Showing posts with label Marie Ponsot. Show all posts
Showing posts with label Marie Ponsot. Show all posts

Friday, January 20, 2017

MARIE PONSOT ~






Here is Marie Ponsot, half circled by five of her seven children once upon a time — author of a first book, True Minds, published in 1956 by Lawrence Ferlinghetti for his City Lights Pocket Poets series, and a second book published twenty-five years later — Admit Impediment in 1981. During those in-between years, she divorced her husband, the French artist Claude Ponsot, and raised the children as a single parent. To help raise that family, Ponsot taught basic composition at Queens College. She also translated more than 30 books from French into English. One of those celebrated translations include versions of La Fontaine’s fables and Hans Christian Anderson’s fairy tales. 
Her Collected Poems was one of remarkable books in 2016.



_____________

Among Women


What women wander?

Not many. All. A few.

Most would, now & then,

& no wonder.

Some, and I’m one,

Wander sitting still.

My small grandmother

Bought from every peddler 

Less for the ribbons and lace

Than for their scent

Of sleep where you will, 

Walk out when you want, choose

Your bread and your company. 



She warned me, “Have nothing to lose.”



She looked fragile but had

High blood, runner’s ankles,

Could endure, endure.

She loved her rooted garden, her

Grand children, her once

Wild once young man.

Women wander

As best they can.


_________________________

Marie Ponsot
COLLECTED POEMS
Knopf 2016


Saturday, October 31, 2009





MARIE PONSOT









ALONGSIDE THE POND



At the edge of vision

just short of sight

pond air shimmers pearly

unbroken ungated. Bright

mist engages me

silent unmediated.




When I turn

and look into it



I want birds.





Share a poem this morning from one of the skilled technicians, as she has been since her first book from City Lights True Minds, somewhat forgotten in the San Francisco publisher's legacy since Ponsot was and is no Beat, but she is thoroughly beatitude. Poetry of the fullest senses. This may be her most interesting book, published in her late eighties, and pushing pushing at the no-limit edges of the poem. Lyrical gems, tv program news, personal portraits, landscape art. The silence and small bigness of this poem alone had me in its aura. And aura is that instance when nothing else matters.