Wednesday, February 1, 2012

AMERICAN TRAIN LETTERS ~




Redwood log notch work Fort Ross, California







Out of the car
playing catch
find dry
roadside
snake skin
w/perfectly
formed head
while looking
for the ball



Chapter 36

Jack London.

Flora Wellman, a seamstress, came to resent her
bastard son born from the assistance of one
William H. Chaney, a do good for nothing
"astrologer" who wandered and through a
succession of wives included Flora Wellman from
those whom he abandoned. The baby would be
handed to Mrs. Alonzo Prentiss to wet-nurse for the
first year, and no one could have predicted this lost
boy, given up by everyone but Mrs. Prentiss, would
become a legend before he was thirty and found dead
on his fortieth year. Before all of that the boy was
thrown very young into farm work and later as a child
laborer in urban jobs which presented a sense and
footing to the surroundings of his birthplace in San
Francisco, where he cruised its bay as an oyster pirate
and would live to see in his thirtieth year the city burn
and spill to ruin in the 1906 earthquake. By then he
was Jack London, named when Flora married farmer
John London when "Johnny" London was a year old.

We can only imagine Mrs. Alonzo Prentiss disappeared
from the scene. Also, and a bit humorlessly, imagine this —
how today London would fit just right in the portrait of
some crook or social outcast — prosecutor clearing
his voice and exclaiming: "Your Honor, young London
was abandoned at birth, raised by a black woman —
his mother may have been a prostitute, we aren't sure —
but we know his father was a crook, and of course John London
was beaten and forced to work in various unsavory jobs as
a child" ..., etc. And the real Jack London would have
nothing to do with it. As a teenager he took off to become
a pirate, filling his own sails on the high seas while
struggling through sixteen hour days in canneries
and jute mills before he went to sea aboard his boat
the Razzle Dazzle, which he bought from borrowing
money from his former wet-nurse, now "Aunt"
Jennie Prentiss, the black woman London felt more
a son to than his own mother. Jennie Prentiss didn't
disappear from London's life; nothing disappeared, as
in all engaging lives everything connects. You might

have this overwhelming feeling and gut reaction
when traveling into Sonoma County, on the fringes
of the vineyards but far enough from the respectable
charter of Napa Valley, where folks in double earrings
and bickering moods won't blink an eye at wanting to
charge you $110 a night at the Best Western in
Yountville just up the highway north of the town of
Napa, and we can't even smell grapes from here! You
would do better to go to Jack London's burned down
dwelling at Wolf House and don't be surprised how
easy it isn't to find; the charm and retreat of the place
is just that. Scratching up correct road directions to
the town of Glen Ellen, where London lived his last
years, as did another marvel, M.F.K. Fisher, is tough
enough. The people in the area might be like those in
Bolinas on the coast and how a few of us are here in
Vermont — tearing down every road sign and direc-
tion because — quite politely and don't take it per-
sonally — we don't want to see you. Well we managed

the curl of directions deciphered from our maps and
books, including the straight forward AAA Guide. We
didn't bother a soul asking how to find London, even
though in the heart of one town, which we guessed to
be Glen Ellen, one can locate the Hungry Wolf Res-
taurant — which presents a London aura — but we
didn't stop since we are in a rush near evening thinking
some park gate will close and we won't be able to
get in; though certainly we would hike in if it came to
that, which it did. The best parts of California you
have to hike or slip up ground to get to, whether the
base of Yosemite Falls where we scurried one morning
away from the crowds mesmerized upon one bridge
(the damn bridge now reminds me of a bridge I
waited upon in Orlando's Disney World trying to
catch a glimpse of Susan, Carson and his red-haired
cousin Megan tipping over the crest of the ride Splash
Mountain, where you sit in a peanut shell which at
the top of this water track each vessel participant, like
it or not, it's too late! are nipped at a ninety degree
angle; yes the world drops out from under you as the
boat glides to the waterfall ledge and the kingdom of
Disney World can be overviewed, and down the
chute the peanut shell goes with everyone aboard
either screaming for their lives, raising their arms
(teenagers) or biting their tongue and worse. It lasts a
few seconds, is all, and kids generally want to go back
up again); so I wonder now, having scrambled to the

base of Yosemite Falls, becoming drenched in its
flower, and seeing tucked away in a crevice, some
young giddy adventurer sending us a friendly wave as
if to say he has also climbed to the foot of something
marvelous. And of course he has. Will a Splash
Mountain someday be running over Yosemite Falls?
The crowds appear to view the falls waiting for some-
thing to happen. At Jack London State Historical Park
nothing is happening. The large parking lot is vacant
and by a stroke of luck the park closes at seven and
here it is exactly six o'clock with the birds starting to
grace the woodlands' twilight. Don Herron is on target
in his excellent book
The Literary World of San Francisco & Its Environs:
"No other literary site in this state gives the visitor the feeling
of commercial success that Beauty Ranch does —
the realization that a man by virtue of his writing
transformed one of the most magnificent areas in
the state into a personal Shangri-la."

