Tuesday, April 17, 2012

EARTH ~









SPINNING WHEEL



A poet friend from Scotland tells another to
Meet me in Vermont when she arrives


In our town we live for months & months
Both unknown to one another


Then a poet from North Carolina
Visits to read in town


He is friendly and speaks of
Poets he knows hereabouts


My name comes up
He nods my way


Unknown to me the woman from
Scotland is in the audience


This is how we meet




[ BA ]










photo © susan arnold

Monday, April 16, 2012

EARTH ~






Peter Lamborn Wilson
"ec(o)logues"
Sloow Tapes


please click on image to enlarge



I love mail-art and have practiced it myself for forty years in all sorts of sending venues.


I also love receiving mail from outposts close to the earth, barely any funds, scratching together a great idea and running with it: music, poetry, film, art, anything handmade. The world won't quite end if we continue to make the hand~makers! So teach your children well, share with your neighbor, put your poems and art and music, one by one, into hands.


The Other World out there, of business and profits and arguments and fights, doesn't have a clue what any of this about. Much of the world continues to listen to dignified idiots, or actually think there needs to be a qualification as to a 99% and a 1%.


Well there is a difference and it's rather easy to detect: 99% counts their change.
1% doesn't carry change.
http://www.nytimes.com/2012/03/26/opinion/the-rich-get-even-richer.html?hp


Sloow Tapes is out of Belgium and run by
bart de paepe
at
sloowtapes@gmail.com

it's delightfully handmade and of immediate purpose: poets or musicians at work and prepared all on easy access cassette, with personalized inner sleeves about the performer and often art work to match the eye and meal. Good stuff.








Sunday, April 15, 2012

EARTH ~




These 23 Days in September by David Blue on Grooveshark


Now and then you can walk into a used music store and if you're lucky get to hear a little gem like this song rolling. . .and even better find a copy of the LP tucked under other bins, on the floor, stuffed in a box, sort of like a coffin. Blue was young when he passed away from a heart attack while jogging in Washington Square Park in New York City, 1982, age 41. He had recorded eight albums, appeared in Bob Dylan's Renaldo and Clara, as well as Wim Wenders An American Friend and other films, and at one time his name was on the same breath and wavelength as his Greenwich Village folk musician cohorts Tom Paxton, Eric Anderson, Dave Van Ronk, Bob Dylan et al. A few words are in order to remember and certainly respect the memory of the man and artist — but really I want to share the song with you and have it play & play. Forever. It wasn't on the Grooveshark mammoth jukebox, so we loaded it on.








Saturday, April 14, 2012

BOOK ART ~






Krystyna Wasserman
Princeton Architectural Press, 2007, 2011


This book showcases more than one hundred of the finest artists' books culled from the collection of the National Museum of Women in the Arts








Claire Van Vliet

Circulus Sapientiae (Circle of wisdom), 2001

Pulp painting on handmade paper, CD

5.5 x 12 in. / Edition of 120








Allison Cooke Brown

Teatimes, 2005

teabags, sepia ink, silk-covered box w/paper lining,
bone clasp









Pamela Spitzmueller

British Museum Memoir, 1997

small-grid graph paper, color pencil

ink, copper sheet and copper wire









Lois Morrison

Endangered Species, 1999

cloth over board, color-copied drawings,
gocco prints, paper, color pen









Emily Martin

Eight Slices of Pie, 2002

inkjet on paper, aluminum and plastic pie pan









Mary Bennett

German Egypt, 2002

altered book








Meret Oppenheim

Caroline, 1985

letterpress, colored etchings, embossing









Mirella Bentivoglio

Litolattine, 1998

iron, tin cans, caps









Karen Kunc

Small Gifts, 2004

text from Finnish folk song
color etchings and aquatints on handmade paper, letterpress










Genie Shenk

Dreams: 2005

I went to sleep, where did I go?


