Showing posts with label Aleksandar Ristovic. Show all posts
Showing posts with label Aleksandar Ristovic. Show all posts

Friday, October 30, 2020

RE-READING ALEKSANDAR RISTOVIC ~













from Whores



With me is a railroad man

in a railroad uniform,

with a railroad whistle and pocket watch,

and a railroad cap.



He talks about trains,

the express, the cannonball.

He remembers a girl

he left behind on the train.



Before he lies down

he turns off the lamp.

Outside, falling snowflakes

mingle with electric sparks.



Asleep he holds me

by my breasts,

still wearing his wool socks

with a toe sticking out of each one.



In the morning he runs

across the tracks.

He loses his cap.

He finds his cap.






~






With me is a man

who talks too much,

talks about everything,

so he sees nothing.



The washpan with red

and blue roses,

or the frog in the pan

with twelve baby frogs.



Sees neither my left

nor my right shoulder,

nor my cheeks caked

with thick powder.



Sees neither my thing,

nor his thing,

babbling so much he forgets

why he came.



I stuck a finger

under his tongue

and my finger stayed

in his mouth.






~






With me is a young woman

who loves only women.

She smokes unfiltered cigarettes,

sways while she walks,



pays for my services

in foreign currency.

Her breasts are still

just two drops of honey,



she uses a whip,

sips ghastly concoctions.

We dream of each other,

exchange places.



When I wake, I see beside me,

my own funny childlike face

with buck teeth

and high cheek bones.



At night, a beard and a mustache

grow on her. In the morning,

she is again herself,

neither better nor worse than she is.






~






With me is a long-legged,

long-eared stallion.

His other horsy virtues

I won't even mention.



He bolted from under

his master's whip.

He's tired of high-class mares,

he wants only me.



He strokes me with his head

and his tufted mane.

He's happy when I ride him

naked, wearing only boots.



His eye is human

and so is his impatience

and his well-developed

sense of humor.



He eats blue-tinted sugar cubes

out of my hand.

In some respect, he's a man.

In others, just a horse.






~






With me is a grinning

skeleton,

when he walks, the bones

make a racket.



At times he loses

some small bone,

so we look for it

among the bedding.



Expertly, I fit

the missing bone between two others

It's tiring work,

but it gives me pleasure.



At times, he tries to drink

from my glass.

The way the wine puddles on the floor

makes him truly miserable.



If he had any nerves,

he'd lose them in bed

having to listen

to the rattle of his bones.






~






With me is the God

of all gods.

I have no other god

but him.



Without fuss

he kisses me everywhere;

on my head, on my forehead,

on my undone hair,



on my mouth while I speak,

in my armpits,

on my wet tits,

on my left and on my right knee,



inside my lungs, in my heart,

in my bowels,

in both kidneys,

and in my full and in my empty gut.



With great art he handles

the venerable tool.

God is truly within me,

or any other girl like me.




____________________
Devil's Lunch
Aleksandar Ristovic
selected poems
translated by Charles Simic





I'm always returning to Ristovic.
There is a accent mark over the "c"
I can't do it, but I do it with a pen in hand.
And again Charles Simic at the helm.
They should give him a prize for his
decades of work as translator, always
sizzling, and maybe they have.
The only prizes I pay attention to now
are the birthdays of our two
granddaughters, the rest
is filigree.
I also adore this edition
and design from Faber & Faber.
Did you know there was only one Faber?





Wednesday, June 2, 2010

EARTH ~










The glimmer of gold


Nobody reads poetry anymore

so who the hell are you

I see bent over this book?










I first discovered this book ten years ago when it was published in its haunting version by Faber. A collection culled from twenty of the poet's books. Ristovic wrote, at times, as if from the Medieval Ages and made his bread & butter as a school teacher. Serbian, he passed away in 1994 so he never saw what good craft and spookiness the poet and translator Charles Simic put into his first time showing in the United States. I don't keep this book in my library. I keep it handy — for years in the bedroom, in a narrow book case between two windows I built, with its one small lamp.




Small lamp



Small lamp,

light up my face

from time to time.

Don't pretend

you don't see me.



I'm here

wherever that is,

still

doubled over

my worries.





from Skin and bones


The priest and the mourners

are climbing a hill,

the dead man lies smiling

in the coffin of yellow wood.



The red-faced priest reads

from a black prayer-book

while stealing peeks

at the young woman next to him.



His prayer has brought

tears to her eyes,

she imagines his hand

between her breasts.



Even the deceased

has propped himself on an elbow.

The spring rain

beats on his chest and face



as he listens closely

to what the priest is saying.

Finally, he shrugs his shoulders

and lies back down.




Tree


How antiquated a tree is! How old-timey,

its inclination to rustle in the evening

while I walk home from the library with books under my arms.

Its branches sway the way the wind wants them to

and its beauty lies in what a man or child

bears in his heart as he runs under it.

Perhaps only Plato expected to find wisdom

in such constant motion. First one, and then another

branch, fails to inscribe a circle,

merely arousing in us certain associations

at which we arrive by swapping our experience

of the real for our experience of the imaginary.

And how old-fashioned I am, who loves to dawdle

under a tree and seek in its appearance

some symbol of mortality and eternal life.




Happiness



The mouse is golden

and so are the turtle and the spider,

and even the centipede,

and the pebble with which you try

to get rid of it

without leaving your bench,

from which one can view many other

things and golden beings.





Gingerbread Heart


Make me a long coat of heavy cloth, tailor,

the kind that won't fray,

and of a dark color,

so no one will notice the cigarette ashes.



Make the dark trousers of the same material,

to last as long as I want them to,

wearing them to visit many cities, villages,

and other out-of-the-way places.



Make me a dark vest, O tailor,

in which to sit at a banquet table

with a rich man's rose in the buttonhole,

surrounded by happy faces.



Make me a dark jacket, tailor, with wide, deep pockets

to clench my fists in, while watching the one

they're dragging from my table into the bushes,

which after a few moments begin to shake.



translated by Charles Simic