Showing posts with label Edward Dorn. Show all posts
Showing posts with label Edward Dorn. Show all posts

Wednesday, January 6, 2021

NIEDECKER / EDWARD DORN ~

    





 Niedecker / EDWARD DORN



The strict eye

of  sparrowhawk evenly

in her survey of reality


The firm bone of the woman

at the well


The line of a simply exquisite rope




________________________

Epitaphs for Lorine

Jargon 74

Thirty-two poets celebrate

Lorine Niedecker (1903-1970)

The Jargon Society, 1973



I took this book out of the new, tall and very narrow

built-in bookcase I built in our bedroom and saw it was

ideal for the tiniest books in my library, and this little gem

I often return to from Jargon fit the bill. I built the bookcase

a week before Christmas 2020 the same time I was finishing

an equally tall and narrow jewelry cabinet for Sweeheart. Both

situated left and right of the doorjamb of our bedroom. As a 

builder, I like that little forgotten space where the likes of jewelry, 

tiny books (and I have many) and even CDs where long ago I built

two cabinets for all my Blues CDs left and right of the doorjamb

in the living room. It's wasted space until you discover it. The above

Dorn poem knows all about space — sparrowhawk, woman, rope.


[ BA ]


[ Ian Hamilton Finlay ]





Friday, November 29, 2019

Friday, January 4, 2013

TRIBE ~





 Edward Dorn



Tribe


My tribe came from struggling labor
Depression South Eastern Illinois
Just before the southern hills start
To roll toward the coal country
Where the east/west morainal ridges
Of Wisconsin trash pile up
At the bottom of the prairie, socially
A far midwest recrudescence of Appalachia
My grandfather French Québécois
Master pipefitter in the age of steam
Indian fifty percent, very French
Who didn't derogate himself
As a breed, showed none of those tedious
Tendentious tendencies. Came down
From Chebanse, from Illinois Central
In Iroquois County, to the Chicago &
Eastern Illinois line's division at Villa Grove
In one of the Twenties boomlets,
The last precipitous edges of the great devolvement.


These forebears on my mother's side
Owned a nice clapboard house in old town
Where I was brought up off and on during
The intensity of the depression, parents
Wandering work search, up and down
The bleak grit avenues of Flint, following
Other exodus relatives, Belgian in-laws
From another french connexion
Michael Moore-land from the beginning
Manmade poisons in the cattle feed way
Before Creutzfeldt-Jakob disease and angry cows —
Governments always conspire against
The population and often
This is not even malice;
Just nothing better to do.


I'm with the Kurds and the Serbs and the Iraqis
And every defiant nation this jerk
Ethnic crazy country bombs —
World leaders can claim
What they want about terror,
As they wholesale helicopters
To the torturers —
                 But I'm straight out
Of my tribe from my great grandma Merton
Pure Kentucky English—it would take more paper
Than I'll ever have to express how justified I feel.






Farewell to the Prairie


I think I'm dying

because I'm listening

to Prairie Home Companion.

                                          Monday, 11 October 1999   




from Edward Dorn ~ Collected Poems
Edited w/ a preface by Jennifer Dunbar Dorn
w/ Justin Katko, Reitha Pattison and Kyle Waugh
Afterwords by Amiri Baraka & Jeremy Prynne

Carcanet Press
Alliance House
Cross Street
Manchester M2  7AQ
www.carcanet.co.uk



________________________________



January 3rd, 2013 11:08 AM

Those Who Say "I Support the Troops" Should Just Stop, Out of Respect for the Troops

I don't support the troops, America, and neither do you. I am tired of the ruse we are playing on these brave citizens in our armed forces. And guess what -- a lot of these soldiers and sailors and airmen and Marines see right through the bull**** of those words, "I support the troops!," spoken by Americans with such false sincerity -- false because our actions don't match our words. These young men and women sign up to risk their very lives to protect us -- and this is what they get in return:
1. They get sent off to wars that have NOTHING to do with defending America or saving our lives. They are used as pawns so that the military-industrial complex can make billions of dollars and the rich here can expand their empire. By "supporting the troops," that means I'm supposed to shut up, don't ask questions, do nothing to stop the madness, and sit by and watch thousands of them die? Well, I've done an awful lot to try and end this. But the only way you can honestly say you support the troops is to work night and day to get them out of these hell holes they've been sent to. And what have I done this week to bring the troops home? Nothing. So if I say "I support the troops," don't believe me -- I clearly don't support the troops because I've got more important things to do today, like return an iPhone that doesn't work and take my car in for a tune up.


