Wednesday, September 30, 2015
AWAY ON THE MOUNTAIN ~
Labels: Jimmie Rodgers, Music Box
Tuesday, September 29, 2015
YVES BONNEFOY PARIS REVIEW INTERVIEW ~
Y V E S B O N N E F O Y
The Paris Review Interview
Labels: The Paris Review, Yves Bonnefoy
Monday, September 28, 2015
THE ANCHOR'S LONG CHAIN ~
The Anchor’s Long Chain (Ales Stenar)
translated by Beverley Bie Brahic
Boats appear in the sky
And from some of them
The anchor’s long chain may rattle down,
Down towards our furtive land.
The anchor bobs over our fields and trees
Seeking a place to moor,
But soon a wish from above yanks it free;
The ship of elsewhere has no use for here,
Its horizon lies in another dream.
It may however come to pass
That the anchor is heavy, unusually so,
And rakes the ground, rumpling the trees.
Someone saw it snag a church door,
Catch the arch where our hope fades,
And a sailor had to shinny down
The taut, jerking chain,
And free his heaven from our night.
Labels: Beverley Bie Brahic, Seagull Books, Yves Bonnefoy
Sunday, September 27, 2015
Saturday, September 26, 2015
BERLIN STORIES ~
New York Review of Books, 2012
Friday, September 25, 2015
FRANK O'HARA ~
Y E T A N O T H E R F A N
It's a great shame
that to sad us your
hands seem swans
on tortoises drifting
elegant in the sea
While birds whine
at the sun we lay
our aching eyes in
your lap and an iron
firm round our heart
Gently white planes
rove the horizon
as your wings beat
to earth and trample
our freckles into
coral and grass
F R A N K O' H A R A
Labels: Frank O' Hara
Thursday, September 24, 2015
Wednesday, September 23, 2015
By truck we were
Heading home the same
Time we saw fox heading
Home by the side of the road
Muddy legs like quick
Moving boots he made
His way and I swear
We looked at him
And he looked at us
And the Earth was whole
© Bob Arnold
The Woodcutter Talks
Labels: Bob Arnold ("Sly")
Tuesday, September 22, 2015
YESTERDAY AND TODAY ~
Posted by Bob Arnold / Longhouse at 11:22 PM
Labels: CA., New York Times, Thomas Pynchon, Watts
THE HARROW & THE HARVEST ~
Labels: David Rawlings, Gillian Welch, Music Box
Monday, September 21, 2015
A LOVING GESTURE ~
Dear K —
This old nondrinker notices just how much drinking is in your letter from this gala event you attended. How our society depends on the drink to grease the gears, to get us through. To get everyone involved through. It’s the non-drinker, trust me, they have no idea what to do with.
Somewhere out there someone has a video of you on their cell phone doing “Chain, chain, chain, chain of fools” in a conga line.
It’s customary to think we are now all in the chain of fools since we are all drunk. Have to be. Unless we aren’t getting through.
My father would be uncomfortable with me, who wasn’t drinking, while he was drinking. Finally when he was loose and relaxed enough, he’d cozy up to Sweetheart and me and take out his forever shirt pocket notebook filled with lumber scribbles and house information, cabinets to order for a kitchen job he recently measured up for a young couple eager for their first home, and he’d write down just what it would cost to get us tickets for an Amtrak train trip since he had been listening to us prattle along about a long cross-country voyage and it sounded like fun. Into the notebook went all the information, which of course looked like nonsense to him when he sobered up. Sweetheart still remembers this sort of sad testimony about the man. Nothing ever came of it, not that we expected any, the guy was just relaxed and feeling happy.
A close friend felt more like himself when he finally got me to drink down two bottles of red wine with him the very last time he visited here. He didn't know all I wanted was to see him smile. I must have felt somewhere in the soul this could be a last visit, although I would have never predicted it. My friend, to us, would live many years longer. He brought the two bottles of wine (which he drank the most from), Breyers ice cream, and a jar of unsalted old man peanuts that he seemed to relish. A loving gesture.
The stout Jack Daniels bottle sits on our kitchen shelf not quite polished off after a very long winter and chilly spring, along a dreary episode with the flu. Neither of us wanted any of the whiskey. But the bottle label looks dignified like a Harley Davidson emblem. We tried the hot-toddys and got nowhere with them but sipped them down like medicine. Sweetheart only once. Me every night for a week. I’m not sure it cut a lick but I gave it a try for the first time. It all still tastes like gasoline to me, as does wine, very foreign, but nothing matches the stuff I used to swill down when I was with a Chinese foot doctor for a few years and the concoctions he insisted I swallow I’m sure were part bark, roots, dirt, animal droppings, insect wings and bat guano. Pretty pink pig ear grease. The squiggles of homemade calligraphy down into my gut.
