Thelonious Monk Quartet Zurich, Switzerland 02/26/1964 Charlie Rouse (ts) Thelonious Monk (p) Edward "Butch" Warren (b) Ben Riley (d)
daydreaming w/ Bob Arnold
Thelonious Monk Quartet Zurich, Switzerland 02/26/1964 Charlie Rouse (ts) Thelonious Monk (p) Edward "Butch" Warren (b) Ben Riley (d)
Blue World is an album of 1964 John Coltrane recordings, created as a film soundtrack of "The Cat in the Bag" by Gilles Groulx and released on September 27, 2019. Tenor Saxophone - John Coltrane, Bass - Jimmy Garrison, Drums - Elvin Jones, Piano - McCoy Tyner
Released on: 1964-04-01 Producer: Teo Macero Drums: Frank Dunlop Arranger: Hall Overton Mastering Engineer, Mixing Engineer: Vic Anesini Bass: Butch Warren Tenor Saxophone: Charlie Rouse
Horace Silver – piano.... Donald Byrd – trumpet (# 1, 3-6 & 8-10).... Hank Mobley – tenor saxophone (# 1, 3-6 & 8).... Junior Cook – tenor saxophone (# 9 & 10).... Doug Watkins – bass (# 1-8).... Gene Taylor – bass (# 9 & 10).... Louis Hayes – drums.... Bill Henderson – vocals (#10).... ...................................................................... 1. "Cool Eyes" 5:55 2. "Shirl" 4:16 3. "Camouflage" 4:25 4. "Enchantment" 6:22 5. "Señor Blues" 7:01 6. "Virgo" 5:49 7. "For Heaven's Sake" 5:09 8. "Señor Blues" (Alternative take) 6:38 9. "Tippin'" 6:12 10. "Señor Blues" (Vocal version) 6:14 ...................................................................... Recorded - November 10, 1956 (#1-8), June 15, 1958 (#9-10) Van Gelder Studio, Hackensack
Volume One: RLA Sound Studios, NYC, April 20, 1965 Volume Two & Three: RLA Sound Studios, NYC, November 16, 1965. Marshall Allen described the recording of the album in John F Szwed's biography of Ra, Space Is The Place; "Sun Ra would go to the studio and he would play something, the bass would come in, and if he didn't like it he'd stop it; and he'd give the drummer a particular rhythm, tell the bass he wanted not a 'boom boom boom,' but something else, and then he'd begin to try out the horns, we're all standing there wondering what's next... "I just picked up the piccolo and worked with what was going on, what mood they set, or what feeling they had. A lot of things we'd be rehearsing and we did the wrong things and Sun Ra stopped the arrangement and changed it. Or he would change the person who was playing the particular solo, so that changes the arrangement. So the one that was soloing would get another part given to him personally. 'Cos he knew people. He could understand what you could do better so he would fit that with what he would tell you." Marshall Allen