2. While the troops we claim to "support" are serving their country, bankers who say they too "support the troops," foreclose on the actual homes of these soldiers and evict their families while they are overseas! Have I gone and stood in front of the sheriff's deputy as he is throwing a military family out of their home? No. And there's your proof that I don't "support the troops," because if I did, I would organize mass sit-ins to block the doors of these homes. Instead, I'm having Chilean sea bass tonight.


3. How many of you who say you "support the troops" have visited a VA hospital to bring aid and comfort to the sick and wounded? I haven't. How many of you have any clue what it's like to deal with the VA? I don't. Therefore, you would be safe to say that I don't "support the troops," and neither do you.


4. Who amongst you big enthusiastic "supporters of the troops" can tell me the approximate number of service women who have been raped while in the military? Answer: 19,000 (mostly) female troops are raped or sexually assaulted every year by fellow American troops. What have you or I done to bring these criminals to justice? What's that you say -- out of sight, out of mind? These women have suffered, and I've done nothing. So don't ever let me get away with telling you I "support the troops" because, sadly, I don't. And neither do you.


5. Help a homeless vet today? How 'bout yesterday? Last week? Last year? Ever? But I thought you "support the troops!"? The number of homeless veterans is staggering -- on any given night, at least 60,000 veterans are sleeping on the streets of the country that proudly "supports the troops." This is disgraceful and shameful, isn't it? And it exposes all those "troop supporters" who always vote against social programs that would help these veterans. Tonight there are at least 12,700 Iraq/Afghanistan veterans homeless and sleeping on the street. I've never lent a helping hand to one of the many vets I've seen sleeping on the street. I can't bear to look, and I walk past them very quickly. That's called not "supporting the troops," which, I guess, I don't -- and neither do you.


6. And you know, the beautiful thing about all this "support" you and I have been giving the troops -- they feel this love and support so much, a record number of them are killing themselves every single week. In fact, there are now more soldiers killing themselves than soldiers being killed in combat (323 suicides in 2012 through November vs. about 210 combat deaths). Yes, you are more likely to die by your own hand in the United States military than by al Qaeda or the Taliban. And an estimated eighteen veterans kill themselves each day, or one in five of all U.S. suicides -- though no one really knows because we don't bother to keep track. Now, that's what I call support! These troops are really feeling the love, people! Lemme hear you say it again: "I support the troops!" Louder! "I SUPPORT THE TROOPS!!" There, that's better. I'm sure they heard us. Don't forget to fly our flag, wear your flag lapel pin, and never, ever let a service member pass you by without saying, "Thank you for your service!" I'm sure that's all they need to keep from putting a bullet in their heads. Do your best to keep your "support" up for the troops because, God knows, I certainly can't any longer.


I don't "support the troops" or any of those other hollow and hypocritical platitudes uttered by Republicans and frightened Democrats. Here's what I do support: I support them coming home. I support them being treated well. I support peace, and I beg any young person reading this who's thinking of joining the armed forces to please reconsider. Our war department has done little to show you they won't recklessly put your young life in harm's way for a cause that has nothing to do with what you signed up for. They will not help you once they've used you and spit you back into society. If you're a woman, they will not protect you from rapists in their ranks. And because you have a conscience and you know right from wrong, you do not want yourself being used to kill civilians in other countries who never did anything to hurt us. We are currently involved in at least a half-dozen military actions around the world. Don't become the next statistic so that General Electric can post another record profit -- while paying no taxes -- taxes that otherwise would be paying for the artificial leg that they've kept you waiting for months to receive.