What will be left of us when the world is pulverized?
What I like about this Mexican hole in the wall restaurant where we eat is the owner is a limping long haired native with a wolf grin and wide striped shirt and he moves with the deliberation of a wise animal. And he owns the place and he’s owned the place a long time and he’s made it work. Congratulate the man! He hires women all in Spanish tongue, a bit of Indian shade to each of them, fluent in their tricky language and half may smile at you. Just their pacific faces beat out the entire history of most of the white customers that wait for their take-out orders. There is little to speak of from this white world except consuming, Facebook, cell-phone, money making, bill paying and a rent to meet. Where’s the beef? Where’s the trail? Where’s the music? It’s MP3 and throw away the vinyl, the field recordings, the personal heavy boxes of records, so many journeys. The real heft that instills a real memory. The stuff that makes you feel hurt in places and so you are alive.
I listened to Boz Scaggs during an interview, and there’s the Texan musician looking a bit wasted after decades of road life, making a music out of this young man heart of once upon a time and somewhere in his serious litany of remembrance he suddenly turns me on and I really hear and see and bear down with what he’s trying to get across. It’s almost like he has the partial heart of Hank Williams and Jimmie Rodgers sincerely deep down in his bones. It is true. I can hear the cadence and the calmness of the dust trail and animal ploving and how slow both the Red River and Rio Grande can flow. Only a true Texan. Like you, he says, he was raised in Oklahoma and Texas. I like these guys. Always have. He has a new and very popular album now out. Try to play it at your music store job. Put a Texas blues into the Texas hallways, trap it into the book catacombs, drizzle it down into the store cafe. Sexify the styrofoam.
I have a steel wall to build today. Happy days are here again.
all’s well, Bob
Labels: Boz Scaggs, Drinking / nondrinking, Jack Daniels, Music Box
Sunday, September 20, 2015
BORN WITH THE BLUES ~
Labels: Furry Lewis, John Lee Hooker, Music Box
Saturday, September 19, 2015
What to say to
A Mexican gal
Working high off
In the mountains
With a quick greeting
For us to step out
Back and see what
They do — dyeing
Wool over a cast
Iron pinyon fire —
The dyes stir with
Wool skeins in two
Deep tubs boiling
Out of control as
Bare armed she works
Ingenious pulleys to
Lift out and bleed
Nothing like we see
Anywhere else in old
Town until we look up
To the sky, and another
Worker drapes the dipped
Wool over makeshift
Drying racks, neither
Women bothering much
To wear their masks
For the wicked vapors,
Since out of nowhere
In the smolder of heat
Poisons and probable
Embarrassment she says
They are both
Going to win the
Lottery — fast white
Grins — “Yep, going
To win big-time
A million bucks”
© Bob Arnold
Labels: Bob Arnold
Friday, September 18, 2015
Thursday, September 17, 2015
B R O A D S T O N E B O O K S
Posted by Bob Arnold / Longhouse at 4:00 PM
Labels: Broadstone Books, Jonathan Greene
MAURICE SCULLY ~
Baint an Fheir
Poem: Plod. Poem: What's left of your bones.
There, see. Poem: 'Blunder follows blunder'
he wrote, (tapping the floor) beginning again to
take note, and grow up. Little incidents connect
to make a afbric where air meets in its heat cold
too to the lip tangible in its flow, woven through,
walled in. The verb: gathering. The verb: locate.
The verb: stop. Acumen, praise. White is the colour
of your true love's hair — Wood Angelica, Butterbur,
Purple Loosestrife — now. Yes. The verb: to see.
The verb: to know. This then.
Shearsman, UK, 2014
Even Maurice admits it's been years & years and it has been years & years since we have been in touch, but poet's have a secret weapon, are you listening? they have books no one wants to read that they can send as gifts, and they do, and we who receive many of these books must be thankful. Often they will be the best books you will read all year, and the worst. Be thankful. Someone is sharing. Sharing has disappeared if you haven't noticed. Sharing now means something on computer stupidity and that's not what I mean by sharing. Maurice has sent his most recent book from Shearsman, that fine fiddle of a press in the U.K. Maurice won't believe me, you won't believe me, but I had been recently wanting to read something new by Maurice. No doubt he read my mind. I opened his new book that he sent as a gift and came upon an opening word by Frank Samperi who really never did anything wrong with a poem. No failures.
