DANIEL KRAMER WAS THERE FIRST ~

 

                                                                                         Daniel Kramer, via Staley-Wise Gallery, New York

D A N I E L    K R A M E R

  May 19, 1932 ~ 2024

ALICE MUNRO ~

 

                                                                                                         Ian Willms for The New York Times

A L I C E    M U N R O

   July 10,1931 ~ 2024

JEM COHEN ~

 

   M O R E

PIRATES ~

 

R E A D     M E

ROGER CORMAN ~

 

R O G E R   C O R M A N

   1926 ~ 2024

MERCY DEE WALTON ~

 

TOMMY RIDGLEY ~

 

BLACK WALDEN ~

 

R E A D    M E

    University of Pennsylvania Press

MAX PORTER ~

 

R E A D    M E

Graywolf 2023

STEVE ALBINI ~

 

Steve Albini, Influential Producer of ’90s Rock and Beyond, Dies at 61

A musician and audio engineer, he helped define the sound of alternative rock while becoming an outspoken critic of the music industry.

T H E   B E S T   T H I N G   Y O U ' L L   R E A D   T O D A Y 

FAREWELL, DAVID SHAPIRO ~

 

D A V I D    S H A P I R O

A friend of Longhouse ~ 

goodbye David

I'll forever remember

the phone call

from New York City

where you spoke

lovingly — poetry

art, the countryside —

nonstop

for an hour

THE CHOREOGRAPHY OF EVERYDAY LIFE ~

 

D A N C E     M E

Verso, 2022

SEA CRUISE (REMASTERED) ~

 

NATALIA GINZBURG ~

 

R E A D    M E

New Directions, 2023

JOHN LEE HOOKER ~

 

JOHN  LEE  HOOKER

GIVE ME MORE HANNAH ARENDT ~

 

R E A D    M E

GERRY LOOSE ~

 

G E R R Y    L O O S E

S c o t l a n d

1948 ~ 2024

   our long time Longhouse friend

THE OCCUPATION OF ALCATRAZ ISLAND 1969 (Archive) ~

 

THE REDISCOVERY OF AMERICA ~

 

R E A D    M E

Kent Monkman, “Les Castors Du Roi,” 2011. Collection of the Montreal Museum of Fine Arts. Image via the artist. Here, Monkman, a Cree artist in Dish With One Spoon Territory (Toronto), depicts a fanciful hunting scene in New France, as it might have been painted in the time of Louis XV, who was known for his love of hunting. “The violence perpetrated against the beaver,” Monkman writes of this painting, “can be interpreted in various ways, considering the violence present in New France between French, English and the First Peoples. More than a beaver hunt, this scene alludes to the complex political, social and cultural histories of Turtle Island.”

CLIFF RICHARDS & THE SHADOWS ~