London moves to his beauty ranch in Glen Ellen
when he is twenty-nine years old. It's 1905.
In the famous earthquake the following year, most of
the homes occupied by the London family will be
destroyed, while many others will fall in the current
of urban renewal that would dash through Oakland in
the decades after London's death. No dwelling connected
to London stands in San Francisco today, but plaques
can be found, and across the bay in Oakland is
Jack London Square where the cabin London inhabited
as a prospector in Alaska was hauled down from
Henderson Creek by London devotees, discovered
in the late i96os, and supposedly the log framework
is fully restored hunched upon the square in
Oakland with other Jack London memorabilia. We

passed that up on our drive, saving it for the drinking
and shopping characters in the Jack London revue; I
mean London returned from the Yukon because his
health was failing him, it was either flee the north or
die from scurvy. He left for the Alaskan gold fields in
1897 at age twenty-one and returned a year later, sick
as a dog, his stepfather dead, and the prospect of paying
the rent and bills for the London family now facing him.
He'd done his pirating, worked the laundries,
canneries, delivered newspapers, even switched
from being "prince of the Oyster Pirates" to a law
enforcement official in the Marine Fish Patrol, which
lasted only a few months and was replaced with less
glamorous jobs as a longshoreman and salmon fisher
where London frequented waterfront saloons teaming
up with socialist thinkers who counseled young
Johnny about the life he had been forced to endure
as a child to hack labor — how it only enriched the
wealthy. Before Alaska, when Jack London signed on
with a sealing expedition to Russia and Japan, he was
seventeen years old. The next few years would find

him hoboing, riding the rails, arrested for vagrancy
and revealing his true identity — no matter the
$1,000,000 he earned in his later years as a writer —
"I loved life in the open," London wrote. "Learning
no trade, but drifting along from job to job, I looked
on the world and called it good, every bit of it." A man
who practiced what he preached. The walk to London's
Wolf House is a life built in the open and since the
park will close in one hour we are compelled to
follow the signs and stick to the path. A sign at the top
of the path, near the House of Happy Walls, built by
Charmian London, Jack's second wife and perhaps
spiritual equal, is a handsome stone building housing
more Jack London artifacts than you might have any
interest in. But then the doors are locked and we are
forced to look through the tall windows scanning over
London's typewriter, large globe, worn books, and I
can't see further into the darkening rooms but have
lifted Carson up to peek in so he has an idea about the
heroic writer of
The Call of the Wild followed by
The
Sea Wolf, stories he is familiar with involving ice bitten
men and their wolf-type dogs, millions of dollars
grossed on the books and films for a failed adventure
by a young San Franciscan for one year of his life
who would return — like Mark Twain's failures at
mining in California's Washoe and Sierra — to a
civilization ready for their tales from the frontier.

But that sign near House of Happy Walls (I love that
name) does say rattlesnakes are off the pathway, plus
poison oak, so we will behave and not steer away. The
path for a moment is blacktop, plenty wide enough
for two, though buckling in places which eventually
gives way to a comfortable dirt trail and finally an
access road that goes the rest of the way to Wolf
House and London's grave. This road must be for
services, but we are all alone out here, sunshine wet-
ting the tops of trees and one can imagine London,
newly divorced from his first wife Bessie and now
wedded to Charmian, having already written the
books establishing his name, now buying the first
one hundred thirty acres, followed by an additional one
thousand more, where London has decided to finally
settle down, raise livestock, and develop his theories
on agriculture. And of course write at his superhuman
routine — sleep for four and a half hours, rise at
dawn, and write one thousand polished words a day.

