Monday, December 22, 2014

ELSE LASKER-SCHÜLER ~











The Evening Rests On My Brow




The evening rests on my brow.

Man, I still haven't heard you murmur

or heard your heart roar —

and yet is not your heart

Earth's deepest shell?

Listening for the ring of your joy.

I learned next to your fear and listened closely.

But your heart is dead and Earth forgotten.

Oh, how I imagined that tone —

the evening presses it coolly to my brow.






I Am Sad



Your kisses darken on my mouth —

you no longer love me.



But how you once came —

blue for paradise.



On your ecstatic fountain

my heart danced.



Now I must paint it,

like the ladies who redden

the withered rose of their loins.



Our half-closed eyes

are like dying heavens.



The moon grows ancient.

And the night no longer watches.



You barely remember me —

where then shall I take my heart?






Farewell



But you never came with the evening —

I sat in a cape of stars.



When I heard someone knocking,

it was my own heart.

 

Now it hangs on every door post,

even yours —



among ferns a burnt-out fire-rose

in garland brown.



For you I stained heaven blackberry

with my own heart's blood.



But you never came with the evening —

I stood in golden shoes.






Prayer



In every country I seek a city

with an angel standing at the gate.

I carry broken on my shoulder

his great heavy wing,

and in my forehead the seal of his star.



And endlessly I roam the night

bringing love to this world,  

that every heart may blossom blue.

All my wearying life I have watched,

darkly breathing, cloaked in God.



Oh God, pull your coat tighter!

I know I'm the lees in the goblet,

and when the last man pours out the world

You'll not let me slip through your might again —

a new globe of earth will encompass me.




_________________

E L S E    L A S K E R - S C H U L E R
translated from the German by Janine Canan



Star In My Forehead
Holy Cow! Press
2000

http://jwa.org/encyclopedia/article/lasker-schueler-else




Sunday, December 21, 2014

Saturday, December 20, 2014

RUSSELL LEE ~










Whenever I go back to his work I consider Russell Lee the greatest photograph ever,
when there is no one great photographer ever, but Russell Lee is when I look his work over.


http://encyclopedia.densho.org/Russell_Lee/


once in vermont films 2014  © bob arnold

 

 

 

Friday, December 19, 2014

REDEPLOYMENT ~








"This morning our gun dropped about 270 pounds of ICM on a
smuggler's checkpoint ten kliks south of us. We took out a group
of insurgents and then we went to the Fallujah chow hall for 
lunch. I got fish and lima beans. I try to eat healthy."

from "Ten Kliks South"

Redeployment
Phil Klay
Penguin 2014



Thursday, December 18, 2014

TYPEWRITER ART ~








Typewriter Art
A Modern Anthology
edited by Barrie Tullett
Laurence King Publishers, 2014






ee ~









"To be nobody-but-yourself — in a world which is doing its best, night and day, to make you everybody else — means to fight the hardest battle which any human being can fight; and never stop fighting."
E  E     C  U  M  M  I  N  G  S






Wednesday, December 17, 2014

JAMES LAUGHLIN ~







 Literchoor Is My Beat
a life of james laughlin
publisher of new directions
Farrar, 2014











Tuesday, December 16, 2014

MOROCCO HOUSEHOLD ~







Village on the southern slopes of the
High Atlas Mountains, Morocco
photo Ivo Grammet





C.S. GISCOMBE'S OHIO RAILROADS ~

















C.S. Giscombe
Ohio Railroads
Omnidawn 2014






Monday, December 15, 2014

LEON LEVINSTEIN ~













Eighth Avenue and 41st Street
Times Square
1975







Untitled
New Orleans
1975






Los Angeles
1975






New York
1968






Untitled
Coney Island
no date



Leon Levinstein
Bob Shamis
Steidel / Howard Greenberg Library
2012



http://lens.blogs.nytimes.com/2012/12/01/recognition-from-the-art-world-he-shunned-in-life/





Saturday, December 13, 2014

ANNOUNCING GO WEST ~










Bob & Susan Arnold travel by trains, lots of trains, across America, across Canada.

This book — filled with poems and travel photography — shares  one cross-country trip the couple took in the mid-1980s to California from Vermont.


Go West was first published by Coyote Books
 twenty-five years ago. 
This revised and expanded edition
 now shows the photographs from that adventure across
and broadly stateside in California.







