Interlink Books
2023
daydreaming w/ Bob Arnold
The Woman With the Feathers
In the morning I write poems,
then I read amusing novels,
later I play a game of cards,
after lunch I go to the garden
or walk through a lovely grove.
I spend my time in this delusion
that I am a hardworking citizen.
I used to play with girls and boys,
in doing so I behaved rather foolishly,
I made use of my talents,
so as to feel too well on occasion.
Now I go to bed at nine,
I act dignified and proper.
Much turned out wrong, yet now and then
I see in my mind's eye my beloved's full plumage,
her sweet, beautiful, soft eyelids.
_________________________
Robert Walser
The poems
Seagull Books, 2022
translated by Daniele Pantano
[...]
I am unfinished business.
The business that did not finish me
or my parents
won't leave my children
in peace. In my right hand.
a paper. In my left, a feather.
To toss, to quill, to meet
my terminal velocity.
I forget Palestine
has a kind way of remembering
those who mark
it for slaughter,
and those it marks for life.
I write for the future
because my present is demolished.
I fly to the future
to retrieve my demolished present
as a legible past. To see
what isn't hard to see
in a world that doesn't.
[...]
They did not mean to kill the children.
They meant to.
Too many kids got in the way
of precisely imprecise
one-ton bombs
dropped a thousand and one times
over the children's nights.
They will not forgive the children this sin.
They wanted to save them from future sins.
Or send them wrapped lifetimes
of reconstructive
surgical hours pro bono,
mental anguish to pass down
to their offspring.
Will the children have offspring?
This is what the bomb-droppers
did not know they wanted:
to see if others will be like them
after unquantifiable suffering.
They wanted to lead
their own study, but forgot
that not all suffering worships power
after survival. What childhood does
a destroyed childhood beget?
My parents showed me the way.
________________
Fady Joudah
[...]
Milkweed Editions
2024
Winter (from three erotic poems)
I now think
disgracefully rarely
of my First Great Abandoned One
I carefully avoid
anything that might cause
a consternation of memories
—places we used to meet
—street corners
—landscapes
—benches
—benches
—trees
—the window where
our light burned
slowly but pitilessly
I forget
the color of her eyes
what
remains
now rests
in a cardboard box
photographic negatives
our faceless pictures
if someone ran a pointer finger
down the sharp edge of the frame
the heart's blood
would flow
a friend told me
that My First Great Love
now lives alone
not counting the sea's company
she is blind
and compares herself with weaving
what does she weave
on the dark loom
for me it's like
an empty platform
like absolute
irrevocability
like a pensive drowned man
with a hat firmly jammed
over his ears
who floats
with his head turned away
from the world
like night
in a mirror
____________________
Zbigniew Herbert
Reconstruction of the Poet
uncollected works
Ecco, 2024
To Hear the Leaves Sing
Going down Highway 99, to Modesto,
I see an orange glow in the sky.
At first I think it is a fire, but, as I get closer,
it is the lights of a packinghouse,
where women work through the night,
giving up the fire of their lives,
to get the peaches to market.
Ten minutes later I pass
the Avenue 20 off-ramp, the ramp
that, in summers, would take me
to the peach fields of Madera,
where, as the sun rose to its peak
in the brilliant sky,
and the bitter dust
settled in my throat,
I would stand on a ladder,
my heavy sack pulling me down,
and throw peaches, as fast
as I could, into the trees,
to hear the leaves sing,
the tiny branches break.
________________________
BLAS MANUEL DE LUNA
from Latino Poetry
edited by Rigoberto Gonzalez
The Library of America, 2024
Blas Manuel de Luna (b. 1969) was born in Tijuana, Mexico,
raised and schooled in California and is the author of the poetry
collection Bent to the Earth (2005).