London upheld that schedule from the time he was
twenty-four years old when his first book
The Son of the Wolf
was published. He kept the schedule until he was
dead and buried on his ranch — "Beauty Ranch" —
as it is known, on November 22,1916. Exactly forty.
The official report declares he died of uremic poisoning,
but others believe it was a morphine overdose, and
all fingers point to his book many of us read as boys;
later devoting our lives to writing and adventure
after we finished
Martin Eden, where London's
autobiographical character committed suicide.
Thank Ina Donna Coolbrith, the librarian at the
Oakland Public Library, who London credited as being
the most influential woman in his life; this poet-librarian
brought the world of books to the young London
which no doubt saved his boyhood from a cable
of drudgery and hysterical living into the evolution
of self-learning. The adventure went to sea, into
the much hyped Alaska gold, over the open road
and into the books entirely activated by a wild nature,
the wolf tooth and claw, where man greets the animal
on his turf and lives it out. Very few writers have taken
their dreams to this limit, then crashed as quickly as
London had after his $70,000 expenditure: Wolf
House — today gothic in ruin, the dream structure
London had plans to guide his empire — burned in
an unexplained fire the night of August 25,1915. Now

to give you an idea just how possessed London was
— and it shows remarkably well viewing the ruins of
Wolf House — this house burns in 1913 during the
same year he had built one house and then another
back in Oakland because he thought the first house
and location was unhealthy for his children. It liter-
ally all comes crashing down. How Charmian survived
until 1955 living in her House of Happy Walls,
dedicating her life and property to the memory of Jack
London, is a devotion to man, literature and beauty.
Never mind that London was crazed during all this
time developing Beauty Ranch, buying acreage, that
midway into the plans he would up and have his yacht
the Snark built, just a year after the earthquake, when
lumber in San Francisco was fetching a premium
price. From 1907 to 1909 London and Charmian set
sail aboard the poorly constructed Snark with the talent
of attracting publicity on their around-the-world-cruise.

There is no feeling to this flighty side of London when
you stand before his gravesite, an enormous undressed
stone in a grove of manzanita. The trail to the site is
clearly marked, and we go there before Wolf House
which is around another bend then down into a wooded gully.
The grave reminds us of Emerson's stone in Sleepy Hollow Cemetery
in Concord, Massachusetts, except London's is surrounded
by a strong iron fence. Only his close family,
ranch hands and, of course, his writing pal George
Sterling were at the burial when London's ashes were
planted. The site is unadorned as any sentence in

The
Call of the Wild; you pilgrimage and see but you must
walk awhile through Beauty Ranch to get there. Wolf
House is almost a frightening idea after a visit to the
grave. Down in its domain, but only the flammable
wood dimension — roof and flooring— is vanished
from the dream. The stone of the building hulks on.
It seems the fire was only yesterday, monumental in
scope and final construction, great round caliber rock
mortared well to one another, pillared in places is the
effect. The park has framed a walkway to beset a vista
into the Wolf, and no doubt to save the curious from
scaling the walls as we step almost cautiously around
the structure, stopping to gape into one castle-like
room: here is a dry "reflecting pool" of London's own
design, now spattered with wet leaves since the interior,
without a roof, is in motion with the outdoors.

The pool looks more to be a cement trough. The entire
location draws a parallel with Tarkovsky's film
Stalker
where the lost souls in the film are provoked at
some point to wade through an unpleasant pool of
water. They have the roles of writers. We feel Jack
London with us and would rather get away — the fire
that caught up with his remarkable but frantic life has
left a haunting memory — one easy to ridicule despite
the fact the presence of the Wolf is ominous enough
to be alive. It is so unlike Robinson Jeffers' celestial
stone house and tower in Carmel. Jeffers' tower
handiwork, built by himself towing stone by stone
up from the Pacific, remains as the man who set
each stone there. Jack London lost direction. He had
his Wolf House built on an ordered dream manufac-
tured from a great deal of money earned from his
writing labors; almost without choice from the life he
had experienced, these stories had to be told. And today
they have been translated into eighty languages.

I like to imagine Jack London on icy Henderson
Creek. Whenever I see a wolf or track or claw logo I
think of London. If you go to Beauty Ranch, sit out in
the vivacious grassland in the sun. Perhaps you will
spot the large crow we saw perched on a low branch
when hiking the pathway back to our car, halfway to
the House of Happy Walls, closing in on seven
o'clock and maybe this wary bird we called "Jack"
thought nobody was around.




~ Bob Arnold, from American Train Letters
(Coyote Books, 1995)




photo © bob arnold




Tuesday, January 31, 2012

EARTH ~





Pearl Jam (2006, Toronto)



Yellow Ledbetter by Pearl Jam on Grooveshark




I was reminded of this song (with its many nods to Hendrix) after watching 50/50 with the always fine Joseph Gordon-Levitt. Catch it if you can.