Go West by Bob Arnold

Longhouse 2014

  144 pages, perfect bound, 5.5 x 6.25 inches
70 photographs

$15

order here through Paypal, plus $2.00 s/h (US shipping only) / international shipping, plus $12





Choose US order or International order








Friday, December 12, 2014

JIM KOLLER & PETER GARLAND SPEAK ~
















Lato Selvatico "Libraria"
Strada Digagnola, 24
46027 Portiolo
Mantova
Bioregione Bacino Fluviale del Po
ITALY
morettig@iol.it
www.sentierobioregionale.org

November 2014


James Koller photograph: Maggie Brown
Peter Garland photograph: Esperanza Esquivel





Thursday, December 11, 2014

LEW WELCH ~







Back Road Chalkie
(indoors during ice storm/
power outage)




WALKING ~







Jim Koller w/ empty boxes, Bert Koller, Carson Arnold, Bob Arnold
circa 1986, Vermont


Jim was visiting with his family a few years after I built a house for a couple down this road and around the corner.

The couple had asked if I could come down and help them move a piano and I brought along a little army with me.

Susan was with us, too. She took the photograph.

photo  © susan arnold

 









Wednesday, December 10, 2014

KIT KENNEDY ~







Back Road Chalkie
December 2014
K I T    K E N N E D Y







AH, JIM ~








DARK EYES ~













http://wyndhambaird.bandcamp.com




"And if you don't like me, well, leave me alone"


Dylan should be just left alone. He pretty much says that, too. I've been enjoying watching him survive long enough to have a croaking voice, a young voice, a mellow voice at Newport (64), a cracking rocker's voice (Newport a year later: Maggie's Farm), his Judas period in Manchester with the audience, then the phony bike wreck, the mellow Lay Lady Lay, come back with The Band in NYC — jean jacket, good stare, handsome — then we wind down through the religious period, Wailing Wall, fucked up songs, good songs, Lenny etc. By the time he lands in Springfield, MA and we buy Jim Koller a ticket to meet us there for it (1992), Dylan can barely fill the seats.


 We come into the dirty city and see Koller moving sideways up one of the sidewalks biding his time, maybe hitting a bar, at the concert our seats have rainwater on them and we go talk to the bosses who move us all almost to the front. Dylan in hood.


I meet another old friend there. I built his house five years earlier in the woods, he's wearing gloves in September, that jittery at being in the city and shaking hands, he shows me a little zippered pocket on the top of the gloves where he keeps change for panhandlers. He's well prepared. Country folk still come into the city like the settlers in Shane with an old wagon and a knock to the back wheel. Don't blame them.


Dylan makes one more comeback pretty much after the second Woodstock (nothing ever in Woodstock but all of Woodstock attends) and we meet up with one of his shows, again, this time up in the woods of Stratton Vermont and lo and behold Janine is in the audience, come over from Woodstock, and she'll follow the tour to the Woodstock event the next night. Stratton's obviously a warmup for Dylan and the band. I never heard "Rainy Day Woman" any better. He was on fire.


Years and years later we'll catch him again in Northampton at Smith College, 2000 in attendance, Allen Ginsberg has just died, Dylan has a huge portrait on a screen behind him on the stage of AG. Dylan in Stetson looking like a Jewish kid Bill Monroe. He can pull off anything he wants. We have balcony seats. We're catching a train that night from there to New Mexico. 


In '75 we also saw Dylan and Rolling Thunder down in Hartford. Got there, November night, sleet storm, almost two hours from Vermont, and halfway there the windshield wipers bust on our VW bug that never had heat. To get home we had to wait for the storm to pass. No sleep. Youngsters. The best age for Dylan. Even for him. He's approaching that old blues singer voice now. He may, eventually, get side by side with Skip James. . .

 

. . .way back in the 60s Susan saw Dylan at the Santa Monica Civic Auditorium, his polka dot shirt period. Same time, same state, Koller's Coyote's Journal was growling.

 

Now to modern times — here is Wyndham Baird who gets at the very hard work at crossing generations, with quality, as is being done here. I don't put Wyndham at all in the momentary Dylan-doing-Woody Guthrie mode; it's more Ramblin' Jack Elliott-doing-Woody, and it's a toss up who did Woody songs best between those two. In Dylan's case NO ONE yet or ever will do Dylan better because it's all about the mystical which he has down as well as Blake. 
Untouchable.


"Dark Eyes" all for Jim




image: by Alec Mcleod
 Title from the Celtic song "The Moonshiner"