Wednesday, September 14, 2016

YEHUDA AMICHAI ~









My Parents' Lodging Place



1

I passed the cemetery where my parents are buried —
in a poem Ibn Ezra called it "my parents' lodging place."
I didn't go in, just passed by on the road outside the wall.
I wave to my parents whenever I pass, my soul shaped like a hand.
My soul changes shape: sometimes my eyes, my eyelids,
sometimes even my eyelashes — all these are my soul.
Peace to my parents, peace to their dust,
peace to their lodging place in Jerusalem.


2

In their great love my parents saved me from disappointment,
from pain and sorrow. Now I am left with their savings
plus the pain I would like to spare my children.
How all those savings have piled up on me!
My parents always told me, "I'll show you,"
sometimes threatening, sometimes in a voice of sweet love:
I'll show you. Just you wait, I'll show you.
"Someday you'll learn," sternly. "Someday you'll learn,"
in a soothing, reassuring voice.
"Do whatever you want," yelling and screaming,
and "Do what you want, you're a free person,"
like the good angels singing in chorus.
You don't know what you want,
you don't know what you want.


3

My mother was a prophet and didn't know it.
Not like Miriam the prophets dancing with cymbals and
      tambourines,
not like Deborah who sat under the palm tree and judged
       the people,
not like Hulda who foretold the future,
but my own private prophet, silent and stubborn.
I am obliged to fulfill everything she said
and I'm running out of lifetime.
My mother was a prophet when she taught me
the do's and don'ts of everyday, paper verses
for one-time use: You'll be sorry,
you'll get exhausted, that will do you good, you'll feel
like a new person, you'll really love it, you
won't be able, you won't like that, you'll never manage
to close it, I knew you wouldn't remember, wouldn't
forget give take rest, yes you can you can.
And when my mother died, all her little predictions came
      together
in one big prophecy that will last
until the vision of the end of days.


4

My father was God and didn't know it. He gave me
the Ten Commandments not in thunder and not in anger,
not in fire and not in a cloud, but gently
and with love. He added caresses and tender words,
"would you" and "please." And chanted "remember" and "keep"
with the same tune, and pleaded and wept quietly
between one commandment and the next: Thou shalt not
take the name of thy Lord in vain, shalt not take, not in vain,
please don't bear false witness against your neighbor.
And he hugged me tight and whispered in my ear,
Thou shalt not steal, shalt not commit adultery, shalt not kill.
And he lay the palms of his wide-open hands on my head
with the Yom Kippur blessing: Honor, love, that thy days
may be long upon this earth. And the voice of my father —
white as his hair. Then he turned his face to me one last time,
as on the day he died in my arms, and said, I would like to add
two more commandments:
the Eleventh Commandment, "Thou shalt not change,"
and the Twelfth Commandment, "Thou shalt change. You will
    change."
Thus spoke my father, and he turned and walked away
and disappeared into his strange distances.


_______________

The Poetry of Yehudi Amichai
edited by Robert Alter
Farrar 2015








Tuesday, September 13, 2016

Monday, September 12, 2016

BOB POEMS ~










Trail



I stepped off

The road onto

A trail into

Woods of

Fresh snow —

Not too deep —

Followed for

A quarter mile,

Ducking branches,

Watching them

Persist in a

Straight line

Until they went

One way, and I

The other — the

Small hand prints

Of raccoon









Hermit




I’m the one who stacked

This stove wood ten cords

Deep under the roof of a

Broad woodshed, and sawed

Old pine boards across

To make a dutch door for

Its entry, and now I enjoy

How daylight squints into this

Burrow where round logs are

Pulled down to split each day



If you like you can find me

Talking to myself busting apart

Ash sticks with a favorite

Hatchet, its head weight just

Right, filling a kitchen basket —



Nothing like a simple tool that works



And when slipping the clear ribs

Of a whole snakeskin out of

Soft curled bark of yellow birch —

I remember that tree cut down

But this visitor I missed







Woods Work




At lunch break unwrap

And sit in place melted

Ice never tasted better

Snow falls in big flakes

Doesn’t amount to much

On hot chain saw engine






Back Track



Bobcat tracks in

Wet snow behind the

House this late March —

Came back two months later

With no warning



Both wings on

One of our ducks

Spread open floating

Along the pond edge



— a good time to see

Bright under feathers

Of blue & gray/green —

But the head ripped off





___________________

B O B     A R N O L D

Once In Vermont
Gnomon







Sunday, September 11, 2016

JAMES BROWN SINGS LITTLE WILLIE JOHN ~







It gets no better when you have James Brown 
Little Willie John together





SHINE ON YOU ~





Saturday, September 10, 2016

ROBERT SUND ~






R O B E R T     SU N D





another beauty
thanks to jerry redden of tangram
letterpress
two-color
full bodied poem



Friday, September 9, 2016

ALVIN FEINMAN ~







Pilgrim Heights


Something, something, the heart here
Misses, something it knows it needs
Unable to bless — the wind passes;
A swifter shadow sweeps the reeds,
The heart a colder contrast brushes.

