℗ 1997 Smithsonian Folkways Recordings. Originally released on Arhoolie Records.
daydreaming w/ Bob Arnold
F R E D E R I C K W I S E M A N
Tony Cenicola/The New York Times
Caitlin Ochs for The New York Times
A Tale of Burnt Skin
carry me through the forest in your throat
there in the dark blue grass ants crawl over yellow bones
and bright sweet strawberries grow among corpses spilling a sweet smell
but let me collect the wild strawberries
God I really want to stay alive
don't breathe don't speak
you are the girl who tamed the Steppenwolf
didn't they tell you that you shouldn't burn skin
bitch where is your red scalp go remove his sticky promises
on the black twisted trunks by bygone trees
couldn't you wake him when he fell asleep with gum in his mouth
for it was already the apocalypse
now take a jar and strain your poisoned milk
over your cold first born
the one who doesn't know the way never gets lost
I carved maps on your back when I started to come
and kept the scars for myself
let them not judge those who were sentenced to death let them judge me
your venous arterial one . . .
lose me lost I am so tired of going back . . .
somewhere in a magical kingdom there lived a boy with a dimple in his chin
with a crater in his chest
with insects on his head: one half of the world — for mother
the other half — for father
he played the flute put birds in a box
but from his music wild berries sprouted
something quiet and unnoticeable like the creation of dust
happens in the hours when you let me go
the rain finally becomes rain and happily soaks into the earth
the sand cleverly stirs and grasps shoes in its lips
a wolf embroidered in cross-stitch is nailed above the bed for protection
until the time I am jarred awake again
carry me through the forest
the music broke out beat rustled
better never-ending music came from birds' eyes
in the blockaded space
and the one who initiated it
couldn't stop the blood
_________________________
Anna Malihon
Girl With A Bullet
translated from Ukrainian by Olena Jennings
World Poetry 2025
HAPPY BIRTHDAY JOHNNY CASH
Johnny Cash, A fly-on-the-wall account that follows the near-legendary singer on tour in the USA during the late sixties. Crammed with superb music footage the film also takes time out to relax with the man behind the most famous voice in Country music.
s h a d o w & r e a l m
i
here even now i see a place,
a free place,
here in the shadow.
ii
this shadow
is not for sale.
iii
the sea too
casts a shadow perhaps,
and so does time.
iv
the wars of shadows
are games:
no shadow
stands in another's light.
v
those who live in the shadow
are difficult to kill.
vi
for awhile
i step out of my shadow,
for a while.
vii
those who want to see light
as it is
must retire
into the shadow.
viii
shadow
brighter than the sun:
cool shadow of freedom.
ix
completely in the shadow
my shadow disappears.
x
in the shadow
even now there is room.
____________________________________
HANS MAGNUS ENZENSBERGER
translated by Michael Hamburger
poems for people who don't read poems
Atheneum 1968
A Poem for the Man Who Shot My Father
I don't know where you are now,
so for the purposes of this poem
I will imagine you are dead.
The circumstances of your death
should be ironic. A bullet smashes into
the back of your skull. A bullet
smashes into the back
of your skull. A bullet smashes
into the back
of your skull.
A coincidence.
For the purposes of this poem, but only
for the purposes
of this poem,
I will imagine you in a hell
where you are scraped and torched
each second, every second,
and you feel it all,
you feel everything.
For the purposes of this poem
I would like you to describe
my father's face
the moment he turned
and saw you
wild-eyed and thirsty
the moment he knew
the moment before he turned away
to run
And for the purposes
of this poem, I hold
that picture in my head. I will live
over
and
over
that look of an animal dazed
in the headlights
because, even though
I have imagined you dead,
you are probably not too dead to remember
that there is a hell
here too.
_____________________
Patricia Smith
The Intentions of Thunder
New and Selected Poems
Scribner, 2025
℗ 2001 Warner Records Inc. Assistant Mix Engineer Mixer: Brian Grimmel Mixer: Jimmy Boyle Performed By: John Frusciante Producer, Vocals: John Frusciante Masterer: Vlado Meller Writer: John Frusciante
House of Peeling Walls
I leave this house to the birds in the birdbath
To the leaves that float down like feathers from the sky
To the Lakhori brick I hold in my hand
To the black ants that live inside the walls
To their ears that hear thunder before there's thunder to be heard
To the irises that climb over stones when they get in the way
To the shingles that came down rivers when there were rivers
To the flowering clover that spreads like fire
To the buttress root that uprooted the garden shed
To the dawn that widens the crack in its road when light seeps in
To the bougainvillea twigs thorning the ground I step on
To the woodpile stacked against a leaning wall
To the new leaves of March that arrive with a cracker burst
To the rose vine that doesn't know where to stop
To the water in the iron bucket
To the squirrel that darts round the corner of a medium-sized country
______________________________
ARVIND KRISHNA MEHROTRA
Of Least Concern
Centre for the Creative and the Critcal
2025
Volume One: RLA Sound Studios, NYC, April 20, 1965 Volume Two & Three: RLA Sound Studios, NYC, November 16, 1965. Marshall Allen described the recording of the album in John F Szwed's biography of Ra, Space Is The Place; "Sun Ra would go to the studio and he would play something, the bass would come in, and if he didn't like it he'd stop it; and he'd give the drummer a particular rhythm, tell the bass he wanted not a 'boom boom boom,' but something else, and then he'd begin to try out the horns, we're all standing there wondering what's next... "I just picked up the piccolo and worked with what was going on, what mood they set, or what feeling they had. A lot of things we'd be rehearsing and we did the wrong things and Sun Ra stopped the arrangement and changed it. Or he would change the person who was playing the particular solo, so that changes the arrangement. So the one that was soloing would get another part given to him personally. 'Cos he knew people. He could understand what you could do better so he would fit that with what he would tell you." Marshall Allen
Northern Lights
I longed for you before I knew
you; that's what I always think
when something like this happens.
I never dreamt I would see them,
especially from my own back porch
right here in Kentucky. But there
they are. The richest purple, glowing
green, the blush of them,
an undulating mystery
as abstract as the enigma that brings
two people into the same orbit.
Here we are, watching them, together,
and we always will be, even when
we are nothing more than sky.
____________________
Silas House
All These Ghosts
Blair, 2025
Lover
We have reached the open sea, my love,
the shore lights extinguished
seahorse flutes sweet and lilting
We have reached the open sea
I open the urn
scatter you
little pieces of you
falling more slowly than powder
obliquely onto the water
I scatter all of you
You turn the sea faintly red
You calm the waters
just as when you were alive and
midnight snow's fell upon
our open hands
I give you the sky
give you the sea
I give it all to you all to you
I take the urn that held you
hold it to my breast
I put myself inside the urn that held you
I am now in your dreams
1987-88
_________________________________
Wang Yin
A Summer Day in the
Company of Ghosts
translated by Andrea Lingenfelter
NYRB 2022