(not in this book, but irresistible)






Emily Martin, Lois Morrison, Allison Cooke Brown, Claire Van Vliet, Pamela Spitzmueller, Krystyna Wasserman, Karen Kunc, Mirella Bentivoglio, Meret Oppenheim, Mary Benett, Genie Shenk,




Friday, April 13, 2012

NEW BOOK! ~










NOT HERE


It was
a room which
she slowly
filled


or it was
a movement that
she
made


or
just that she was there
and
stayed.


Considering
the time of day
the opportunity
was to


his advantage. The
time she
stayed
and still more. The


movement, the
confusion.
How together they saw
through the confusion.


They almost
could have said
we're
happy.




Rolf Dieter Brinkmann
trans. Mark Terrill














Thursday, April 12, 2012

EARTH ~





Tamarack



EARTH ~











back road chalkie
photo © bob arnold




Wednesday, April 11, 2012

Tuesday, April 10, 2012

EARTH ~




Jane and Paul Bowles, New York, 1944




PAUL BOWLES, HIS LIFE
previously unpublished journal, 1986



The first sky he saw was the sky above New York.

Winters it snowed. The school was dark.

There was a song which went: "When you come back, if you do come back."

It was addressed to the American soldiers in France.

There was a day when the children paraded in the street.

They sang "Marching through Georgia", a song of victory from the Civil War.

Now it celebrated a different victory.

Kaiser Wilhelm would no longer haunt the children's dreams.

Summer meant sunshine and lakes and crickets.

The peaches dropped to the ground and were speared
by the stubble.

A day was invisible, had no hours.

The dark brought the voices of the night insects.

But school went on for many years. Discipline was strict.

The idea of escape took root and grew.

A night with thunder in the sky he packed his bag and left.

The S.S. Rijndam was old and slow. This was its last voyage.

Passengers for Boulogne went ashore in a dinghy,
rocked by the waves.

At dawn the empty streets of Paris were clean and shining.

This was fifty-seven years ago. Things are different now.

The excitements of Paris: Le Cafe du Dome, La Mosquee.

Le Theatre du Grand Guignol, el Bal Negre de la Rue Blomet.

He worked for forty francs a week, and sometimes was hungry.

Then a girl he'd known from childhood came through Paris
and saved him.

He wandered on the Cote d'Azur, in Switzerland.

And along the paths of the Schwarzwald.

He was happy, and he wrote words which he imagined made poems.

That winter in New York Aaron Copland told him: You should
become a composer.



It will be difficult, he thought, but why not try?

Soon he was in Paris again. He admired Gertrude Stein.

She told him he was not a poet, so he stopped trying to be one.

This meant that he devoted himself only to music.

Miss Stein did not like the music either.

In Hanover he stayed with Kurt Schwitters.

He went with him to the city dumping ground

And they collected material for the Merzbau.

In Berlin he wrote music, and people shouted; Fenster zu!

In Paris they cried: Fermez la fenetre!

In Tangier only Copland and the cicadas could hear him.

In the Sahara he fell in love with the sky

And knew that he would keep returning there.

In the spring he was in Agadir, where the food was not clean.

The doctors in Paris told him he had typhoid fever.

He lay for a month in the hospital. His mother came from New
York.

When he was well they went to Spain and to Monte Carlo.



Winter came. He wanted the desert.

He took a house outside the oasis of Ghardaia.

He went to Tunisia on the back of a camel.

In Tunis he learned that he had no money.

Frank D. Roosevelt had closed the banks. The dollar was not
negotiable.

Friends in France wired him francs.

He arrived in Tangier with his python skin and seventeen
jackal pelts.

He knew he must return to America, but first he sailed to
Puerto Rico.

That way he stayed outside the cage a little longer.

In New York he thought only of Morocco.

Like a convict planning a prison break he presented his escape.

And summer found him sailing toward the east. he stayed in
Fez this time.

And though his parents awaited him in New York

He went to South America to see how it looked.

The forests and the mountains delighted him, but he did not stay.

He was in California writing music. He was in New York
writing music.

Orson Welles wanted music for two plays, and he provided it.

Kristians Tonny and his wife arrived in New York.

Jane Auer appeared on the scene, and the four set out for Mexico.