HAPPY BIRTHDAY ~






Folklorist's Global Jukebox Goes Digital

Alan Lomax/Association for Cultural Equity

The collection of the folklorist and ethnomusicologist Alan Lomax is being digitized for dissemination. Above, a photo he took at a church in Portsmouth, Va., in 1960.

The folklorist and ethnomusicologist Alan Lomax was a prodigious collector of traditional music from all over the world and a tireless missionary for that cause. Long before the Internet existed, he envisioned a “global jukebox” to disseminate and analyze the material he had gathered during decades of fieldwork.

Multimedia

Association for Cultural Equity


Association for Cultural Equity

A decade after his death technology has finally caught up to Lomax’s imagination. Just as he dreamed, his vast archive — some 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, 5,000 photographs and piles of manuscripts, much of it tucked away in forgotten or inaccessible corners — is being digitized so that the collection can be accessed online. About 17,000 music tracks will be available for free streaming by the end of February, and later some of that music may be for sale as CDs or digital downloads.

On Tuesday, to commemorate what would have been Lomax’s 97th birthday, the Global Jukebox label is releasing “The Alan Lomax Collection From the American Folklife Center,” a digital download sampler of 16 field recordings from different locales and stages of Lomax’s career.

“As an archivist you kind of think like Johnny Appleseed,” said Don Fleming, a musician and record producer who is executive director of the Association for Cultural Equity and involved in the project. “You ask yourself, ‘How do I get digital copies of this everywhere?’ ”

Starting in the mid-1930s, when he made his first field recordings in the South, Lomax was the foremost music folklorist in the United States. He was the first to record Muddy Waters and Woody Guthrie, and much of what Americans have learned about folk and traditional music stems from his efforts, which were also directly responsible for the folk music and skiffle booms in the United States and Britain that shaped the pop-music revolution of the 1960s and beyond.

Lomax worked both in academic and popular circles, and increased awareness of traditional music by doing radio and television programs, organizing concerts and festivals, and writing books, articles and essays prodigiously. At a time when there was a strict divide between high and low in American culture, and Afro-American and hillbilly music were especially scorned, Lomax argued that such vernacular styles were America’s greatest contribution to music.

“It would be difficult to overstate the importance of what Alan Lomax did over the course of his extraordinary career,” said the writer Tom Piazza, who has written an introductory essay for “The Southern Journey of Alan Lomax,” a book of about 200 of Lomax’s photographs that is to be published in the fall. “He was an epic figure in and of himself, with a musical appetite that was omnivorous and really awe inspiring, who used the new recording technology to go and document musical expression at its most local and least commercial.”

Lomax, a Texan by birth, devoted the last two decades of his life to the Global Jukebox project. Looking for commonalities among musical styles from all over the world, he early on began using personal computers to help develop criteria to identify and classify such similarities, in the process creating something very much like the algorithms used today by Pandora and other music streaming services.

“Alan was doubly utopian, in that he was imagining something like the Internet based on the fact he had all this data and a set of parameters he thought of as predictive,” said John Szwed, a Columbia University music professor and the author of “Alan Lomax: The Man Who Recorded the World,” a biography published in 2010. “But he was also saying that the whole world can have all this data too, and it can be done in such a way that you can take it home.”

That is one goal of the Association for Cultural Equity, which oversees Global Jukebox and other Lomax-related initiatives from modest offices at Hunter College in Manhattan, with a budget that was $250,000 last year. The music Lomax collected has been available in 45-second snippets on the Cultural Equity Web site for several years but is now being digitized in its entirety for streaming, a process scheduled to conclude next month; a similar process is under way for his radio shows, lectures and interviews. Some music is also being sold in formats ranging from iTunes and CDs to vinyl LPs. A small proportion of the Lomax material has been made available on commercial labels like Rounder and Atlantic.

“This project has evolved as the technology has evolved,” said Lomax’s daughter, Anna Lomax Wood, who is president of the Association for Cultural Equity.

Lomax’s primary interest was music, and he recorded not just across the United States but also extensively in the Caribbean, Britain, Ireland, Spain, Italy and even the Soviet Union. That led to an interest in comparing global dance styles, and so the archive also has what Ms. Wood said was “the biggest private collection of dance film anywhere, and from everywhere,” much of which will be put online.

Even before digitization of the collection is complete, musicians, educators and others have been dipping into it. Bruce Springsteen’s new album, “Wrecking Ball,” due out in March, uses samples from the archive on two songs, and more than a decade ago Moby drew heavily on Lomax’s field recordings from the South for his hit album “Play,” as did the “O Brother, Where Art Thou?” movie and soundtrack.