Labels: Frank Samperi, Maurice Scully, Shearsman Books
Wednesday, September 16, 2015
MULTITUDINOUS HEART ~
C A R L O S D R U M M O N D D E A N D R A D E
M U L T I T U D I N O U S H E A R T
It happened in Rio.
I was walking on the Avenida close to midnight.
Breasts were bouncing amid lights flashing countless stars.
The promise of the sea
and the jangle of streetcars
tempered the heat
that wafted in the wind
and the wind came from Minas Gerais.
My paralytic dreams the ennui of living
(life for me is the wish to die)
reduced me to a human barrel-organ remotely
in the shopping arcade of the Hotel Avenida sultry sultry
and since I knew no one, just the soft wind from Minas,
and didn't feel like drinking, I said: Let's end this.
But an excitement throbbed in the city its long buildings
cars with tops down zooming toward the sea
the sensuously roving heat
a thousand gifts of life for indifferent people,
and my heart beat violently, my useless eyes cried.
The sea was beating in my chest, no longer against the wharf.
The street ended, where did the trees go? the city is me
the city is me
I am the city
Carlos Drummond de Andrade
translated by Richard Zenith
Farrar, Straus and Giroux 2015
Labels: Carlos Drummond de Andrade, Richard Zenith
Tuesday, September 15, 2015
Monday, September 14, 2015
THOSE WERE THE DAYS, MY FRIENDS ~
Credit Richard Perry/The New York Times
Posted by Bob Arnold / Longhouse at 6:00 PM
Labels: "Birdman", Bill Kasper, Rainbow Music
JOHN WIENERS ~
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Sunday, September 13, 2015
Saturday, September 12, 2015
Labels: Austin City Limits, Los Lobos, Music Box
Friday, September 11, 2015
EDWARD THOMAS ~
E D W A R D T H O M A S
Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop—only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.
( Penguin Books )
Labels: Edward Thomas
Thursday, September 10, 2015
KAFKA — THE BLUE OCTAVO NOTEBOOKS ~
Edited by Max Brod
Translated by Ernst Kaiser, Eithne Wilkins
Translated by Ernst Kaiser, Eithne Wilkins
(3 July 1883 – 3 June 1924)
"The voices of the world becoming quieter and fewer."
young Franz Kafka
Before setting foot in the Holy of Holies you must take off your shoes,
yet not only your shoes, but everything; you must take off your traveling
garment and lay down your luggage; and under that you must shed your
nakedness and everything that is under the nakedness and everything that
hides beneath that, and then the core and the core and the core, then the
remainder and then the residue and then even the glimmer of the undying
fire. Only the fire itself us absorbed by the Holy of Holies and lets itself
be absorbed by it; neither can resist the other.
Two possibilities: making oneself infinitely small or being so. The second is perfection, that is to say, inactivity, the first is beginning, that is to say, action.
Towards the avoidance of a piece of verbal confusion: What is intended to be actively destroyed must first of all have been firmly grasped; what crumbles away crumbles away, but cannot be destroyed.
Franz Kafka with his fiancee Felice Bauer 1917
Labels: Franz Kafka
Wednesday, September 9, 2015
DEREK MAHON ~
for Nina Hutchinson
Once there was house and home
And books against the cold.
We are all gipsies now —
Wanderers in the salt dunes,
Tellers of strange fortunes,
Bathers in cold waters —
Sleeping, like John Clare,
With our feet to the pole star.
From famine, pestilence and persecution
Those gaunt forefathers shipped abroad to find
Rough stone of heaven beyond the western ocean,
And staked their claim and pinned their faith.
Tonight their children whistle through the dark,
Frost chokes the windows. They will not have heard
The wild geese flying south over the lakes
While the lakes harden beyond grief and anger —
The eyes fanatical, rigid the soft necks,
The great wings sighting with a nameless hunger.
A dream of limestone in sea-light
Where gulls have placed their perfect prints.
Reflection in that final sky
Shames vision into simple sight —
Into pure sense, experience.
Four thousand miles away tonight,
Conceived beyond such innocence,
I clutch the memory still, and I
Have measured everything with it since.
Oxford University Press 1968
The Paris Review: The Art of Poetry ~
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