The day after they arrived in Mexico City Jane disappeared.

Much later they heard she had gone to Arizona.

After a few months they went on to Guatemala. It was very fine.

He hurried to New York to orchestrate his first ballet.

He took Jane Auer to hear it played by the Philadelphia
Orchestra.

Soon Jane Auer became Jane Bowles.

With too much luggage they boarded a Japanese ship
and went southward.

Then they were in Guanacaste with the monkeys and parrots

And they carried a parrot with them from Costa Rica
to Guatemala.

They were on the Cote d'Azur when Chamberlain visited
Munich.

They were in New York when Hitler marched eastward.

He was writing music for theater and film directors

And Jane was writing a novel.

They decided to go and live in Mexico. The hacienda
was ten thousand feet up.

When he had to fly to New York to work, Jane stayed behind.

The rooming-house where they lived that winter was run by
the poet Auden.

At half past six each morning Jane met the poet in the
dining-room.

Jane was a friend of Thomas Mann's daughter Erika.

And Auden had married her. They had things to talk about.

Soon they were back in Mexico. He was composing a zarzuela.

And Jane was writing a novel.

One day she came to the end of it.

The next day the Japanese bombed Pearl Harbor.



They went to Tehuantepec and listened to the marimbas.

He was still working on the zarzuela. He was also writing a
second ballet.

They went to New York and he became a music critic.

Jane's novel was published and Leonard Bernstein conducted
the zarzuela.

He went to Mexico and admired the new volcano Paricutin.

The Belgian Government-in-Exile commissioned music for a
film on the Congo.

Collaborating with Salvador Dali, he wrote a third ballet.

Then he began to write short stories, and grew tired of writing
theater music.

He went to Cuba and El Salvador. Jane was writing a play.

He stopped being a music critic, but continued to write music
for Broadway.

One night he dreamed he was in Morocco. The dream made
him very happy.

A publisher commissioned him to write a novel.

He decided to leave New York and go back to Morocco.

In Fez he began to write The Sheltering Sky.

He continued to write it as he moved here and there in the
Sahara.



He met Jane in Tangier and took her to Fez.

A stream rushed by under their windows as they worked.
He finished his novel.

He had already written music for Tennessee Williams' first
Broadway success.

He was not surprised to learn that Tennessee wanted him for
another play.

He went to New York and wrote the score.

After the opening he took Tennessee back to Morocco with him.

The weather was bad, and Tennessee stayed less than a month.

He and Jane were living at the Farhar in Tangier.
Truman Capote arrived.

For six weeks he amused them at mealtimes.

There were many parties and picnics.

Jane worked in her cottage, but he did not know what she was writing.

He was chagrined to hear that the publishers did not want his book.

We expected a novel, they said, and this is not a novel.

So it was published first in London.



They went to England and stayed a few weeks in Wiltshire.

Jane wanted to spend the winter inParis. He decided on Sri Lanka.

On the ship he started a novel about Tangier.

He went to stay on a tea plantation in the hills.

Where leopards hid behind rocks and carried off the dogs.

He took a boat across to Dhanushkodi in India.

India was hotter than Sri Lanka. He worked on his novel.

When he arrived in Paris, Jane was not ready to leave.

He was making an opera out of Garcia Lorca's Yerma.

This was for Libby Holman. They spent a month together in Andalusia.

Autumn in Fez. Winter and spring in the Sahara.

Jane wanted to return to Morocco.

He drove to the French frontier and picked her up.

But she liked Spain so much that they spent a month there.

She finished her play and went to New York.

He finished his novel and went to Bombay.

The Indian railways had suffered in the past two years.

In South India he was put into a screening camp.

Along with twenty thousand Tamils caught while trying to
escape to Sri Lanka.

But although they were here for months and years.

He got out after two days, and went to Sri Lanka.



In midsummer he was in Venice. he was in Madrid when a
wire came from Ceylon.

It was possible now to buy a small island off the coast of
Sri Lanka.

He bought it and went to New York to write music for Jane's play.

In the summer he was in Rome, working on a film for Visconti.