So this fool, face-forward, belly
Pressed among the rushes, plays out
His pulse to the dune's long slant
Down from blue to bluer element,
The bold encompassing drink of air

And namelessness, a length compound
Of want and oneness the shore's mumbling
Distantly tells — something a wing's
Dry pivot stresses, carved
Through barrens of stillness and glare:

The naked close of light in light,
Light's spare embrace of blade and tremor
Stealing the generous eye's plunder
Like a breathing banished from the lung's
Fever, lost in parenthetic air.

Raiding these nude recesses, the hawk
Resumes his yielding balance, his shadow
Swims the field, the sands beyond,
The narrow edges fed out to light,
To the sea's eternal licking monochrome.

The foolish hip, the elbow bruise
Upright from the dampening mat,
The twisted grasses turn, nuthatch,
Light-headed blood renews its stammer —
Apart, below, the dazed eye catches

A darkened figure abruptly measured
Where folding beakers lay their whites;
The heart from its height starts downward,
Swum in that perfect pleasure
It knows it needs, unable to bless.


_______________

Alvin Feinman
The Complete Poems of Alvin Feinman
Corrupted into Song
Princeton 2016





Harold Bloom gives us a forward to this posthumous collection
and having had enough of Harold Bloom for now I skipped the introduction, took to James Geary's fine portrait of the poet, who is as inventive yet as sullen as he appears here in this poem, nicely working the language over the landscape, and returning after reading the book seeing that Bloom also merits this as one of Feinman's finest. He lived a long life and wrote sparingly and kept long to his teaching duties at Bennington College.


Thursday, September 8, 2016

ONCE UPON A TIME NOW IN AMERICA ~






President Obama may escape by the skin of his teeth, having Hillary the professional liar and Trump the professional lunatic left in the wake. We get to hand over the Grand Tetons, the Rocky Mountains, the Sierra, the Everglades, the Smokeys, the Long Trail, the Golden Gate Bridge, the northern Cascades, the wind-swept Plains, the mighty Mississippi, to them.

[ BA ]







BILLIE HOLIDAY ~













Wednesday, September 7, 2016

JAMES BROWN ~






Spiegel & Grau (Random House)
2016


Pulling the curtain back on James Brown
with respect







Tuesday, September 6, 2016

A GREAT DAY OF READING ~





Alec  Finlay at Langais in North Uist



Here is a link of poetry
and thought from around the world
a great day of reading for you
not to go wrong ~





Write the story of a contemporary cured of his heartbreaks solely by long contemplation of a landscape.
CamusNotebooks: 1942-1951
Justin O’Brien, Trans







Monday, September 5, 2016

ONCE IN VERMONT ~











Sun Up




I get up with

The birds who

Get up with me









Show Me




I don’t walk this

Early morning, frost

On the mowing, but you do —

And when you return

I’m sitting by the

Cookstove warm as you bend

To shiver my neck a kiss —

Show me what I missed








Bow




Please don’t take it

For granted this first



Light on the hillside

Bare crop ledges and



A little fresh snow —

Some mornings there I



Would warm myself before

Cutting wood, listen to



Bluejays cry someone was

About and they wanted



You to know the someone

Was you standing in the



Woods warming freely and

It could go on forever







Egg





Morning light of falling snow

We went outside and did our work

Shoveled out dog huts

Opened a trail to the chicken shed

Busted ice from water buckets



I was sweeping off long metal sheets

Over the woodpile when you said

see how this feels — and in your

Gloved hand you held the flesh of

A warm egg to my icy cheek



__________________________________________







This collection was published in 1999 by Gnomon in Frankfort, Kentucky.
Jonathan Greene and Dobree Adams are the brains behind Pa. Both of these
stalwarts worked through many of my previous books, chapbooks, booklets and
came up with a sizable collection that was guided into place with cover commentary by
Hayden Carruth, Janine Pommy Vega, Cid Corman, and Ian Hamilton Finlay 
and I love them all. The front cover photograph is of our garden in Vermont
 and the stone hut I built for our son Carson on the year of his birth.
I will be showcasing all the book over the many weeks (Mondays) ahead.