Friday, August 24, 2012

WHEEL ~





Ansel Adams at work


[ Letter to Richard ]


We’re now in that string of three months that Sweetheart and I love the most — August September October. Part harvest time, part getting in those last lovely days of summer which often can leak into early November, and part moving and grooving toward serious preparation for winter. This means firewood. Even though this year’s wood and even next year’s wood is all taken care of, the mighty squirrel nature of the true New Englander is all the time moving at and thinking about fuel. Food from the garden and the orchard, firewood from the woodlot. All paths must head that way.


Yesterday I painted the front of the house and tied in and have now finished all the house over the summer. I let things wait on the front because the sun blazes there all June and July and by late August what paint I put on earlier, even if it is high quality Benjamin Moore, would be bleached down from a true brightness. If the nutty Global Warming gods wish to do as they wish (and they have been) we could have August weather until December. So be it then, never argue with the gods. Complain to them, but argue they don’t know.


I painted the front of the house in a few strokes less than a gallon of paint. The china bristle brush I have maneuvered and maintained and babied for ten years. I’ve done many house paintings with this one brush. The ladder I got free once as an exchange for something entirely different. The clean-up water was free. The soap probably cost 5-cents at most. My paint clothes are easily ten years old. So the cost, minus labor in the sun and joy and breeze of the day, to keep up the front of a house appearance, comes to around $35.05. I wait until the paint goes on sale in the spring at 30% discount and buy it then. Five gallons at once. Put it away for execution day(s). The house is all painted now for another year. May it bleed blood red through the winter snows.


I love your favorite writers lists. Never any arguments or complaints from me. We never have to agree about anything, and we are always fluent and agreeing! This, I believe, is one more secret in life. I won’t name names but I was friends with some fine American poets in my time — thinkers, doers, creators, philosophers, and almost every one seemed ruined by their opinions. As if their opinions mattered! They do, and they don’t. What matters is what you actually do and perform and make and create with your opinions, and how best they dovetail with existence. Life, relationships, love and balancing. It’s all about existence. Always has been.





I read David Brooks this morning in the Times. I always think the man, by his looks, should be more thoughtful and balanced in his outlook on life. But somehow he comes across almost berserk, while remaining thoughtful in appearance. Are our media minds being paid by the banks? How in the world can such a good mind even begin to justify the likes of a Willard Romney and his skinny sidekick a la 6th “son” Paul Ryan? Both are destructive snake oil salesmen. They know nothing about balance, nor anything about this existence I’ve been speaking to.


America is filled with bewilderment. It can’t be played with by strict laws. It has to be understood and guided, along with laws. It has to be thoughtful, even when a great deal of the problem is thoughtlessness. For some reason this has become lost in the mind of a great many Americans. You look at the lay of the land, the rivers, streams, National Parks and some of the mightiest highways and bends in the road at Big Sur and you know what we are capable of. Ever been to Chicago on a train? Standing on the ground underground in the city once upon a time and it hummed. Where has it gone? I believe up in smoke with a wired human body. The beauty of the landscape has to have at one time been handmade, preserved, struggled upon and even maligned by all of the same constituency. Where has that gone? Same place, same way. For decades we have seesawed with a political Right-wing, even up to Dick Cheney; but this new crew of hedge funders, businessmen only, sad sacks, soggy teabaggers is showing forth a threat to the social order and landscape and infrastructure of our individual living place, and this is extremely threatening and dangerous.


"Barack Obama didn't come through with all his campaign promises". Get over it. He's one man pushing a twenty-ton boulder up hill for four years. His biggest mistake was not slamming more politician and business creeps into prison, while taking some others out. He's just reaching his stride. If he were a white male and had eliminated Osama Bin Laden, there'd be a statue of his heroic self in every red state in the union.
There is something to be said about getting into the ring and fighting fair.


We have to get ourselves to New York State to see an old friend, then pack up and return home and do the same at my father and sister’s graves in the Berkshires. See that the graves are kept clean, indeed. Along the way, hunt and search and down on hands-and-knees the ever glorious new stock to keep our bookshop light on 24 hours a day. Do you know we keep this shop “on” almost twenty-four hours? I usually retire after midnight, and Sweetheart is up by 3:30, so the great Samuel Clemmons water wheel on the mighty Miss-is-sippi keeps turning.



