℗ 2021 Cedille Released on: 2021-02-12 Artist: Will Liverman Artist: Paul Sánchez Composer: Damien Sneed
daydreaming w/ Bob Arnold
℗ 2021 Cedille Released on: 2021-02-12 Artist: Will Liverman Artist: Paul Sánchez Composer: Damien Sneed
Hellhound On My Trail
I got to keep moving
I've got to keep moving
blues falling down like hail
blues falling down like hail
Ummmmmmmmmmmmmmmmmm
blues falling down like hail
blues falling down like hail
And the days keeps on 'minding me
there's a hellhound on my trail,
hellhound on my trail
hellhound on my trail
If today was Christmas eve
if today was Christmas eve
and tomorrow was Christmas day
If today was Christmas eve
and tomorrow was Christmas day
(aw wouldn't we have a time, baby!)
All I would need my little sweet rider just
to pass the time away
uh huh
to pass the time away
You sprinkled hot foot powder
umm around my door
all around my door
You sprinkled hot foot powder
all around your daddy's door
hmmm hmmm hmmm
It keep me with rambling mind, rider
every old place I go
every old place I go
I can tell, the wind is rising
the leaves trembling on the trees
trembling on the trees
I can tell, the wind is rising
leaves trembling on the tree
umm hmm hmm hmm
All I need's my little sweet woman
and to keep my company
hmmm hmmm hmmm
my company
__________________________________
Lineated version by Eric Sackheim
LISTEN, I'M AN AGITATOR
“He stirreth up the people. teaching …”
Listen . . . !
I am an agitator—
They call me “Red,”
The color of Blood,
And—“Bolshevik!”
But do you of the toiling South
Know me?
Do you believe these things
About me?
You croppers, factory hands—
Negroes,
Poor whites, and you youth
Who look
Into a dark future,
You who love
The South as I do—
Do you understand?
Do you see that I am YOU,
That I
The Agitator am
You . . . ?
I am Don West, too,
The poet—
A lover of peace and quiet places
A working man
With rough hands that know how
To toil
When there is work.
But the poet
Is a cry for justice,
The Agitator
Is the restless soul of the
Toiling millions—
Stirring, stumbling, groping
Toward
A new world, a world of plenty
And peace!
I am the son of my grandfather,
Of old Kim Mulkey.
His blood burns my veins
And cries out for justice!
I sing to a submerged South,
And she responds
With deep sobs of misery,
She stirs
And anger sets on her lips.
I’m no foreigner;
Nobody
With calloused hands is foreign
To us!
I’m Jim West’s boy,
The one
Who saw his Daddy die
Young
Overworked, underfed—
With pellagra.
It’s not nice to say that,
To say
We have pellagra
Rickets
Hookworm
Bloody-flux
Starvation
In the South.
But I was raised on a hillside farm
Where my Daddy’s sweat
Salted down the red clay.
I’m the son of my mother
The woman who plods between
The cotton rows—
And I’m an Agitator!
And that means I want bread
And homes
And clothes
And beauty
For all the hollow-eyed babies.
I want songs
On the lips, and joy in the eyes
Of you anxious mothers
Who scrub, and hoe, or weave
In a factory.
Do you hear me?
I love
These things more than I love
Peace and quiet,
Or the gentle murmur of
The Chattahoochee
Dragging our old red hills
Down to the mighty ocean.
I am speaking—Listen!
I, the poet
In overalls, working man,
Mountaineer
Agitator!
_______________________
Don West
In April
I am come to the threshold of a spring
Where there will be nothing
To stand between me and the smite
Of the martin's scooping flight,
Between me and the halloo
of the first cuckoo.
'As you hear the first cuckoo,
So you will be all summer through.'
This year I shall hear it naked and alone;
And lengthening days and strengthening sun will show
Me my solitary shadow,
My cypressed shadow — but no,
My Love, I was not alone; in my mind I was talking with you
When I heard the first cuckoo
And gentle as thistledown his call was blown.
__________________________
Sylvia Townsend Warner
Twelve Poems
Chatto & Windus, 1980
Released on: 1998-03-24 Producer: Nick Launay Mixing Engineer: Bob Clearmountain Composer Lyricist: Dan Wilson
Released on: 1968-11-22
Other, Producer: George Martin Composer Lyricist: Paul McCartney Composer Lyricist: John Lennon
Huntsville
ALABAMA, 2021
FOR CHRISTINA NANCE
"Your great grand-daddy was a sharescropper here,"
my gramma would say, "until he disappeared."
Her skin was smooth like dark apple butter,
and her daughter, my mother, would look at me
like I was a whitetail. The windows would crack,
and I'd be left with keloids and jars of pickled eggs.