He did not know what he was doing, but he did it anyway.

That winter in Tangier, while he had paratyphoid, William Burroughs
came to see him.

It was a year before they got to know one another.



In the summer he started to write a third novel, this one about Fez.

It was half finished when he and Jane sailed

To pass the winter on Taprobane, the island off the coast of Sri Lanka.

Jane was not well. She was not happy there.

After two months she returned to Tangier.

He finished his novel and took a cruise to Japan.

Then he went back to Tangier and continued his work on the
Garcia Lorca opera.

His parents came to visit him. They enjoyed Morocco.
He was surprised.

He thought about his island, and decided to go to Sri Lanka and sell it.

The Suez Canal was blocked. He had to go via Cape Town.

He passed the winter at Taprobane and set sail for Mombasa.

While he was in Kenya Jane suffered a stroke.

He took her to England to be examined.

The doctors could do nothing, and they returned to Tangier.

Soon she became worse and had to go to London again.
It was a bad time.

In Madeira her health grew worse. She was obliged to go to
New York.

Tennessee, who loved her, came from Florida to meet her at
the airport.

The Garcia Lorca opera was produced. It was not a success.

Libby Holman had worked very hard, but there was no director.

He and Jane went back to Tangier. But then a telegram came from Tennessee.

Saying he needed music for a new play.

He sent him the script for Sweet Bird of Youth.

Part of the music was written in Tangier and part on the
New York-bound ship.

The Rockefeller Foundation gave him a grant to record music
in Morocco.

He spent six months taping music in the mountains, the desert
and the city.

The following year he began to tape Moroccan story-tellers.

Jane seemed to be better, but she still could not see to work.




He took Allen Ginsberg to Marrakesh.

But they arrived the day the Medina burned.

The smoke from the bazaars and souks was heavy in the air.

Jane's health was now less good. They went twice to America,
saw their parents.

Consulted doctors who might be of use. But no doctors could
be of use.

In Tangier on the Monte Viejo he wrote his fourth novel.

He began to translate what Mohammed Mrabet recorded.

A publisher asked him to write a book about cairo.

He did not want to do it, so he playfully suggested Bangkok.

The publisher agreed. He went to Bangkok via Panama.
He was appalled.

You have arrived fifteen years too late, everyone told him.

The trees were gone. The klongs has been filled in.
The air was foul.

After four months the Thai authorities forced him to leave.

In Tangier he found that Jane needed to be hospitalized.

He took her to Spain.

Then he agreed to go to California to teach.

He told his students that he was not a teacher and could not teach.

They laughed, thinking he was eccentric.

After the first semester he returned to Morocco.

Jane begged to be taken back to Tangier. The doctors advised
against it.

Nevertheless he took her back with him because she was so unhappy.

It was a disaster. She would not eat, and grew weak and thin.

He admitted defeat and returned her to the hospital in Spain.

She remained there. She died there. Her grave is unmarked.

After that it seemed to him that nothing more happened.

He went on living in Tangier, translating from Arabic, French
and Spanish.

He wrote many short stories, but no novels.

There continued to be more and more people in the world.

And there was nothing anyone could do about anything.


from TRAVELS
Collected Writings
1950-1993
(Ecco)















Monday, April 9, 2012

EARTH ~





Richard Brautigan





FOR FEAR YOU WILL BE ALONE


For fear you will be alone
you do so many things
that aren't you at all.









"GOOD WORK," HE SAID, AND



"Good work," he said, and
went out the door. What
work? We never saw him
before. There was no door.









SEXUAL ACCIDENT



The sexual accident
that turned out to be your wife,
the mother of your children
and the end of your life, is home
cooking dinner for all your friends.









THE AMELIA EARHART PANCAKE



I have been unable to find a poem
for this title. I've spent years
looking for one and now I'm giving
--------up.

-----------------November 3, 1970









MARCH 18, RESTING IN THE MAYTAG

HOMAGE


Looking out a hotel window
it's snowing in New York with
great huge snowflakes like millions
of transparent washing machines swirling
through the dirty air of this city, washing
--------it.