“We go from the attitude that we just want everyone to use it, whatever their budget is,” Mr. Fleming said. “If it’s educational or for the press, it’s usually no charge, and when someone has a budget, well, then we just want to get roughly what other people are getting.”

Recently Google has come calling, with an interest in setting up a site to preserve endangered languages, Ms. Wood said. Though the recordings Lomax collected himself through fieldwork is enormous, the archive also contains material that he obtained from other researchers around the world, including spoken samples of languages that are now vanishing.

“Because he was so interested in so many different aspects of singing, dancing and speaking around the world, he gathered everything he could find, from disparate cultures,” said Todd Harvey, curator of the Alan Lomax Collection at the Library of Congress’s American Folklife Center, which holds much of Lomax’s work.

The Association for Cultural Equity also has what it calls a repatriation program, meant to make Lomax’s work available to the communities where it was obtained and to pay royalties to the heirs of those whose music was recorded. On Friday recordings, photographs, video and documents are to be donated to the public library in Como, Miss., where in September 1959 Lomax made the first recordings of the blues guitarist Fred McDowell, whose songs were later covered by the Rolling Stones, Aerosmith, Bonnie Raitt and Jack White of the White Stripes.

“My father always felt that part of his job was to give something back to the people whose culture it was,” Ms. Wood said. “It’s a way of saying, ‘What you do is worth something,’ and what we do is an extension of that.”

Ms. Wood has been immersed in her father’s music collection all her life, even accompanying him on some field trips when she was a child. But Mr. Fleming’s route was roundabout: originally a member of the punk band Velvet Monkeys, he has produced records by artists like Sonic Youth, Hole and Teenage Fanclub before succumbing to the beauty of the music Lomax collected and especially the ethos associated with it.

“Alan saw immeasurable worth in something off the radar that everyone else ignored or saw no worth in, and he was against that homogenized Top 40 world that most people live in,” Mr. Fleming said. “Just the idea of him out in the field with his Presto recorder, dusting the thing off as it’s running, it’s all kind of punk rock to me.”





Monday, January 30, 2012

EARTH ~

(short & sweet)









a little film shot last summer and saved for now, mid-winter, for a touch of humor & green
film © bob arnold

Sunday, January 29, 2012

EARTH ~






The largest patch of old growth redwood forest remaining in Humboldt redwoods state park, California. Redwood are the tallest record trees in the world with one specimen reaching: 115.56m. Common names include coast redwood, California redwood, and giant redwood


http://www.guardian.co.uk/environment/gallery/2012/jan/26/worlds-biggest-trees-in-pictures#/?picture=385059245&index=0






photograph: michael nichols
the guardian (U.K.)





Saturday, January 28, 2012

EARTH ~






Saul Alinsky, community friend and skilled organizer, with book under arm,
on the streets of Chicago



Some say : Chicago + Saul Alinsky + Barack Obama = BAD.
Really?
Pipe down & read:

Friday, January 27, 2012

EARTH ~





Joe Hill, January 14, 1914 (age 34)




JOE HILLSTROM by WOODY GUTHRIE


On January Tenth Nineteen Fourteen
Two men fixed some masks of red handkerchiefs
Walked into the Temple and South Street Store
Laid Morrison and his son dead on the floor.
Before he died Merlin Morrison
Reached under his counter and pulled his gun
The fellows tried to run back out the door again
Morrison put a bullet in one of the men.
Just three days later you arrested me
At the Eselius home on Seventeenth South Street
Just because I've got a fresh bullet hole
You claim that I killed the Morrisons in their store.
I was courting a woman and had a fight with a man
He fired a pistol that lodged in me
Old Prosecutor Leatherwood can beat out his brains
But I'm not going to tell you this lady's name.
Take away these attorneys you picked for me
My own lawyer now I'm going to be
It's because I'm a union organizer in the copper mines
You've got me on your killing floor to die.
My labor friends sent Judge Hilton and Christensen
To prove I did not kill the Morrisons
But I cannot drag my lady's honor down
I can't tell where I got my gunshot wound.
It was in June you convicted me
You said I was guilty in the worst degree
I don't want your pardon, but an honest trial,
If I can't get a fair trial I will die.
President Wilson wired the Governor Spry
Saying please don't let Joe Hillstrom die
Several thousand letters and telegrams
Piled up on the governor's desk from workers hands.
The governor wired to Wilson, Nothing I can do,
The Pardon Board and Supreme Court, too,
Both did uphold the frame up trial
They all want to see me walk my last long mile.
The death watch is set, it's November Eighteenth,
My comrades are marching up and down the streets
Of all of the cities and the towns around
They can sing Joe Hillstrom never let them down.
The Nineteenth Day of November is here
A frosty old morning with winter in the air
Two telegrams that I got to send
To Elizabeth Gurley Flynn and Bill Haywood.
It's a hundred miles to the Wyoming line
Could you arrange to have my body hauled
Past that old state line before you bury me at all
I just don't want to be found dead here in Utah.
Hey, Gurley Flynn, I wrote you a song
To the dove of peace. It's coming along.
I lived like a rebel, like a rebel I die.
Forget me. Organize these copper mines.
They march me now out to the baseball park
Tie me down in a chair, and the Doctor marks my heart
With a little white rag against this black robe
Goodbye Joe Hillstrom you done a pretty good job.