Fall arrives on the back of the bluejay and its been calling along the woods edge for at least a week.









photos "Latch" and "Tailgate" © bob arnold



Thursday, August 23, 2012

SKY ~






Shelf cloud, Minnesota, US. When seen from the ground shelf clouds appear as low, wedge-shaped clouds and are usually associated with severe thunderstorms
Photograph: Science Photo Library/Rex Features




the guardian/uk
GARY SNYDER ~





Gary Snyder at roughly the time of this reading



photo : Harry Redl





Wednesday, August 22, 2012

VALLEY OF THE GODS ~






Valley of the Gods, India
(take on the developers)




ONCE ~






Scott McKenzie
w/ Michelle Phillips & Cass Elliot
January 10, 1939 – August 18, 2012



San Francisco (Be Sure to Wear Some Flowers In You Hair) 1967 Scott Mackenzie by Scott McKenzie on Grooveshark









"Scott McKenzie (born Philip Wallach Blondheim, January 10, 1939 – August 18, 2012) was an American singer. He was best known for his 1967 hit single and generational anthem, "San Francisco (Be Sure to Wear Flowers in Your Hair)".

Blondheim was born in Jacksonville, Florida in 1939. His family moved to Asheville, North Carolina when he was six months old. He grew up in North Carolina and Virginia, where he became friends with the son of one of his mother's friends, John Phillips. In the mid 1950s, he sang briefly with Tim Rose in a high school group called The Singing Strings, and later with Phillips, Mike Boran and Bill Cleary formed a doo wop band, The Abstracts.

In New York, The Abstracts became The Smoothies and recorded two singles with Decca Records, produced by Milt Gabler. During his time with The Smoothies, Blondheim decided to change his name for business reasons:

"[We] were working at one of the last great night clubs, The Elmwood Casino in Windsor, Ontario. We were part of a variety show ... three acts, dancing girls, and the entire cast took part in elaborate, choreographed stage productions ... As you might imagine, after-show parties were common.
"At one of these parties I complained that nobody could understand my real name ... [and] pointed out that this was a definite liability in a profession that benefited from instant name recognition. Everyone started trying to come up with a new name for me. It was [comedian] Jackie Curtis who said he thought I looked like a Scottie dog. Phillips came up with Laura's middle name after Jackie's suggestion. I didn't like being called "Scottie" so everybody agreed my new name could be Scott McKenzie."

In 1961 Phillips and McKenzie met Dick Weissman and formed The Journeymen, which recorded three albums and seven singles for Capitol Records. After The Beatles became popular in 1964, The Journeymen disbanded. McKenzie and Weissman became solo performers, while Phillips formed the group The Mamas & the Papas with Denny Doherty, Cass Elliot and Michelle Phillips and moved to California.

McKenzie originally declined an opportunity to join the group, saying in a 1977 interview, "I was trying to see if I could do something by myself. And I didn't think I could take that much pressure". Two years later, he left New York and signed with Lou Adler's Ode Records.

Phillips wrote and co-produced "San Francisco (Be Sure To Wear Flowers In Your Hair)" for McKenzie. John Phillips played guitar on the recording and session musician Gary L Coleman played orchestra bells and chimes. The bass line of the song was supplied by session musician Joe Osborn. Hal Blaine played drums.

It was released on 13 May 1967 in the United States and was an instant hit, reaching #4 on the Billboard Hot 100. It was also a #1 in the UK and several other countries, selling over seven million copies globally.

McKenzie followed the song with "Like An Old Time Movie", also written and produced by Phillips, which was a minor hit. His first album, The Voice of Scott McKenzie, was followed with an album called Stained Glass Morning. He stopped recording in the early 1970s and lived in Joshua Tree, California, and Virginia Beach, Virginia.

In 1986, he started singing with a new version of The Mamas and the Papas. With Terry Melcher, Mike Love and John Phillips, he co-wrote "Kokomo" (1988), a #1 single for the Beach Boys.

By 1998, he had retired from the road version of The Mamas and Papas, and resided in Los Angeles, California, until his death. He appeared at the Los Angeles tribute concert for John Phillips in 2001, amongst other 1960s contemporary acts.

He had suffered from Guillain–Barré syndrome since 2010.

McKenzie died on August 18, 2012 in Los Angeles."


wikipedia







Tuesday, August 21, 2012

JOE'S ~





































Joe Hutchison lays it out

here:

I wasn't sure how to go about it — shyness I guess — just how to show Joe Hutchison's review of my two new books Yokel and I'm In Love With You Who Is In Love With Me. Of course I love my two books or else I wouldn't have lived the life that made the poems that made the books, but I also love the words and care of a sincere reader. I've been reading Joe's reviews for a long long time now, and his own poems, and I like the muscle and webbing of his thinking. The books are done and the life is going along whether anyone likes anything about it or not. I'm not worried. But I do worry about the loss of fair thinkers, and wise and gifting teachers, and I'm happy to say Joe is one.





http://www.longhousepoetry.com/bobarnold.html






Monday, August 20, 2012

SPORT ~






Workers covered the statue of former football coach Joe Paterno near Beaver Stadium on Penn State's campus before taking it down.
(AP PHOTO/CENTRE DAILY TIMES, CHRISTOPHER WEDDLE)



PATERNO

By Joe Posnanski

(Simon & Schuster)



excellent review by Dwight Garner (New York Times):

http://www.nytimes.com/2012/08/21/books/paterno-by-joe-posnanski-a-biography-of-the-coach.html?hp