WE ARE IN A KITCHEN



We are in a kitchen
in Santa Fe, New Mexico.
Some bacon is frying.
It smells like a character
that you like in a good movie.
A beautiful girl is watching
-------the bacon.









THE LAST SURPRISE



The last surprise is when you come
gradually to realize that nothing
--------surprises you any more.









1 / THE CURVE OF FORGOTTEN THINGS


Things slowly curve out of sight
until they are gone. Afterwards
-------only the curve
-------remains.





RICHARD BRAUTIGAN
from Loading Mercury With A Pitchfork
(Simon and Schuster 1976)






Richard Brautigan was born in Tacoma Washington on January 30, 1935.
He died of a self inflicted wound some time in the autumn of 1984 in Bolinas California.
The date isn't precise because the body stayed unknown for awhile.
If a 'note' was left it was cryptic but the author wasn't ~
when asked how to pronounce his name he often said,
"Richard Brought A Gun".
Zillions tried to write like him, but none as well.



http://blogs.westword.com/showandtell/2012/04/qa_richard_brautigan_william_g.php





In this monster biography of Brautigan I've reached page 100, with 800 microscopic type size pages to go. He's already killed himself, born himself, raised himself, left home and all behind as if the genuine orphan, and has landed in "Frisco". Now the tale begins. I adored all his books when I came upon them in 1968 and that lasted for about 10 years. Watermelon Sugar was sweet to the tongue in 1970. Let's not forget 1970. Sweetheart saw him read in Santa Barbara at the same time, and since Brautigan didn't drive, we're now thinking K. may have driven him down. At age 76 (in May) K. will still get up and drive at the drop of a hat, or a dare.







Sunday, April 8, 2012

Sunday, April 8, 2012

Bob Arnold: Forever

Cover of Bob Arnold's Forever


Two little beauties from Bob Arnold's new tiny little booklet, Forever. The handmade paper cover, delightful photos, illustrations and fine poems comprise a production any small press maven might envy (and collector might covet). I don't see it mounted up on the Longhouse website yet, so if you are interested, drop Bob a line at , substituting @ for at, and . for dot.




The First Step To Independence
Breaking worse
what you try
to fix







Tobacco Road
what a corny
film

and how
I can't

forget the
old fella's

sadness
Bob Arnold









my eternal youth ornament--
just three cents
of emperor's pine
Issa
translated by David G. Lanoue






best,
Don



http://lilliputreview.blogspot.com/



Buy direct from Longhouse with Paypal $20.00, signed, with free shipping












EARTH ~








PROGRESS REPORT AFTER THE STORM



It takes the utility company forever

to get the power back on



Meanwhile —

the birds are already singing







photo © bob arnold




Saturday, April 7, 2012

EARTH ~




Angelica and Tom Clark, 2009


Here is to Angelica and Tom Clark, Berkeley, California. Tom, an evening walker, was struck by an elderly woman motorist near his home while using the crosswalk earlier this week. I've copied the news report and a photograph from the scene of the accident below. After a very close call, and one operation, Tom is back home awaiting a second operation next week. Many of you will be familiar with Tom's work as poet, essayist, biographer, editor, teacher and blogger (you can link to his blog Beyond the Pale from the Birdhouse, look to the left of the screen). During this hardship time for the family, let's extend our support and care as part of the family. The poetry tree needs those birds that sing.

[BA]



Pedestrian released from hospital after Berkeley collision
Posted By Tracey Taylor On April 4, 2012 (2:15 pm) In News


The accident occurred at the intersection of Marin and Colusa at around 7:50 pm Tuesday night





Update, 6:25 pm: The pedestrian who was involved in an accident on Marin and Colusa has been released from the hospital and is doing well, according to authorities. The preliminary collision investigation by BPD revealed that a senior female resident of Albany driving her car eastbound on Marin Avenue was making a southbound turn onto Colusa Avenue. A senior Berkeley male pedestrian was walking across Colusa from the southwest to the southeast in the crosswalk (thus eastbound in the crosswalk) when he was struck by the car.

