Sunday, October 4, 2026
Saturday, October 3, 2026
JULIA ALVAREZ ~
First Marriage
We rented a yellow house
on the edge of a schoolyard
I could not see on
foggy winter mornings —
rolling mist, dim lights,
a honk, a muffled motor,
nothing to do but wait
for the world I knew
to be released again.
After you left for work
I'd hear the children's cries,
pleasure and pain so mixed
I couldn't tell whether
to rescue or reminisce.
Midmorning, the fog would lift:
sun shafts beamed like searchlights
through the bars of the jungle gym,
the chain-link swings, the seesaw,
the silver tongue of the slide.
On the schoolhouse windows
pilgrims and turkeys filled the panes,
then Santa and doily snowflakes.
Everywhere I read the signs.
Late afternoon, when school was out,
I'd cross the street to the empty yard
and tip the seesaw back andforth,
run my fingers down the slide,
then set to motion all the swings,
just to hear the chain links clink.
On A Hill Above Your House
Late night I search for your house
in the dark valley below.
The children's lights have long gone out,
and the lovers' yearning hands
have touched the fond familiar spots
like grazing animals at dusk
returning to the glowing barn.
You sleep alone in a darkened house.
While up at midnight, insomniac,
I wonder which might be your home
among the shadowy clumps below.
A car goes by, an unstrung light
moving along a strip of road.
Above, the mirroring autumn sky
reflects the twinkling neighborhood.
By habit I look up to wish
on the first star that I see.
But when my eye fastens on one
my mind is blank of anything
but the thought of you below
your long lean body lost in sleep.
Dream Girl
I dreamed of you making
love to a young version
of me with a younger
version of yourself,
and I wonder if our dreams
are the whims skimmed off
our richly committed hearts
or disclose our true desires?
Should we throw caution
to our dreams and wake,
youthful middle-aged lovers,
forsaking our aging partners,
existing all other loves
to rewrite them in a new hand
now that we understand
what it is to live by heart?
I don't know any answers,
but I dreamed of you touching
the tender skin of a girl
I could no longer be,
so young was she, so innocent
of these and other questions,
so quick to say love
and mean by it forever.
_____________________
Visitations
Knopf 2026
Friday, October 2, 2026
Thursday, October 1, 2026
Wednesday, September 30, 2026
Tuesday, September 29, 2026
Monday, September 28, 2026
SIMON ARMITAGE ~
[ Silver Hook ]
Lazed
all
day —
morning's
dishwater
lapped
against
bedroom
windows,
birdsong
tinsnipped
each
outsize
hour
till
evening
sloped
off —
night
slanted
in.
______________________
Simon Armitage
New Cemetery
Knopf 2026
Sunday, September 27, 2026
Saturday, September 26, 2026
JULIANA SPAHR ~
from Ars Poeticas
There was once a prairie.
It's never coming back,
as in it will never be whole again.
There's the bison.
They can come back.
But the bison plus the prairie,
as in the bison moving over the prairie
with the rumored speed of a race horse,
that too is never coming back
until we change the well-intentioned
hopes of institutions of research,
the less well-intentioned grants
for rewilding from banks and governments,
into something psychotic and large
in its demands,
by which I mean the end of capitalism.
Really, I don't want to land this poem so hard,
land it on a word so cliched as "capitalism,"
but I don't know how to say otherwise
about this predicament we are in
where there is only one way out.
That it's an idea that feels impossible
to include in a poem tells us something
about the new fears of imagining we
have yet to embrace.
________________________
Ars Poeticas
Wesleyan University Press
2025
Friday, September 25, 2026
Thursday, September 24, 2026
Wednesday, September 23, 2026
Tuesday, September 22, 2026
Monday, September 21, 2026
Patricio Guzmán, Filmmaker ~
1941 ~ 2026
Mr. Guzmán in Paris in 1987. He spent his later years living in Spain and France, but his films continued to focus on Chile.Credit...Julio Etchart/Alamy