Elizabeth Gurley Flynn joined the New York City local 179 of the I. W. W. in 1906 (at age 16) and soon became the foremost woman organizer in the I.W.W.. She subsequently joined the American Communist Party and was serving as an officer until her death in 1964. By Joe Hill's own admission, Elizabeth Gurley Flynn was the inspiration for his song "The Rebel Girl."

In May 1915, Elizabeth Gurley Flynn visited Joe Hill in jail for one hour; although this remained their only meeting, they corresponded frequently.
Just prior to his execution, Hill sent two telegrams to Elizabeth Gurley Flynn:

Composed new song last week, with music, dedicated to the 'Dove of Peace.' It's coming. And now, good-bye, Gurley dear, I have lived like a rebel and I shall die like a rebel.

Dear Friend Gurley:
I have been saying Goodbye so much now that it is becoming monotonous but I just cannot help to send you a few more lines because you have been more to me than a fellow worker. You have been an inspiration and when I composed the Rebel Girl you was right there and helped me all the time. As you furnished the idea I will now that I am gone give you all the credit for that song, and be sure to locate a few more Rebel Girls like yourself, because they are needed and needed badly.... With a warm handshake across the continent and a last fond Goodbye to all I remain
Yours as Ever
Joe Hill


~


William D. "Big Bill" Haywood, an organizer for the Western Federation of Miners, chaired the sessions at the founding convention of the I. W. W. (June 27, 1905) and soon became one of the most colorful and forceful labor leaders in American history. As general secretary, Haywood was instrumental in raising money for Hill's appeal for a new trial and in organizing the protest against Hill's execution.

On Nov 18, 1915, Joe Hill sent the following telegram to Bill Haywood:

Goodbye Bill: I die like a true rebel. Don't waste any time mourning -- organize!
It is a hundred miles from here to Wyoming. Could you arrange to have my body hauled to the state line to be buried? I don't want to be found dead in Utah.
Joe Hill
Haywood sent the following farewell telegram:
Goodbye Joe: You will live long in the hearts of the working class. Your songs will be sung wherever the workers toil, urging them to organize.
W. D. Haywood


Joe Hill's body was transported to Chicago and cremated on Nov 26, 1915. His ashes (in accordance with his Last Will) were placed in envelopes and distributed to I. W. W. locals in every U.S. state but Utah, to South America, Europe, Asia, South Africa, New Zealand, and Australia. On May 1, 1916, the ashes were released to the wind.



(as reprinted in Gibbs M. Smith, Labor Martyr Joe Hill, New York, NY, 1969)







Thursday, January 26, 2012

EARTH ~




Roadside SW




photo © bob arnold


Wednesday, January 25, 2012

BIRTH ~





Joan Didion and Quintana Roo, 1966



CHAPTER 10


She was born in the first hour of the third day of March, 1966, at St. John’s Hospital in Santa Monica. We were told that we could adopt her late the afternoon of the same day, March third, when Blake Watson, the obstetrician who delivered her, called the house at Portuguese Bend in which we then lived, forty-some miles down the coast from Santa Monica. I was taking a shower and burst into tears when John came into the bathroom to report what Blake Watson had said. “I have a beautiful baby girl at St. John’s,” is what he had said. “I need to know if you want her.” The baby’s mother, he had said, was from Tucson. She had been staying with relatives in California for the birth of the baby. An hour later we stood outside the window of the nursery at St. John’s looking at an infant with fierce dark hair and rosebud features. The beads on her wrist spelled out not her name but “N.I.,” for “No Information,” which was the hospital’s response to any questions that might be asked about a baby being placed for adoption. One of the nurses had tied a pink ribbon in the fierce dark hair. “Not that baby,” John would repeat to her again and again in the years that followed, reenacting the nursery scene, the recommended “choice” narrative, the moment when, of all the babies in the nursery, we picked her. “Not that baby . . . that baby. The baby with the ribbon.”