Original story: A collision between a car and a male pedestrian at the intersection of Colusa and Marin avenues in Berkeley on Tuesday night has left the pedestrian in serious condition in hospital.

The initial medical assessment of the pedestrian by BFD and BPD, after they received a call about the accident at 7:58 pm, prompted concern the injuries could be potentially life threatening and the on-duty BPD watch commander called the the
Fatal Accident Investigation team to complete the investigation.

Late last night, however, BPD received word that the pedestrian/patient was alert and talking. Physicians deemed him in serious but stable condition, according to Sgt Mary Kusmiss of the BPD. We will provide further details about the accident as they are made available.

This is the second serious accident on Marin this year. On January 30,
18-year-old Tyler De Martini died after being hit by a 54-year old man driving a Prius around 7:05 pm at the intersection of Marin and Tulare avenues. De Martini, who was not wearing a helmet, was in violation of the California Vehicle Code, which requires skateboarders to use sidewalks if they are available.

In 2005, a stretch of Marin Avenue was narrowed from four travel lanes to two. A two-way turn lane and bicycle lanes were added to make the street safer for motorists, bicyclists, and pedestrians. But, according to
a report on Albany Patch, public records from the California Highway Patrol show that the number of injury collisions on Marin Avenue increased after 2005.

There were no fatal collisions in the city of Berkeley in 2011, although a pedestrian was killed when he was struck by a vehicle on Interstate Highway 80 in Berkeley in November 2011. There were two fatal collisions in the city in 2010, and four in 2009.


Article taken from Berkeleyside - http://www.berkeleyside.com
URL to article: http://www.berkeleyside.com/2012/04/04/pedestrian-released-from-hospital-after-berkeley-collision/




photo of mom & dad by juliet clark




Friday, April 6, 2012

EARTH ~




William Maxwell
(August 16, 1908 – July 31, 2000)



His middle name was "Keepers" and if anyone wrote as well from the middle west of America since Sherwood Anderson, it was William Keepers Maxwell. As an editor at The New Yorker for forty years his stable of authors included: Larry Woiwode, J.D. Salinger, Vladamir Nabokov, John Cheever, John Updike, Eudora Welty, and Welty spoke of her very close friend this way: "For fiction writers, he was the headquarters." She meant it, too.


Matthews was untouched by the Spanish influenza that slithered through his hometown of Lincoln, Illinois in 1918 when he was 10 years old. It infected 2000 and took away 100 lives. 600,000 were killed by the epidemic in all of the U.S. by year's end. Other losses came for the boy, including the early death of his mother; a suicide attempt by blade to his adolescent wrists and throat, by gum, this passionate reader of Elinor Wylie and Walter de la Mare after being stilted by his best friend for a girl he loved — and to think he grew up to have one of the most peaceful faces of anyone in American literature. His contribution there was six acclaimed novels, wondrous short stories (best read aloud), children's tales, reviews, and a memoir titled Ancestors (1972). And he had them.




























Preface to So Long, See You Tomorrow


When I was in the 7th or 8th grade the father of the boy in my class at school committed a murder. It was not a thing you could easily forget. The details floated around in my mind and were considerably altered, as is likely to happen with the memory carried over a period of many years. The first time I tried to deal with the situation in writing, it was in the form of a short story in which a boy was wakened out of a deep sleep by the sound of a gun going off inside the house. It was still dark outside. He heard his mother’s voice saying “Don’t!” and a second shot and then silence. He thought his father was away and that he was the nearest thing to a man in the house and must protect his mother. When he opened the door of his room the hall light was on and his father was standing there as if lost in thought. Indicating the room where he and the boy’s mother slept he said, “Don’t go in there.” After which he went from room to room turning on lights and opening and shutting drawers, and when finally he left, the boy summoned the strength to telephone his grandmother and say, “You have to come.” “Can’t it wait until morning?” she asked. And he said, “No.” He was waiting on the front steps when she got there, and told her about the shots and that his father had said he was not to go into the bedroom “Somebody’s got to do it,” she said. The milkman making his rounds in his wagon in the first morning light saw them, the old woman and the boy, standing on the sidewalk, and heard the old woman’s story and took them in his wagon to the police station. It was all very real to me, but when The New Yorker didn’t cotton to it, I concluded that I didn’t have the kind of literary talent that can deal at close hand with raw violence, and put the manuscript in a drawer. One day, sitting at my desk, I found myself thinking of the boy in my class, the actual boy, the murderer’s son, and how we met in the corridor of a high school in Chicago, and I saw that there was a possibility of a novel.