I support you, and will try to do more to be there for you. And the best way you can support me -- and the ideals our country says it believes in -- is to get out of the military as soon as you can and never look back.


And please, next time some "supporter of the troops" says to you with that concerned look on their face, "I thank you for your service," you have my permission to punch their lights out (figuratively speaking, of course).


(There is something I've done to support the troops -- other than help lead the effort to stop these senseless wars. At the movie theater I run in Michigan, I became the first person in town to institute an affirmative action plan for hiring returning Iraq/Afghanistan vets. I am working to get more businesses in town to join with me in this effort to find jobs for these returning soldiers. I also let all service members in to the movies for free, everyday.)


Yours,
Michael Moore
MMFlint@MichaelMoore.com
@MMFlint
MichaelMoore.com







Monday, November 23, 2009

ILLINOIS








CARL SANDBURG






How the Three Wild Babylonian Baboons Went Away in the Rain Eating Bread and Butter



One morning when Hatrack the Horse went away from his shanty, he put three umbrellas in the corner next to the front door.

His pointing finger pointed at the three umbrellas as he said, "If the three wild Babylonian Baboons come sneaking up to this Shanty and sneaking through the door and sneaking through the house, then all you three umbrellas open up like it was raining, jump straight at the baboons and fasten your handles in their hands. Then, all three of you stay open as if it was raining—and hold those handles in the hands of the baboons and never let go till I come."

Hatrack the Horse went away. The three umbrellas stood in the corner next to the front door. And when the umbrellas listened they could hear the three wild Babylonian Baboons sneaking up to the shanty. Soon the baboons, all hairy all over, bangs down their foreheads, came sneaking through the door. Just as they were sneaking through the door they took off their hats to show they were getting ready to sneak through the house.

Then the three umbrellas in the corner opened up as if it was raining; they jumped straight at the three wild Babylonian Baboons; and they fastened their handles tight in the hands of the baboons and wouldn't let go.

So there were the three wild Babylonian Baboons, each with a hat in his left hand, and an open umbrella in his right hand.

When Hatrack the Horse came home he came, quiet. He opened the front door, quiet. Then he looked around inside the house, quiet.

In the corner where he had stood the three umbrellas, he saw the three wild Babylonian Baboons on the floor, sleeping, with umbrellas over their faces.

"The umbrellas were so big they couldn't get through the door," sat Hatrack the Horse. For a long time he stood looking at the bangs hanging down the foreheads of the baboons while they were sleeping. He took a comb and combed the bangs down the foreheads of the baboons. He went to the cupboard and spread bread and butter. He took the hats out of the left hands of the baboons and put the hats on their heads. He put a piece of bread and butter in the hand of each baboon.

After that he snipped each one across the nose with his finger (snippety-snip! just like that). They opened their eyes and stood up. Then he loosened the umbrella handles from their right hands and led them to the door.

They all looked out. It was raining. "Now you can go," he told the baboons. And they all walked out of the front door, and they seemed to be snickering and hiding the snickers.

The last he saw of them they were walking away in the rain eating bread and butter. And they took off their hats so the rain ran down and slid off on the bangs of their foreheads.

Hatrack the Horse turned to the umbrellas and said, "We know how to make a surprise party when we get a visit from the Babylonian Baboons with their bangs falling down their foreheads—don't we?"

That is what happened, as Hatrack the Horse told it to the night policeman in the Village of Cream Puffs.



from Rootabaga Stories, illustrated by Maud and Miska Petersham


When not writing his biography of Lincoln, or his poems to the People, to Chicago, to the workers and the ways of the Great Plains, or playing his guitar, or welcoming the likes of a pilgrimage by Bob Dylan, Carl Sandburg wrote terrific lively fully all-sense/nonsense stories for children and the young at heart. He's little read these days compared to his grand years, and is often even ridiculed and laughed at. Imagine that.