“Do that baby,” she would repeat in return, a gift to us, an endorsement of our wisdom in opting to follow the recommended choice narrative. The choice narrative is no longer universally favored by professionals of child care, but it was in 1966. “Do it again. Do the baby with the ribbon.”

And later: “Do the part about Dr. Watson calling.” Blake Watson was already a folk figure in this recital.

And then: “Tell the part about the shower.”

Even the shower had become part of the recommended choice narrative.

March 3, 1966.

After we left St. John’s that night we stopped in Beverly Hills to tell John’s brother Nick and his wife, Lenny. Lenny offered to meet me at Saks in the morning to buy a layette. She was taking ice from a crystal bucket, making celebratory drinks. Making celebratory drinks was what we did in our family to mark any unusual, or for that matter any usual, occasion. In retrospect we all drank more than we needed to drink but this did not occur to any of us in 1966. Only when I read my fiction, in which someone was always downstairs making a drink and singing “Big Noise blew in from Winnetka,” did I realize how much we all drank and how little thought we gave to it. Lenny added more ice to my glass and took the crystal bucket to the kitchen for a refill. “Saks because if you spend eighty dollars they throw in the bassinet,” she added as she went.

I took the glass and put it down.

I had not considered the need for a bassinet.

I had not considered the need for a layette.

The baby with the fierce dark hair stayed that night and the next two in the nursery at St. John's and at some point during each of those nights I woke in the house at Portuguese Bend to the same chill, hearing the surf break on the rocks below, dreaming that I had forgotten her, left her asleep in a drawer, gone into town for dinner or a movie and made no provision for the infant who could even then be waking alone and hungry in the drawer in Portuguese Bend.

Dreaming in other words that I had failed.

Been given a baby and failed to keep her safe.

When we think about adopting a child, or for that matter about having a child at all, we stress the “blessing” aspect.

We omit the instant of the sudden chill, the “wait-if,” the free fall into certain failure.

What if I fail to take care of this baby?

What if this baby fails to thrive, what if this baby fails to love me?

And worse yet, worse by far, so much worse as to be unthinkable, except I did think it, everyone who has ever waited to bring a baby home thinks it: what if I fail to love this baby?





from Blue Nights
Joan Didion
(Knopf 2011)

Tuesday, January 24, 2012

REPUBLIC ~






President Barack Obama showed in his State of the Union speech tonight that he has the ability to be both the greater Democrat and greater Republican. Essentially nixing every Republican in the room, and most were sitting on their hands in childish defiance thinking not applauding sound and often conservative ideas was the proper response. It's amazing to watch what goodness applied by Obama, politicians on the Right just won't give back. It's schoolyard, it's petty, it's just the sort of leadership that will never work and is a sham. Only a gentleman like Obama would hold off reminding the seated group (both parties) they are the lowest of the low for public approval in our nation's history. Many of them should be yanked out of office as a bad warped board, bent nail, tapped out screw. With his dual carriage as a speaker in Democrat & Republican flair, President Obama emptied the room of dead souls and pretty much exposed what is running against him in the 2012 election: snake oil salesmen, fat cats, loud mouths, old fear and staged ideas. Plus a denial mean as war.




photo: doug mills, ny times



COMMANDMENTS ~



Right about now, you need this:


EARTH ~


MT. EVEREST



After Mt. Everest, the Bronx

Jinpa Sherpa, Mount Everest guide and mini-mart worker.


By

The Particulars

NAME Jinpa Sherpa

AGE 38

WHERE HE’S FROM Khumjung, Nepal

WHAT HE IS Mount Everest climbing guide and gas station attendant

TELLING DETAIL The Buddhist monastery in his home village proudly displays a scalp that, according to local lore, belonged to a yeti that befriended a local monk centuries ago.


JINPA SHERPA is unfailingly cheerful and helpful as he rings up your gas and coffee and lottery ticket at the Gulf station mini-mart on Leggett Avenue in the Hunts Point section of the Bronx.

And if you want to scale Mount Everest, he can help you with that, too.