I remembered reading about the murder in the Lincoln Evening Courier but it turned out that their files did not go back that far. My cousin Tom Perry, who lives in Lincoln, got photocopies for me from the State Historical Society, and I was astonished to discover how far, in that short story, I had strayed from the facts. I have not departed from them in any way in So Long, See You Tomorrow. What I couldn’t find in the newspaper account or what nobody could tell me, I have permitted myself to imagine, but the reader has given fair notice that I am doing this.


Christopher Isherwood once observed that in a novel the first person narrator must be as solidly done as the other characters or there will be an area of unreality. One can think of exceptions — The Brothers Karamazov, for example — but anyway I thought he had something. If I followed his precept it meant that I had two stories on my hands, which must somehow be made into one. Since any prose narrative is open, during the writing of it, to all the winds that blow — to anything that happens to the novelist, to what he happens to read, to any new idea that comes into his head — it is likely to be affected to some degree by accident. One day, waking from a nap, I sat on the edge of the bed in a mild daze, staring at a row of books. Among them was a book about Alberto Giacometti. I opened it at random and found myself reading a letter from Giacometti to Matisse in which he described a love affair that took place while he was working on a piece of sculpture now known as “Palace at 4 A. M.” As literal autobiography I doubt if it is worth much, but it contained a perfect metaphor for what I wanted to say and a bridge between the two stories that made them hold together.


I came to have a considerable feeling for the farm boy whose character and daily life I invented. The actual boy who served as a model for him I knew only very slightly. After the novel was published I wondered if he (now, of course, an elderly man) would read it. Or if I would hear from him. I never did.


WILLIAM MAXWELL





Wednesday, April 4, 2012

NEW BOOK ~





please click on image to enlarge


Donald Hall's comment is extracted from a review he wrote of Bob Arnold's poems for The Harvard Review





Forty years of Bob Arnold's love poems

are now under one roof with his new book:



~ I'm In Love With You Who Is In Love With Me ~



It is volume 2 in the trilogy of books titled Woodlanders

which will be completed with the third book in 2013







MANY TIMES


There is the absolute way

Of doing it, and we have done it

Many times and again —

How I will come to you

How you will meet me

The early morning sun

Perfect on the bed, and

Stripes in the Mexican blanket

Like blood, the sea, yellow iris petals —

And it is a silly lovers ritual of ours,

I hug you and you hug me and step onto

My boots, and I walk you and me around the

Sunlit room, the sway of patchouli in your hair,

And your face smooth against my lips

Like the inside of your hands



___________________________________


If you want your copy it is yours for $18

plus $2 shipping & handling ~

the first edition is limited to 200 copies

150 pages, perfect bound, softcover

ISBN 978-1-929048-11-3

____________________________________

Use Paypal?

easy ordering $18 + $2 s/h (for all U.S. orders)


all orders may be made by Paypal, credit card or check ~

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I CUT A MASSIVE MAPLE TREE DOWN


I cut a massive maple tree down

Long long ago

I sculptured the tree stump into a chair

I sat up there

I also sat up there with my baby son

I sat up there with my love

I later saw my love sitting up there alone in the sun

She had a checkered red and black wool shirt

Thrown with the blondest hair

Then a chipmunk sat there for longer than you would think

And today I tore the carbonized tissue stump apart with my hands

All of it, very easily

And my son visited us with his wife for part of the afternoon

And in a week she was gone.







photo © bob arnold







Tuesday, April 3, 2012

BACK ROAD CHALKIE ~







EMILY DICKINSON






photo © bob arnold