Tuesday, April 21, 2026

JOHN BRADLEY'S PLANETARY SWAY ~

 




Instructions on How to Assemble

Your Diagnostic Potato



After I inflated the car and watched it float over the

meadow, I heard a hissing in my left foot.


                                        *


Then the streetlight buried its face in a blanket of moths.


                                         *


Unable to find a spare bed, he spread out on a slice of

bread, pulling the leaf of wilted lettuce over him.


                                           *


That minute has been following me for three days.


                                           *


Once you've unloaded my voice into your speech program,

I can assure you that we'll become the best of friends.


                                            *


Hair will tolerate nearly anything— except atonal weather.


                                            *


He would often talk to his money.  At the vending machine,

before he slid his dollar bill into the slot he'd say, Reggie want

to take a little ride?


                                            *


For some unknown reason, Van Gogh never painted a

portrait of his kidney.


                                            *


Even as we chatted, we could hear our teeth aging faster

than our words.


                                            *


Should you find me slumped and shrinking, please plug my

body-unit into the nearest electric outlet.


                                            *


I speak crooked not because I fear the straight razor, but for

all the mangled shapes left along the oral highway.


                                            *


The instruction manual for assembling the diagnostic potato

said nothing about how to blind its eyes.


                                            *


List my accomplishments now, before the night lays its eggs

in the seam on my coat.




____________________________________


John Bradley

Planetary Sway

Aphorisms for the

Everyday Emergency

Bottlecap Press 2026


Photo by Jana Brubaker


Monday, April 20, 2026

JAKE SKEETS ~

 





If the End of the World


through an open window

smoke settling in the leaves

like a bell ringing






Coming Across A Horned Toad


when I saw a horned toad

watch wildfire on juniper corpse

its eyes mattered pitched

and smoldered open


its name echoed small blood

a room full of breathing

a fire-caught voice

the body is a river is a body


horizon shrouded suddenly

tongue carried into mountain

into memory veined dusk bone spur

a moon trail touch-lit


another cathedral

another paint coat cracking

another

another


I have a tin can for sky

settled in open prisms

prisms between storm

and a god


I still see clouds still

over valley dirt afternoons

in December

when evening turns a dark shore


everything tall

through the pinons

I take note

because it comes back


comes lunar becomes

ash altered in spilled morning

because bloom

because white trees


because rope soot

a river's winded teeth

placid silver

and ankle-deep


under baptized skies

of black dirt

I hear morning

shell blue


and there a horned toad

its skin its flat time

its spine its arrowhead

pollen on its back


or is it sleet rain

braiding along

a dense prayer

I carry morning


_______________________

Jake Skeets

Horses

Milkweed Editions 2026




Sunday, April 19, 2026

ICIHKO AIBA: LUMINESCENT CREATURES ~

 


    2025



AMELIA ROSSELLI ~

 





IN THE NORDIC

palm grove of deconsecrated churches,

forced laughter

the city in the palm,

charred life





YOU CAN'T WITHSTAND this winter

modestly

that innocent mud

and with shoes in hand

and naked you cross

that square,

traveling across squares.





LERMON HILL: IMPECCABLE

solitude! imbued with light


I am tonight: not dark

the green estate or ecstatic


the violet march towards

vendetta . . .





THE YOUNG, THEIR roses


akin to you: the young

their roses, akin


to me: the young, their

faults, akin to ours





YOUR WHITE HANDS

forgiving complaints of the poor

or forcing complaints

I play mute bells.





ROSES TIDIED UP

forgettable loneliness

meticulous farmer

best in the world

recognizing yourself as a tank

of covert nullity

spent crushing

death solitude

all the more valuable

if thinly I'm marble.





I'VE REMOVED EACH light

downplayed your spring

his combing his hair.


That indifferent land

and where are you,

born with science.


Seeing myself written on the walls

I crossed the islet.





OUT OF TUNE life,

it blows itself out

hope is plucked

hard to piece itself together

wants nothing to do with it


thoughts are oval then, or opaque.





ONCE THE GOAL is achieved

little refuge in my candid sky

splendid unused sun

our life shivering

with borrowed dismay


if he doesn't speed up I'll compete.



______________________________________

Amelia Rosselli

Document

translated from the Italian by

Roberta Antognini & Deborah Woodard




World Poetry, 2025

Saturday, April 18, 2026

ROBBIE ROBERTSON'S INSOMNIA ~

 



_____________________________________


Many of the usual suspects show forth and are treated with

Robbie camaraderie — although Robertson's sweet-talk

doesn't move an inch with Hells Angel Sweet William

(Bill Fritsch) and lover of poet Lenore Kandel and a

somewhat troubadour of two wheels himself, who isn't

taking kindly learning that his poem has been withdrawn

from a tribute reading during the concert film "The Last Waltz,"

whereas both fellow San Fransisco laureates 

Lawrence Ferlinghetti & Michael McClure

remain on board. If you are interested, 

you can dig up on-line the full reading

by Sweet William, and later in Robertson's book

find out just why Fritsch is dragging his leg across

the stage to the microphone. For more of Sweet

William, see the Maysles brothers film "Gimme

Shelter" where the Angel, once again,

captivates the stage.