The rest of my family were alligators. I grew up shy.
Bobbing back and forth in my Sunday best,
I didn't talk much. And when I did, I'd speak
as if my tongue were a sweet potato.
And when I'd sing, I sang making the Lord so proud of me.
I'd feel the Spirit rise within, swaying
my hips and arms like a church fan in one hand,
and frozen strawberry lemonade, in another.
O did I love to sing, and hum hymns in the halls,
and when my sister would say, "Sing, Christian!"
I would! I sure would, knowing my heart would be safe
for long walks away from the forest edge with my sister.
With my eyes hiding behind shelves, I knew to pose,
pay my taxes, write letters, pick passing
blackbirds as lovers. They'd leave, I'd stay
I can smell anything., The scent of passion seeping
in through a man's skin. I'd smell the sheets, Old Spice,
what lotion she was wearing. I can even smell
the white lilacs on the day of my funeral.
To be a whitetail hunter, you must be so still.
I stopped singing the day I went missing.
Supposedly, I'm seen first lying on the lawn.
Supposedly, I'm then seen leaning on the hood of a cop car.
Supposedly, I take off my shoes.
Twelve nights go by.
Somewhere, a whitetail hunter
dressed in camouflage smiles,
one arm around his doe for the trophy picture.
I'm found in the back of a police van.
___________________________
Thea Matthews
Grime
City Lights, 2025
Eastbound
At the end of their lives, the trees,
they tell us, Do not stay where you thin.
Can I speak about thinning? As a child
I wrote these poems I called A Plant Called Hope.
I loved sick plants and wanted more for them.
I loved my mother and wanted more for her.
I lost the small book then lost my grandmother
then lost her house then almost lost my mother.
Believe me when I say plants and people find
their way. This time, I am eastbound. A stranger
has the grace to ask me, "Are you ready to come
back to Virginia?" I stop believing in California:
it hurts too much. Tell me to have my easterly
shoes on. Tell me east will have me back, if
I love softly. I throw on my transition shoes.
Ask me again if I'm ready to come back
to Virginia. This time, ask me in front of the trees.
I'll find a place of rest in the middle of things.
____________________________
MaKshya Tolbert
Shade is a place
Penguin 2025
The Mountain Top
In truth, you still expect to order your life
in peace; you continue to long for glamour and passion.
To guard against the destiny
you don't really know, you work furiously.
Pensive and unathletic as you are, you have
your own intricate schedule,
with your shopping bags and appointments.
You always forget you're a bag of blood.
In sleep, these things lose
their power over you.
Meaninglessness does to you
what it can. When you wake, you have no ideas;
the heart is momentarily light.
As you slip back in the days, you find
you haven't done with certain notions yet.
You read all the time, help yourself to a plate of oysters.
The dreams become fresh and astounding once more,
renewed by the drama of betrayal.
Even the self you take to be so real
falls away while you labor,
and the only stones left are the ones in your throat,
forgone things you have to get down fast
or else you'll choke. At last, you don't even know
what you feel for yourself.
The mountaintop: you can keep your books
and your music there. What's bad in one story
is good in another. Something has made you brave.
There is more to life than writing.
Chicago
I had a little stove, and a wick of wakefulness
in my sleep.
In the mornings, I heard the train roar and go up
into the center of things.
I circulated thoughts like,
I will always be restless for crowds and lights and noise.
I would take long walks and say to no one,
When I was first married. . .
I saw all of Luis Bunuel's films inside of a week:
the darkness was delicious. I could always almost smell it
I wasn't young, I wasn't old, I was still nibbling
at what lay before me.
And later, when I didn't have the energy to wait out the days
made unlike only by fact of the seasons,
I planned a few things, too.
Boston
When I first moved to this city to take a job,
and the snows began to fall, a slow sadness took hold of me.
Someone left a tiny pencil drawing of a sailboat
on the ceiling of my bedroom, and I would stare up at it each night,
thinking that it would eventually stir.
I met someone that first spring, and I didn't love him.
But I very much wanted someone to look at me,
in all my youth and feminine momentum.
Endings
The story has two endings.
It has one ending
and then another.
Do you hear me?
I do not have the heart
to edit the other out.
_______________
Sandra Lim
The Curious Thing
Norton 2021
A wonderful read —
I knew how the great Richard Farnsworth left the body
but not quite that it didn't work quite right. Minor doesn't,
out of respect, mention his name. When I read large portions
of the book out loud to Sweetheart, after a few of these sessions
she finally said, "Who is this guy?" Maybe the best line in the
film Butch Cassidy and the Sundance Kid, but women
said it first.
[BA]
Sarabande Books
2026