Yes, a 'cosmic nebula' is in your hands
— don't delay
daydreaming w/ Bob Arnold
"The list of can’t do’s for a non-swimmer living by a river, is staggering. We decided we would never give up. And at the age of eight, one June day near his birthday, after we took a trail down to the river through the woods and kicked our sneakers off on the rock ledge and figured this 500th swim would be up for a fight, we heard a splash. Our dog Bo was still beside us." [pp 8-9]
There are so many fine aspects of this writing: the long “trailing” description of the walk to the river, the detail of kicking the shoes on the rock, but what is most important to notice is what is missing, a narrative voice that tells of the boy jumping into the water. Arnold accomplishes this by staying with the present, acknowledging the privacy of the spot, none other than the boy could make the splash since “Our dog Bo was still beside us”.
This absence involves the reader. The writer is not presenting a scene, he offers one to our imagination, taking us to the scene that he too can only imagine as he can only hear the sound the boy makes as he jumps into the river.
I am reminded of a similar scene from a very dissimilar scene in the movie Lawrence of Arabia. Not a river but a desert. Not a boy making a splash in the water. A man shooting a companion, a friend. We never see the man being killed. We see the effect on Lawrence as he pulls the trigger of the gun. We see his arm move as he pulls the trigger again. The sound of the gun takes us there. Sound connects. That is masterful directing by David Lean. It involves us. That is masterful writing by Bob Arnold. — JOE NAPORA
Bob Arnold
SWWIMMER
Longhouse
2026
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Dr. Coles with Ruby Bridges in 1995. She inspired him to write about children’s moral and spiritual lives.Credit...Suzanne DeChillo/The New York Times
1928 ~ 2026
LISTEN, I'M AN AGITATOR
“He stirreth up the people. teaching …”
Listen . . . !
I am an agitator—
They call me “Red,”
The color of Blood,
And—“Bolshevik!”
But do you of the toiling South
Know me?
Do you believe these things
About me?
You croppers, factory hands—
Negroes,
Poor whites, and you youth
Who look
Into a dark future,
You who love
The South as I do—
Do you understand?
Do you see that I am YOU,
That I
The Agitator am
You . . . ?
I am Don West, too,
The poet—
A lover of peace and quiet places
A working man
With rough hands that know how
To toil
When there is work.
But the poet
Is a cry for justice,
The Agitator
Is the restless soul of the
Toiling millions—
Stirring, stumbling, groping
Toward
A new world, a world of plenty
And peace!
I am the son of my grandfather,
Of old Kim Mulkey.
His blood burns my veins
And cries out for justice!
I sing to a submerged South,
And she responds
With deep sobs of misery,
She stirs
And anger sets on her lips.
I’m no foreigner;
Nobody
With calloused hands is foreign
To us!
I’m Jim West’s boy,
The one
Who saw his Daddy die
Young
Overworked, underfed—
With pellagra.
It’s not nice to say that,
To say
We have pellagra
Rickets
Hookworm
Bloody-flux
Starvation
In the South.
But I was raised on a hillside farm
Where my Daddy’s sweat
Salted down the red clay.
I’m the son of my mother
The woman who plods between
The cotton rows—
And I’m an Agitator!
And that means I want bread
And homes
And clothes
And beauty
For all the hollow-eyed babies.
I want songs
On the lips, and joy in the eyes
Of you anxious mothers
Who scrub, and hoe, or weave
In a factory.
Do you hear me?
I love
These things more than I love
Peace and quiet,
Or the gentle murmur of
The Chattahoochee
Dragging our old red hills
Down to the mighty ocean.
I am speaking—Listen!
I, the poet
In overalls, working man,
Mountaineer
Agitator!
_______________________
Don West