Wednesday, September 6, 2017

TO AN UNKNOWN SHORE ~



Theodore Enslin
(John Phillps, photo)



Night Study



Moon sickle above under

brush where it always was

crumble in flames of echo

where it always was in

clouds     of a last reflection

sound     only mouse footfall

silence     dark depth to plumb

onshore of little breeze

no wavelength     light to touch

as phosphorous fish scale

light poured into shadow

no live thing remaining

spindrift     footstep in it

sickle moon     it dies away.






As if there were time enough to notice

that stones will polish in the wind

or that's an accident of speech

where happening has nothing to do

with thought     the laggard as it always was

but still the rock face brightness

while sand will sink away from it.






What is wild in our own day

is not the wild that's past

there is a different savor

some of it not pleasant

perhaps it never was

but it differs now

does not depend on distances

as it once did     now

the wildness is within us

trying to get out

one day it may     but without us.






To put life or fire into a word?

No     those were always there

but the use of many words

will often bring what was there

incipient     to ruin take care

how you hold what has a heat that

may crumble into ashes.






A ring of changes  

bells and circles

something round around us

changes in a measure

a breath so changed

rings these changes

becomes the circled ring.






Hermit Thrush



The singing's always new

the melody is old     or not

usually it is where

nothing new to sing or say

or sing when saying's not enough

or gives new voice(s)

Listen to the solitary     thrush

his heritage is full of sound

much of it what's not known.






A Tentative Tribute to C.C.



From such a language

as no words can say

without the wording

it leaves me breathless.






Twelve Gates to the City



I do not know your entrance

nor would you care for mine

there are many others     but

once we are inside we will meet

and recognize each other

we came our different ways

what a pleasure we are here together.






Moon Phase


We do not think too often

of the moon's light in the lilacs

too often looking at it     turning

Midas' touch to curse     it's in remembrance

once we see that light     and all around it

blooms     the fading petals in that light

the fading of reflection     light

that was a stranger to the moon

and darkly strange to lilacs as they slept.






Goodbye to all that world

where we once talked

as if there were no end

to it     yet went on further

to fall off     even from a globe

held sure by gravity

It is here and not here

a way to walk and say goodbye.



—————————————

THEODORE ENSLIN
To An Unknown Shore
Shearsman Books, 2017








Monday, September 4, 2017

THE VANISHING ~






Introduction   

For a collection of short poems, only a short introduction will do. These one hundred diminutive masterpieces are arranged by length so that each is one word shorter than the last. This intricate arrangement, however challenging for the anthologiser—who did it “his own self to gratify—”, should be to the reader only a secondary consideration. Each poem is a fresh universe to explore.   The collection takes its name from the final “fit” of Lewis Carroll’s “The Hunting of the Snark”. Like the hero of Carroll’s tale, this collection “softly and suddenly vanishes away,” until a blank page alone remains.   
Copyright © Elsinore Books 2017

The Vanishing: One Hundred Shorter & Shorter Poems from 99 Words to 0 
(Kindle Locations 2-10). 
Elsinore Books. Kindle Edition. 

edited by Shae Spreafico


SEE MORE HERE




poets from Bob Arnold to James Wright. . .
and deeper deeper more!

—————————


After the Child



the swing

swings


Bob Arnold



Saturday, September 2, 2017

JOHN BRADLEY ~







A Nice Story: Gertrude Stein Lectures Her Tender
Asparagus, 1946


They asked me what I thought of
when I thought what I thought
about that bomb

I said I like to read.
Mystery and detective stories.
But death rays and atomic bombs.
I never could read them.

Not really.
What is the use if there is nothing left of use.
Nothing to read.
No one to read.

I tell you machines are only interested in machines.
Inventing other machines.
Sure the bomb will destroy a lot and kill a lot.
But it's the living that are interesting.
Not the way of killing them.

Alright.   That is the way I feel about it.
And so that is the way everybody feels about it.
They may be a little scared.
I am not so scared.

There is so much to be scared of.
So what is the use of bothering.
To be scared.
And if you are not scared the atomic bomb is boring.
With a hot baby b.

Everybody likes to be buttered.
Even a bomb.
                              I told you. This is a nice story.






Little Prayer on Hiroshima Day

           For Jana



If one morning
          in the east, Chicago flickers
and flashes into ash


          and you are not here
by my side, I would
          take the hand


of the flames waiting
          in the doorway, and go
into the next world


           where I know
you will be
          waiting for me.




—————————

JOHN BRADLEY
Erotica Atomica
WordTech Editions, 2017







Thursday, August 31, 2017

MICHAEL HETTICH ~








The Happiness of Trees



I slept that summer on a screen porch in the woods
     with the creatures and insects singing so loudly
my mind seemed to join them — out there without me —
     to move around like a breeze from form to form


and then to return as a fox or a cicada,
     some other night creature, to slip back inside me
humming whatever it had heard, patterns
     I couldn't sing along with but felt inside


like the happiness of trees when a soft wind
     turns their leaves' pale underbellies up to the sky
and makes the sap rise. I love to wake
     before myself, to silence and fog.


Sometimes I got up and walked out into the chilly woods
     and sometimes I turned over as though this happiness
might last forever, and slept just a while
     longer, until the first birds sang.


—————————

MICHAEL HETTICH
The Frozen Harbor
Red Dragonfly Press, 2017















Wednesday, August 30, 2017

WHY POETRY ~




ECCO 2017




A fine enough poet but I believe the best mind of Matthew Zapruder comes through in this excellent new book of essays — really one long essay — on the same subject of why poetry, why poets, why is there air, and he even scores points on Auden's much over-used ragged line "poetry makes nothing happen" . . . with a delightful twist, Zapruder will show the reader that is exactly right: poetry MAKES nothing happen. A big word that "nothing."

In these essays Zapruder shows forth as a natural born teacher. 

Take up this book.

[ BA ]





Monday, August 28, 2017

FOR SUSAN ~








anniversary




FOR SUSAN ~








anniversary





DREAM COME TRUE 3 ~






 DREAM COME TRUE
————————————

 for, you know who



Family





Try to get three berries

Off one stem at rest stop

As three of us







Far From Town





That delicate

Held bag from

The donut shop







Tip-Toe




Summer dress

Covers you

Barely







We




I wanted the

Longest kiss —

So we began







Always the Way




She peeks in my window

But she is so pretty

I’m already peeking out










The Little Things




Snowy months —

A bird call

Means a bunch









Notorious




He’s the town crazy

And we’ve been in town only five seconds

And he’s found us









Remember




Some dogs

Follow you —

Some don’t



———————————
BOB ARNOLD
Dream Come True
Longhouse, tel-let, Nordsjoforlaget 
2001, 2008, 2009


A little book published by three
different publishers and thank you
to Susan, John Martone, Hanne Bramness,
Lars Amund Vaage who translated the poems
into Norwegian

photograph above ~ 
Engaged couple Marshall and Yolanda Jacobs kiss atop a flagpole, Coshocton, Ohio, June 1946, prior to their wedding.
Allan Grant—The LIFE Images Collection/Getty Images

finis

Back in a week or two with more Bob