“They are very different jobs; I realize this,” said Mr. Sherpa, 38, who, as his name implies, belongs to that renowned ethnic group of hearty mountain people from eastern Nepal known for their excellence as guides on Mount Everest and other Himalayan peaks.

In the mountains, Mr. Sherpa can spend months trekking over glaciers and negotiating ice falls and treacherous crevasses at nosebleed heights. His duties include scrambling ahead up snowy slopes, lugging heavy packs, setting ropes and tents, and heating hot noodles for climbers.

In the Bronx, he is a Sherpa of a different sort: furnishing fast food and daily necessities to truck drivers, warehouse workers and mechanics who seek sustenance from this base camp in the middle of a gritty industrial area.

Mr. Sherpa tends the dozen dispensers at the coffee island, replenishes the pizza under the heat lamp and straightens the shelves and condiment bins — all with the same dedication and care he employs on the mountain when checking his clients’ oxygen tanks and lifelines.

His mountain climber’s neck scarf bears the Tibetan and Nepali flags, and in his right ear is a small gold earring shaped like an ice climber’s pickax. Then there are his good cheer and compact build, for which the Sherpas are known, and the stocky legs that seem made for climbing.

Mr. Sherpa is one of the mountaineering world’s elite guides. He can carry loads at altitudes upward of 20,000 feet without collapsing from lack of oxygen. He has trekked up Mount Everest a dozen times and has reached the summit five times, putting him in rare company. But between guide jobs in the spring and fall, he often travels to the United States to find temporary work.

“For me, it is a way to learn about Western culture, and also make a little money to send my son to school in Katmandu,” he said. “Some of this is the same stuff I do on the mountain.”

Mr. Sherpa stays with Sherpa friends in Queens, where they gather in restaurants in Jackson Heights and enjoy spicy meals and butter tea. He rides three subway trains each morning to the gas station, where he works weekdays from 6 a.m. to 6 p.m.

Yes, he says, it is a long way from the top of the world to the bottom of the employment food chain, as the new guy working for meager wages. Customers and co-workers know nothing of his climbing career. Back in Nepal, Mr. Sherpa said, he earns about $4,000 to take climbers on a two-month trip up Mount Everest. Reaching the summit can bring a $1,000 tip.

Mr. Sherpa brought his climbing equipment to the United States and spent a few weeks ice climbing with friends in Massachusetts, and gave free climbing workshops. On weekends, he does a bit of climbing on the rocky outcroppings in Central Park, he said, standing near the Slurpee machine on Wednesday.

He walked outside near the gas pumps and flipped through photographs on his smartphone of himself at snowy heights. Mr. Sherpa grew up in Khumjung, a village roughly 12,000 feet above sea level and not far from Mount Everest. It is known for its mountain guides and its Buddhist monastery. Mr. Sherpa’s father, Mingming Tsering Sherpa, was a professional guide who also made a living by renting the family’s four yaks as transport. Mr. Sherpa attended a school financed by the Sir Edmund Hillary Foundation.

Mr. Sherpa began climbing Everest at age 12 with his father, but beginning in his late teens, he took eight years away from climbing to study to be a monk. He returned to climbing, which can be a spiritual pursuit itself, he said.

“When I’m climbing, my mind is very clear and happy — it’s like meditation,” he said. “You have to be focused enough to grab a tiny crack in the rock and trust it with your life, or drive your ax into the hardest spot in the ice.”

Mr. Sherpa, who has a five-year work visa, says that when the mountain finally wears out his legs and back, he will hang up his crampons, put the yaks out to pasture and, he hopes, become a full-time New Yorker. Now, however, he has an expedition booked for March, and the Sherpa of Hunts Point will go back to the Himalayas.


photo : Julie Glassberg for The New York Times

E-mail: character@nytimes.com

mteverest.com

Monday, January 23, 2012

EARTH ~







The holiday tree, balsam, held its needles for three weeks in a cold room of the house (in the kitchen library where we keep it unheated through winter). The next two weeks we set the tree, with lights, out in the backyard, going strong. When the needles finally fall off the tough one, we'll then cut the tree up and burn it for warmth. For now it's a pretty warm light through the night.




photo © bob arnold




Sunday, January 22, 2012

EARTH ~







The day before the snowstorm that was sure to bury us now for good and begin a real winter, I set off on the woodlot trail with chalk in pocket and left behind some signposts, signatures, and friends.




































































next day ~ snow!









photo © bob arnold

A Hike Before Snowfall With Chalk In Hand
(cat on the trail behind me and true love)