EDWARD DORN





The Rick of Green Wood



In the woodyard were green and dry
woods fanning out, behind
----------------------------------------a valley below
a pleasure for the eye to go.

Woodpile by the buzzsaw. I heard
the woodsman down in the thicket. I don't
want a rick of green wood, I told him
I want cherry or alder or something strong
and thin, or thick if dry, but I don't
want the green wood, my wife could die

Her back is slender
and the wood I get must not
bend her too much through the day.

Aye, the wood is some green
and some dry, the cherry thin of bark
cut in July.

My name is Burlingame
said the woodcutter.
My name is Dorn, I said.
I buzz on Friday if the weather cools
said Burlingame, enough of names.

-------Out of the thicket my daughter was walking
singing—

------------backtracking the horse hoof
-------gone in earlier this morning, the woodcutter's horse
-------pulling the alder, the fir, the hemlock
-------above the valley
---------------------------------in the november

air, in the world, that was getting colder
as we stood there in the woodyard talking
pleasantly, of the green wood and the dry.



If there's one poem allowed to remember Ed Dorn by, this is my choice. And this one was recently sent to me by one of his closest friends. It was no coincidence we were both thinking of the same poem in November.




JAMES KOLLER






~


A river I couldn’t find
flows through my head.

You are standing
below the cottonwood tree
on the river’s bank.

I listen to the wind
move the tree’s leaves.

Your long dark hair
wraps around you.

I can’t see your face.



All Illinois boys have a steady eye and it often ripraps through their poems. James Koller and Coyote's Journal has long been associated with Longhouse. We're always happy to share Jim's work.









TOM CLARK







What Is That Bright Star Next to the Moon Tonight?


Out late and looking again to the hazed red urban evening sky for a sign
What is that bright star next to the moon tonight?
Asking myself this among other questions of fleeting consequence
I watched Jupiter the great fluid king of the night
With his rude belching gases and submissive fluctuating moons

His swashbuckling bright streaks flaunted like sans culottes
Boiling firestorm spots and magnetic auroras
Cozying up, it seemed, to the chaste and shying
Waxing gibbous Lady Luna — seeming so close,
Though in reality far more distant and intense,

With nothing of her ethereal luminous
Silent running beauty, her unearthly milky violet glow —
Challenging her brightness perhaps
Though hardly her pulchritude —
Until my view grew occluded under the constellated neons

Of the Pyramid Ale House



Long known to California, Tom Clark was referred to Charles Olson by Ed Dorn as a "Chicago buster." Tom says that was a downstate sodbuster's way of referring to a Chicago boy. Longhouse recently published Tom Clark's Single and here is a piece from that. Much more of Tom's world may be found from his blog: Tom Clark: Beyond the Pale
It won't waste your time.








AUSTIN SMITH






Instructions For How To Put an Old Horse Down


This is what you need to do:
wait for one of those mornings
that seems as if it will never come,
and when it comes, wait for evening.

While waiting for evening,
do as little as possible,
and don’t visit the horse:
you’ll only lose heart.
Remind yourself that she
is suffering and that
her time has come.

One thing you can do
is find a length of rope
hanging in the shape
of a racetrack in the barn:
you won’t need it
but it’s a good thing to find.

If you have kids, tell them
what’s going to happen
sometime in the afternoon.
They’ll understand.
If you wait and tell them
afterwards what you’ve done,
they’ll never forgive you.

Finally, in that hour when
you usually visit her,
walk into the field with oats
in your pockets.

Let her eat them
out of your hand
until they’re gone,
then lead her in.

Then lead her in.



Austin Smith was born and raised on a family farm in Illinois. The son of the poet Daniel Smith, Austin has had two publications issued from Longhouse: Wheat & Distance and Instructions for How to Put An Old Horse Down. The family have recently moved their good work and farm chores to rural Wisconsin.







photo Ed Dorn: courtesy The Poetry Project Photo Archive
photo James Koller: courtesy NEW (Paris)
photo Tom Clark: copyright Gerard Malanga
photo Austin Smith: copyright Austin Smith