Showing posts with label Flood Editions. Show all posts
Showing posts with label Flood Editions. Show all posts

Thursday, January 14, 2021

MERRILL GILFILLAN ~

 





from The Warbler Road


                   for Jack Collom


I first heard of the Warbler Road just three years

ago, read of it in a used bookshop in Carolina, and

have thought of it regularly ever since. I was taken

with the term itself: the very idea of a human by-

way, or most anything else for that matter, named

after the wood-warbler group was rousing — no

matter that only a few bird people called it that. I

began to envision the place in the western Virginia

mountains not only as a good area to see birds, but

as a juicy conceptual transect in a most gifted part

of North America, a transect or a partaking, in the

tradition of Fuji viewing or honoring the solstice

at Chaco Canyon. And gradually, inadvertently in

truth, I began daydreaming the Warbler Road as a

sort of Way, a way of ordering one's priorities in life

so as to proceed, at a core aesthetic level, from war-

bler to warbler, something in the nature of Issa and

Basho's "Way of Poetry."




______________________________

The Warbler Road

Merrill Gilfillan

Flood Editions, 2010



Another late night during that Christmas week

fresh with my new bookcase for tiny books, I

pulled out another title I always liked, and by a

writer I've had the pleasure of publishing three

times in the tiniest of fold-out booklets, Merrill Gilfillan.

I've read many books by Merrill and truth be told,

poetry or prose, every darn one is a keeper. Some,

like The Warbler Road from Flood Editions, is

exquisite in its design and printing care.

Imagine holding a book that feels just right

in the hands, just right in the head, and just

right in the heart. You'd want to build

a bookcase for that book.


[ BA ]





Saturday, November 17, 2018

MICHAEL O'BRIEN ~



Five Poems



1

SUBWAY



clop clop of a

horse, no, a

coin rattled in a

paper cup





2

ZUKOFSKY



nothing

too small

to belong






3


BUSON'S HAIKU



footprints in the snow coming home, all the rest of last year forgotten




4  


EMPTY CATEGORY



e.g., the Russian

theologian who felt

compelled to believe

Hell existed, but,

such was God's

mercy, no one

was in it.





5


Harmonica's two-

note wheeze, a

boy riding his father's

shoulders down 20th St.





—————————————

Michael O' Brien

To the River

Flood Editions
2017






Thursday, March 1, 2018

GONE TO EARTH ~









A roof is no guarantee
that you'll sleep

The unease of premises
pins together the curtains
at night

Waiting for a clearness
of purpose

Eating 3 meals a day
we go to bed hungry

Privacy is not a remedy

We've become separated
by "efficiencies"
Nobody can do anything with

A kind of machine person
Floundering in the dark

It's hard to believe
5 sparrows were sold for this






An Empty Account


The simplest relationships happen without
any expectation this is what I believe

The infatuation in a girl's cheeks

The eyes of a man when he looks on

My spouse, I am poor

I'm a paper situation

Year by year
year after year

There have been a string of bad years

I sit at a large table

Words don't unravel overnight

The kingdom of money
and the kingdom of memory

The necessity to bend one's head forward

Nothing but a blind prompting

A woman turned to Him, you know
His mouth a towel into which

His resigning

His panic stricken resignation

was withdrawn

This overwhelming lamentation

The things that are never confided

A child walking and running

He takes hold of my hand
fascinated by the squirrel

Something deeper than "use"

I could love home in a deep sense





Gone to Earth


Beyond innocence
the exhibition
of obedient faith
is precedent

Work on the limits

A limit of what can be thought
outlives ambivalence

You work yourself to death

To enlarge an abstract
madness

Never so divine
a will




One step further
and the bed is no longer
under you

and no letter

I'm out of humor

This is for the you
In my memory




A picture
you would be the better of

You have hidden yourself well,
in attention

Little else to occupy your heart

Small change

The birds spreading their wings
to which I am joined




————————
Pam Rehm
Gone to Earth
Flood Editions
2001

Monday, October 20, 2014

MERRILL GILFILLAN ~








Merrill Gilfillan
  







Laurel Bloomery:
"The Past Is Distant"

  


The past is distant.


The redbird whistling in the distance


is the distance.









Middle March



Why would a meadowlark

     be singing

           on a deadbeat day like this?









Two Hawks



Two hawks

in honeyed circles interlocked

on the one thought.








Sweetgrass Hills



These Northern Lights

     so hard

          to read by.









Hare's Ear



That boy

     raised by meadowlarks

          talks funny.









Wind in the Trees



Wake up at two

wondering about the monkeys

in the dark zoo.









Autumn Sky



And now we know for certain

to be in two places at once

not nearly enough.




 ___________________________




Born in Mount Gilead, Ohio in 1945 and today living in Colorado, Longhouse has published Merrill, and these chosen poems are a certain personal bias very late at night with a pencil flicking onto small poems read by one small light. It some times happens this way.

Let it be known there are many other poems in this book of flight, longer and prose poem and middle size, too. All sizes. Like shoes.


 [ BA ]





Photographs by John Sarsgard


 ___________

Red Mavis
Merrill Gilfillan
Flood Editions, 2014








Wednesday, November 20, 2013

ARK ~







~





A Note on the Text 

This edition is based on the complete ARK published by Living Batch Press in 1996. The text has been checked for accuracy against typescripts and previous publications of the poem. Some corrections have been made accordingly, with several missing lines restored. 

Previous editions of the poem vary the leading to reflect single-and double-spacing in Johnson's typescript. However, for greater legibility, this edition adopts a basic leading that is uniform.

Peter O'Leary
editor of ARK


Ronald Johnson
ARK
Flood Editions, 2013