Backbeat Books
2023
daydreaming w/ Bob Arnold
I will wait in the real sand,
the tangible form of rock,
in the conversion of fate by breath.
With words I feed the creation of time
— someone else can speak, someone else can write.
Liquid movements cycled by the marrow
of a false body.
The glass absorbs the sky.
I will wait in the sane, in the dust of the rock
—in the shadow of dryness I erase them.
Soothe me with passive thoughts.
Soothe me because I don't exist.
________________________
Liliana Ponce
Theory of the Voice and Dream
translated from the Spanish by Michael Martin Shea
World Poetry 2025
Homosexuality
So we are taking off our masks, are we, and keeping
our mouths shut? as if we'd been pierced by a glance!
The song of an old cow is not more full of judgment
than the vapors which escape one's soul when one is sick;
so I pull the shadows around me like a puff
and crinkle my eyes as if at the most exquisite moment
of a very long opera, and then we are off!
without reproach and without hope that our delicate feet
will touch the earth again, let alone "very soon"
It is the law of my own voice I shall investigate.
I start like ice, my finger to my ear, my ear
to my heart, that proud cur at the garbage can
in the rain. It's wonderful to admire oneself
with complete candor, tallying up the merits of each
of the latrines. 14th Street is drunken and credulous,
53rd tries to tremble but is too at rest. The good
love a park and the inept a railway station,
and there are the divine ones who drag themselves up
and down the lengthening shadow of an Abyssinian head
in the dust, trailing their long elegant heels of hot air
crying to confuse the brave "It's a summer day,
and I want to be wanted more than anything else in the world."
1954, First published, Poetry, Chicago 1970
_____________________
Frank O' Hara
from Super Gay Poems
edited by Stephanie Burt
Belknap Press of Harvard University
2025
July 22, 1937 – October 12, 2025
“When he writes, the page just falls away.”
WENDELL BERRY
Evocation
As beautiful as the idea of a shoulder,
the skin of a cup that mirrors the spine,
the spartan stone confesses
stubbornly in the dead limb.
It was not milled oats, it breathed.
It rubbed and pleaded with the sea's tears
it was serrated and sandy
glad levity inviting the barbarian stranger.
It was beautiful as the shoulder of cattle,
between the grass and flies,
between the light of August as dreamed in April
and, and, it was only the palm of her hand.
__________________________
Erin Moure
from Super Gay Poems
edited by Stephanie Burt
Harvard University (Belknap Press)
2025
Mehdi Hasan sits down with Palestinian filmmaker Annemarie Jacir and Palestinian actress Hiam Abbas to discuss their latest film ‘Palestine 36,’ which explores the ‘Great Revolt’ against British rule in Palestine from 1936-39, before the Nakba in 1948. The film is Palestine’s official submission to the Oscars for 2026 and received one of the longest ovations from an audience at the Toronto International Film Festival. They also discuss censorship in Hollywood and what it was like filming in the middle of an ongoing genocide.
Days
What are days for?
Days are where we live.
They come, they wake us
Time and time over.
They are to be happy in:
Where can we live but days?
Ah, solving that question
Brings the priest and the doctor
In their long coats
Running over the fields.
_____________________
Philip Larkin
The Wind Will Blow Us Away
Inside my little night, alas,
the wind has a rendezvous with the leaves;
inside my little night, there is fear
and dread of desolation.
Listen.
Hear the darkness blow like wind?
I watch this prosperity through alien eyes.
I am addicted to my despair.
Listen.
Hear the darkness blow?
This minute, inside this night,
something's coming to pass. The moon
is troubled and red; clouds
are a procession of mourners waiting
to release tears upon this rooftop,
this rooftop about to crumble, to give way.
A moment,
then, nothing.
Beyond this window, the night quivers,
and the earth once again halts its spin.
From beyond this window, the eyes
of the unknown are on you and me.
May you be green, head to toe —
put your hands like a fevered memory in mine . . .
these hands that love you.
And cede your lips
like a life-warmed feeling
to the caress of my lovesick lips.
The wind will one day blow us all away.
The wind will blow us away.
____________________________
Forugh Farrokhzad
Sin, selected poems
The University of Arkansas Press 2007
The tramp printer was a typesetting troubadour with a story in lieu of a song, a scholarly hobo, and a master of the type case. Carrying little more than a union journeyman’s card and a few basic tools, these “itinerant” typographers criss-crossed the continent for more than a century, train-hopping from newspaper to newspaper.
To the tramp printer, personal autonomy and adventure were far more valuable than material possessions. Many of them were brilliant, literate individuals who were nevertheless compelled by a predilection for bacchanalian debauchery. The tramps helped each other over the hard places and spread the craft of printing, and always standing in solidarity with their fellow workers.
Eberhardt Press
636 SE 11th Avenue
Portland, Oregon
97214