[BA]


    Crown 2026


    R E A D   M E







Thursday, April 16, 2026

Wednesday, April 15, 2026

Tuesday, April 14, 2026

JEWISH ROOTS, AMERICAN SOIL ~

 


In his new book about Bob Dylan, pictured here in 1974 (with The Band), Harry Freedman implies that elements of the singer’s Jewishness remained central to his art and identity. 
(Jeff Robbins / Associated Press)

Monday, April 13, 2026

Sunday, April 12, 2026

REAL TALK ~ (John Mearsheimer) ~

 



    John Mearsheimer

#JohnMearsheimer #IranWar #USIranConflict #Trump #MiddleEast #Geopolitics #APTNews



ARACELIS GIRMAY ~

 




December



Or that I would run my hand along

the dip in the hill's grey back

up to its withers, feeling

the closeness of its heat,

its inwardness risen and rises and blown away


To be among their small group,

their mouths to the earth, their silences


Uncle is, swishing away the flies

Mother is, pouring black coffee through their hair


Each of us, briefly, a tense

cast into the other's time


Not to fill my ears with the sound of my own motion

but with ear


To hear the low voices of the shadows


To exist without the memory of words


To be traversed by elk, faces, wheels


To learn to stand outside the rooms of light



____________________________

Aracelis Girmay

Green of all Heads

BOA Editions, 2025




JOHN FAHEY'S OLD GIRLFRIENDS ~

 


     Varrick, 1992



Saturday, April 11, 2026

TORTOISE ~

 


        International Anthem 2025



Thursday, April 9, 2026

Wednesday, April 8, 2026

Tuesday, April 7, 2026

PINK FLOYD TONIGHT ~

 


    1967


1. Astronomy Domine 0:00 2. Lucifer Sam 2:33 3. Matilda Mother 5:40 4. Flaming 8:48 5. Pow R Toc H (LIVE) 11:34 6. Take Up Thy Stethoscope and Walk 14:33 7. Interstellar Overdrive 17:38 8. The Gnome 27:20 9. Chapter 24 29:34 10. The Scarecrow 33:16 11. Bike 35:26



VISIT IRAN ~

 




    March 5, 2026



ELIZABETH WALDO ~

 



ELIZABETH  WALDO


      via Lucy V. Lee

YOKO TAWADA ~

 



R E A D   M E

    New Directions, 2025


Monday, April 6, 2026

LOUIS JENKINS ~

 





Confessional Poem


I have this large tattoo on my chest. It is like a dream I

have while I am awake. I see it in the mirror as I shave and

brush my teeth, or when I change my shirt or make love.

What can I do? I can't remember where I got the tattoo.

When in the past did I live such a life? And the price of

having such a large tattoo removed must be completely

beyond reason. Still, the workmanship of the drawing is

excellent, a landscape 8 x 10 inches in full color, showing

cattle going downhill into a small western town. A

young man, who might have been my great-grandfather,

dressed as a cowboy and holding a rifle, stands at the

top of the hill and points down toward the town. The

caption beneath the picture reads: "Gosh, I didn't know

we were this far west."





Lake Superior


What I like best

are those rocks that

for no apparent reason

stand waist-deep

in the water and refuse

to come into shore.





You Move A Chair


You move a chair from its place in the corner

and suddenly you realize

someone had been sitting there all along.

You start to apologize.

Oh, no bother, he says and jumps up.

You are embarrassed, anxious.

He stands at the window,

hands folded behind his back,

watching the snow drift into the yard.

You can't think of anything to say.

You begin to hum in a nervous monotone.

You stand by the door.

Finally you try replacing the chair

but it's no use.

When you turn again he'll be gone.





My Feet


When I awake and look at my feet

I realize they must have waited all night,

immigrants clutching their papers,

clumsy thick-bodied peasants

still heavy with the old soil.

I think how many days they

must have stared at the ocean in dismay,

tried to cling to the pitch and roll,

no talent for swimming.

Now they stand, weary, bewildered,

still waiting, wondering which steps

to take across the snows

of this long winter

in the new world.




______________________

Louis Jenkins

Collected Poems

Will o' the Wisp Books

2023




Sunday, April 5, 2026

MARY McCASLIN TONIGHT ~

 


℗ 1994 Rounder Records., Distributed by Concord.

JIM RINGER TONIGHT ~

 


℗ 1996 Rounder Records Manufactured and distributed by Concord Music Group



STANLEY PLUMLY ~

 



Porches


In southeastern Ohio there are porches,

one to a hill, that lean into the calm

like the decks of ships too long, too far out.

The coal is gone and the children have nothing to say.

And in the leftover towns the men fall asleep in their hands.

And the women stand on the porches in the evening

inside the deep eye of the sun,

listening for some kind of wind,

fixed utterly in any direction.



__________________

Stanley Plumly

Collected Poems

edited by David Baker & Michael Collier

Norton 2025


Elizabeth Stevenson




Saturday, April 4, 2026

MILTON ~ ESPERANZA

 




℗ 2024 Concord Records, Distributed by Concord. Released on: 2024-06-21 Recording arranger, Producer: Esperanza Spalding Recording Engineer: Arthur Luna Mixing Engineer, Engineer: Fernando Lodeiro Engineer: William Luna Jr Recording Second Engineer: Raphael Rui Castro Recording Second Engineer: Enzo Menegazzi Mastering Engineer: Oscar Zambrano Mastering Engineer: Piotr Garbaczonek Conductor: Rodrigo Ângelo Toffolo Composer Lyricist, Vocalist: Milton Nascimento Vocalist: Paul Simon Composer Lyricist: Marcio Borges




DISFIGURED: FAIRY TALES. DISABILITY AND MAKING SPACE ~

 




R E A D   M E


         Coach House Press, 2020