Simon & Schuster
2026
daydreaming w/ Bob Arnold
In his final—and most daring—cinematic statement, Jarman the romantic meets Jarman the iconoclast in a lush soundscape pulsing against a purely blue screen. Laying bare his physical and spiritual state in a narration about his life, his struggle with AIDS and his encroaching blindness, BLUE is by turns poignant, amusing, poetic and philosophical.
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Many of the usual suspects show forth and are treated with
Robbie camaraderie — although Robertson's sweet-talk
doesn't move an inch with Hells Angel Sweet William
(Bill Fritsch) and lover of poet Lenore Kandel and a
somewhat troubadour of two wheels himself, who isn't
taking kindly learning that his poem has been withdrawn
from a tribute reading during the concert film "The Last Waltz,"
whereas both fellow San Fransisco laureates
Lawrence Ferlinghetti & Michael McClure
remain on board. If you are interested,
you can dig up on-line the full reading
by Sweet William, and later in Robertson's book
find out just why Fritsch is dragging his leg across
the stage to the microphone. For more of Sweet
William, see the Maysles brothers film "Gimme
Shelter" where the Angel, once again,
captivates the stage.
[BA]
Crown 2026
F R E D E R I C K W I S E M A N
Tony Cenicola/The New York Times
Caitlin Ochs for The New York Times
Mr. Tarr, right, received the Grand Jury Prize in 2011 at the Berlin International Film Festival from a jury member, Guy Maddin. The award was for Mr. Tarr’s final feature film, “The Turin Horse.”Credit...
Sean Gallup/Getty Images
Ms. Bardot in a scene from “La Vérité,” Henri-Georges Clouzot’s Oscar-nominated 1960 crime drama. She called it the only good film she ever made.Credit...Sunset Boulevard/Corbis via Getty Images
1934 ~ 2025