the daughter of a preacher man) but she curiously rejected the song
(and picked it up again in 1970) whereas Springfield garnered herself a hit is also on this album, better known, but "No Easy Way Down"
kills it for me every time.







TIME TO LISTEN ~






Thursday, October 13, 2016

BOB DYLAN ~








Bob Dylan Wins Nobel Prize in Literature







Early Dylan photograph ala "Blowin' in the Wind"
(1963)




JOHNNY'S IN THE BASEMENT






HIGH WATER







MR TAMBOURINE MAN






DYLAN INTERVIEW 1965





JACK ON BOB





THE BAND SINGS DYLAN






CIVIL WAR BOB







ODETTA SINGS DYLAN





SERIES OF DREAMS




DYLAN SINGS WOODY (1961)





NOW!






THE ROME INTERVIEW





















cover: malika favre







KENTUCKY RENAISSANCE ~











Ralph Eugene Meatyard, Jonathan Williams, Thomas Merton
Guy Davenport, Jonathan Greene, Wendell Berry,
Van Deren Coke, Robert C. May
James Baker Hall, Cranston Ritchie

A terrific book!



Cincinnati Art Museum
Yale University
2  0  1  6




Wednesday, October 12, 2016

AMELIA ROSSELLI ~







Stretched out on the ground I stabbed my best friend. But
business stayed what it was. I picked up my best friend
and he gave me no end of grief, light in the ears
that wouldn't be scandalized. The great glory
ended in a bottle of brandy. In a bottle of
brandy ended the story of the shark who couldn't
stand a mess. The ascent was over but the great god
wouldn't readily shoulder great loads uselessly. Going back
home the trees were very delicate. I was very delicate going
back home! I lay on my back like a fly smeared with
honey. He was my exceedingly weak king I his queen covered
with blood. You are my exceedingly weak king covered in purple!

Let's close an eye to the mafia of painters. Let's close
our eyelids to the ladies' blouses. Let's close up
shop and disappear. We'll disappear in the mist with a pistol
shot at the ground.






The mind that brakes and determines itself is a nice game.
Cosmopolitan wisdom is the best perhaps of our
canastas. The mind that determines itself is perhaps
a fake game? Convinced of the contrary I pondered
the internal crisis of the country and observed flowing
into the great river of the city a tin of sardines.






For the windbag that I was I demand to be alive. In the windbag
that lives I demand to be inscribed. In the windbag that dies
boredom dies. You may be innocent yes: but the dawn is better
at target shooting.






Against every empire a need for order ruled. Against
every planet the need for freedom was imperative. With
childishness the night still ruled whispering
words perhaps bitter. With training of the stingy relative
the rebels' revolver got moving. With the light on
the catarrh got moving the old woolen thread rolled up in the
substance of the estate. I heard the watchmakers' voices wound up
but the world's fiber was the most constant measure of my
disease! It was the strongest substance of my belief.






If in divine love there's someone who pays the way it isn't for nothing
that I sing. If in love people leave one another and take one another
it isn't for nothing that I climb mountains. If in the mountain
there are those who look for those who sneer, it isn't for nothing I
fall at feet of the first passerby.






For the love I brought you you saw clearly. If in the afternoon
there was a bell, it was for you — In the afternoon I saw
clearly! If in the passage of the moon there was gangrene
it was for you. Against all evil seeing and knowing. Not to
die an escapade was necessary once in a while. The neighborhood
became pale pale and its waiting was all a sleep.
The unapproachable neighborhood was always awake. The doctor's
pill was necessary to remember. I lived among
saints yet remained saintly. The chorally within me awoke
yearning. The whole world was a huge yearning! Behold the
world awakening within me like a wide unconscious boat.
Behold the world telling me it's time to sleep. Behold the
world knocking at my door and I not answering. Behold the drudgery
that doesn't help anyone. Behold it's time to shine.






Love permitting I stretched out very pretty on the giant
king-sized bed waiting for some secret. Secrecy
and jealousy were born of long withheld modesty and the candy
exploded of inviolable feeling between two strangers.
The long withheld imagination succumbed under the
weight of the reveler disguised as a tearful servant in waiting.






For the coastline of your tears I wet a whole carpet.






Convinced of being faithful to you I betrayed within me joy
and sorrow: equidistant equinox that kept me away from
the sea, from the smell of the woods that are your calm
my tide of dreams.






Seek me and take flight.






The door of pain opened. Without eyes I foresaw
disaster.

Without honor it was impossible to mix up
the cards. . .






       The way of my walk was a delicate silver
flame, o girlishness that awakes when
all the ships have raised anchor! Way of my
girlishness against a scarlet sky. So the
dance of death unfolded: hours of prayer
and fasting, whole hours that now break
on the thorny walk and the wet beach, moving
ice.


