W A L T W H I T M A N' S B I R T H D A Y
1819, West Hills, N.Y.
Mariner 2025
daydreaming w/ Bob Arnold
Released on: 1968-11-22
Other, Producer: George Martin Composer Lyricist: Paul McCartney Composer Lyricist: John Lennon
Huntsville
ALABAMA, 2021
FOR CHRISTINA NANCE
"Your great grand-daddy was a sharescropper here,"
my gramma would say, "until he disappeared."
Her skin was smooth like dark apple butter,
and her daughter, my mother, would look at me
like I was a whitetail. The windows would crack,
and I'd be left with keloids and jars of pickled eggs.
The rest of my family were alligators. I grew up shy.
Bobbing back and forth in my Sunday best,
I didn't talk much. And when I did, I'd speak
as if my tongue were a sweet potato.
And when I'd sing, I sang making the Lord so proud of me.
I'd feel the Spirit rise within, swaying
my hips and arms like a church fan in one hand,
and frozen strawberry lemonade, in another.
O did I love to sing, and hum hymns in the halls,
and when my sister would say, "Sing, Christian!"
I would! I sure would, knowing my heart would be safe
for long walks away from the forest edge with my sister.
With my eyes hiding behind shelves, I knew to pose,
pay my taxes, write letters, pick passing
blackbirds as lovers. They'd leave, I'd stay
I can smell anything., The scent of passion seeping
in through a man's skin. I'd smell the sheets, Old Spice,
what lotion she was wearing. I can even smell
the white lilacs on the day of my funeral.
To be a whitetail hunter, you must be so still.
I stopped singing the day I went missing.
Supposedly, I'm seen first lying on the lawn.
Supposedly, I'm then seen leaning on the hood of a cop car.
Supposedly, I take off my shoes.
Twelve nights go by.
Somewhere, a whitetail hunter
dressed in camouflage smiles,
one arm around his doe for the trophy picture.
I'm found in the back of a police van.
___________________________
Thea Matthews
Grime
City Lights, 2025
Eastbound
At the end of their lives, the trees,
they tell us, Do not stay where you thin.
Can I speak about thinning? As a child
I wrote these poems I called A Plant Called Hope.
I loved sick plants and wanted more for them.
I loved my mother and wanted more for her.
I lost the small book then lost my grandmother
then lost her house then almost lost my mother.
Believe me when I say plants and people find
their way. This time, I am eastbound. A stranger
has the grace to ask me, "Are you ready to come
back to Virginia?" I stop believing in California:
it hurts too much. Tell me to have my easterly
shoes on. Tell me east will have me back, if
I love softly. I throw on my transition shoes.
Ask me again if I'm ready to come back
to Virginia. This time, ask me in front of the trees.
I'll find a place of rest in the middle of things.
____________________________
MaKshya Tolbert
Shade is a place
Penguin 2025
The Mountain Top
In truth, you still expect to order your life
in peace; you continue to long for glamour and passion.
To guard against the destiny
you don't really know, you work furiously.
Pensive and unathletic as you are, you have
your own intricate schedule,
with your shopping bags and appointments.
You always forget you're a bag of blood.
In sleep, these things lose
their power over you.
Meaninglessness does to you
what it can. When you wake, you have no ideas;
the heart is momentarily light.
As you slip back in the days, you find
you haven't done with certain notions yet.
You read all the time, help yourself to a plate of oysters.
The dreams become fresh and astounding once more,
renewed by the drama of betrayal.
Even the self you take to be so real
falls away while you labor,
and the only stones left are the ones in your throat,
forgone things you have to get down fast
or else you'll choke. At last, you don't even know
what you feel for yourself.
The mountaintop: you can keep your books
and your music there. What's bad in one story
is good in another. Something has made you brave.
There is more to life than writing.
Chicago
I had a little stove, and a wick of wakefulness
in my sleep.
In the mornings, I heard the train roar and go up
into the center of things.
I circulated thoughts like,
I will always be restless for crowds and lights and noise.
I would take long walks and say to no one,
When I was first married. . .
I saw all of Luis Bunuel's films inside of a week:
the darkness was delicious. I could always almost smell it
I wasn't young, I wasn't old, I was still nibbling
at what lay before me.
And later, when I didn't have the energy to wait out the days
made unlike only by fact of the seasons,
I planned a few things, too.
Boston
When I first moved to this city to take a job,
and the snows began to fall, a slow sadness took hold of me.
Someone left a tiny pencil drawing of a sailboat
on the ceiling of my bedroom, and I would stare up at it each night,
thinking that it would eventually stir.
I met someone that first spring, and I didn't love him.
But I very much wanted someone to look at me,
in all my youth and feminine momentum.
Endings
The story has two endings.
It has one ending
and then another.
Do you hear me?
I do not have the heart
to edit the other out.
_______________
Sandra Lim
The Curious Thing
Norton 2021
A wonderful read —
I knew how the great Richard Farnsworth left the body
but not quite that it didn't work quite right. Minor doesn't,
out of respect, mention his name. When I read large portions
of the book out loud to Sweetheart, after a few of these sessions
she finally said, "Who is this guy?" Maybe the best line in the
film Butch Cassidy and the Sundance Kid, but women
said it first.
[BA]
Sarabande Books
2026