___________________________


Amelia Rosselli
W A R     V A R I A T I O N S
Otis Books /Seismicity Editions
Otis College of Art and Design
2016

Amelia Rosselli (1930–1996), often said to be one of the best Italian writers of her generation, was heavily influenced by traumatic events in her youth. When Rosselli was only seven, her father and uncle, two leaders of the anti-Fascist Resistance, were brutally assassinated by the Fascist secret service. Then, when she was seventeen, her mother died and Rosselli suffered her first nervous breakdown. The deaths of her parents left her with lifelong paranoia, depression and what she called an emotional void. Born into exile, she grew up between France, England, and the United States before returning to Italy in 1946. She studied music, composition, as well as ethnomusicology and published several essays on music. Rosselli also worked as a literary translator and among the poets she translated were Emily Dickinson and Sylvia Plath. During her lifetime Rosselli wrote eight poetry collections, with verses in English, French, and Italian, and tried to make sense of the post-war world. She was associated with several neo-avant-garde poetry movements in the 60s and 70s. At a time when the confessional mode was quite popular, Rosselli sought objectivism in her work, and was influenced by Eugenio Montale, Cesare Pavese, and Giuseppe Ungaretti. Rosselli took her life in 1996 on the anniversary of Sylvia Plath’s suicide.

N E W     D I R E C T I O N S     P U B L I S H E R S






Tuesday, October 11, 2016

HENRY BESTON ~






Godine 2016



"Devotees of The Outermost House (and they are legion) will be
profoundly grateful for Daniel Payne's superb biography of Henry Beston, a man who wrote one of the enduring classics of American nature writing, but whose life story until now has remained largely untold. Among its many virtues, Orion on the Dunes unearths the forces that shaped Beston's remarkable book, forces carefully hidden
but deeply felt by anyone who has ever read it."

R O B E R T      F I N C H














Monday, October 10, 2016

HOW IT'S DONE ~







Manny



The last time I saw Manny
To talk to she was
Holding two butcher
Knives in her hand
Instructing her sister-in-law
How to dress out chickens
That her brother-in-law Everett
Was slaughtering outside the barn
In the rain, with all
His young nephews watching —
The youngest shivered up
Against a barn door
With his eyes squeezed shut,
And even I knew Everett didn’t
Like this job — it was all over
His face — and somehow the fresh
Whet axe felt clumsy in his hands


But not Manny — inside the barn she tossed
A scrap of plywood over a barrel
And proceeded to hold shop with
Her knives — the kids eying
The sop of guts scraped
Into a bucket — and later
They watched the dogs whine down
By the brook where this stew
Would be dumped out for them


So eight years later, this evening,
Manny drove up to our place and
Lifted herself out of the car
Telling us she was the new Avon lady —
We didn’t know what to do
With that, but two hours later
Susan had bought sixteen dollars
Worth of Christmas gifts while Manny
Had told us about her past year of
A broken foot, visits to the chiropractor,
Times out here with social workers
Bringing complaints that she was again
Beating the kids — she said she
Didn’t understand, and it hurt her
Because no one loved those kids
More than her — and sometimes she
Would leave here and go back to
New Hampshire where she was born
Only to find out it had
Changed for the worse —
Just like this place she was always
Turning to drive back home to








How It's Done



Of all the things
Out in the field
Around the farm
Lee Strong might
Have taught me it
Wasn’t how he used
A scythe or midstep
Lifted its blade
To comb his stone
Regaining speed —
Though I watched all of
That — and how he
Stood in the middle
Of his work looking
At barely nothing
For a very long
Time, a match tipped
In to re-light his
Pipe — but how
Loosening a belly
Belt he privately
Let his pants drop
Those cooling
Seconds above
His knees









Farmer


There were the weeks when
We hadn’t seen Everett on
The road in his truck or
In the hayfield he tended
For another landowner spreading
Lime and fertilizer, his
Mother waving to us from
Her trailer steps and we wouldn’t
Bother her but went to Everett’s
House back off in the woods
Knocking a few times in the
Mid afternoon. He came to the
Door unrecognized — no cap,
A white undershirt out over
Green work trousers, mouth parting
New whiskers saying come inside.
July and curtains closed.


We sat at a table in the middle
Of one big room,
Darkness piled against
The walls, his wife at work in
Town and the kids off somewhere.
Clearing newspapers from the table
I then saw his hand and three
Fingers chopped off at the large
Knuckle, skin rounded over
For stubs. Everett held up the
Hand and said he’d been out of
Work since the accident haying.
Poured himself more coffee from
A thermos, face pale as smoke.
Shaking his head at how he wanted
To grab back the fingers in the
Baler, but the fingers were gone.


Fifteen years later I heard about
His heart attack, how he sat
Healing beside a window in his
New house near the road drinking
Coffee and reading newspapers with
Eye glasses he never wanted anyone
To see, waving to all the neighbors
Driving by with that damaged
Hand that went back to work.








So Long



They had the big
Auction this morning
Up at Bud’s farm. We
Saw road signs announcing
The event a week earlier and
Wondered where it was,
Coming to the news Bud
Had died last winter in his
Farmhouse,  left alone those 
30 years after his wife
Took her life. That was a
Long time ago — Bud hayed
His mowing 80 times since
Then — had six different dogs
All named Duke, never painted
The barn and didn’t mean to
Change his living even with
The county road dividing his
House from the farm, and every
Year the cars passed faster,
The town got closer and Bud
Crossed the road not looking
Either way, the place was his.
Today old Ford out-of-state
Farm trucks with trailers
Were seen in the village
Riding up the hill to Bud’s
Where his machinery and tools
Have been tagged and specialized.
The house will be sold next.
Wife, dogs, barn cats, swallows,
Straw rats, a few dusty chickens
All dead and not for sale, and
Bud made sure no one got Bud.



_________________

Bob Arnold
O N C E     I N     V E R M O N T
Gnomon