IN THE REALMS OF THE UNREAL ~






Henry Darger

One of only three known photographs
of the artist ~
photo by David Berglund in 1971
two years before Darger's passing







Henry Darger's one-room Chicago apartment
(pre-1973)







Known, now, as one of the celebrated examples of outsider art, Henry Joseph Darger Jr was born in Chicago on April 12, 1892 and died in the same city April 13, 1973. He worked as a custodian in a Chicago Catholic hospital almost all of his adult life. When not on the job, he was barely known or seen, living mainly as a recluse with his exclusive private world as a writer and artist. His posthumously-discovered 15,145 page, single spaced fantasy manuscript was his companion — it's title The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm Caused by the Child Slave Rebellion is bound in fifteen volumes, densely packed with a myriad of illustrations and scroll-like watercolor paintings, spanning six decades of the artist's creation. A second work of fiction, written by Darger after The Realms is the 10,000 handwritten manuscript Crazy House: Further Adventures in Chicago. There was even a third manuscript, The History of My Life, covering almost 5,000 pages, in eight volumes, where the artist makes a stab at detailing his early life before being swept away in his memories by a devastating midwest tornado he witnessed in 1908 that he calls "Sweetie Pie". There are gorgeous books and more books and more books to come showcasing the artist's paintings and inner sanctum. Exhibits have been shown, and at least one exceptional documentary of the artist's life and work is available.










please click on images to read the text










MORE WOOD(Y) ~














Sunday, August 19, 2012

BLUES ~








BLUES



Sometimes I feel like an eagle in the sky,

Sometimes I feel like an eagle in the sky,

Sometimes I feel I'm gonna lay me down & die.



You can't love a woman, if that woman don't love you,

You can't love a woman, if that woman don't love you,

You can't love a woman that don't care what you do.



She gotta want you like whiskey, she gotta need you like rain,

She gotta want you like whiskey, she gotta need you like rain,

She gotta cry when you leave her, and cry till you come back again.

(enter Pee Wee Russell)




: DATE AND TEXT
12 July 1943: MS letter to JBS (Hull DP 174/2/70). Published in
Tolley (2005), 201, as continuous text instead of the three-line
stanzas of the MS. In the present edition the ampersand in l. 3 is
retained (Tolley substitutes 'and' and sacrifices informality), and, as
in Tolley, a needed comma is inserted at the end of line 2.

Immediately after the poem L. writes '(enter Pee Wee Russell)':
this should, I think, be part of the text, on the grounds that L writes
a horizontal line after this section off the text from the rest of the letter.

Below this, he comments 'The above blues has been in my head
some time, I think it's awfully good. (Swells up & bursts).' See the
discussion of blues in the note on Fuel From Blues.

Pee Wee Russell: 1906-69, jazz musician (saxophone and clarinet player).
See the note on 'And did you once see Russell plain?'


'And did you once see Russell plain?
And did he start at Condon's nod,
Ten choruses of 'Da-da Strain'?
--------You lucky fucking sod!'


(from "Laforgue")



Embraceable You by Pee Wee Russell on Grooveshark





Pee Wee Russell, Little Red School House, New York City, 1940
photo: Charles Peterson





Philip Larkin
The Complete Poems
ed. Archie Burnett
(Farrar, 2012)





Saturday, August 18, 2012

EVENING SONGS ~





Laura Marling


Born 22 years ago and already so many terrific songs, three albums, forever touring, Laura Marling was born in Eversley, Hampshire, UK.




What He Wrote by Laura Marling on Grooveshark



Blues Run The Game (Jackson C. Frank cover) by Laura Marling on Grooveshark





Laura Marling Tiny Desk Concert




Discography
______________________


Alas, I Cannot Swim (2008)

I Speak Because I Can (2010)

A Creature I Don't Know (2011)










LUNCH ~







AMAZING BEFORE BREAKFAST ~







link here
SLEEPERS AWAKE ~



"As USA Today reported, the 90 million people who are unlikely to vote in November prefer Obama over Romney by 2 to 1, and “they could turn a too-close-to-call race into a landslide for President Obama — but by definition they probably won’t.”

If this underhanded dirty dealing by the Republican ticket doesn’t jolt some of these unlikely voters into likely ones, I don’t know what will. "


Charles M. Blow

New York Times




Friday, August 17, 2012

LOVE LIBRARIES ~







Love Libraries ~ public or private


This film means to showcase a few moments for me in a very fine town library and what I could find and sweep up to read, and likewise share with you. If a book is showing, I'm recommending it. Plus the aptitude to use our village, town and city libraries.

Going backwards down a narrow staircase with books involved is tricky, but I like the looks of it.












Once In Vermont films © bob arnold



Thursday, August 16, 2012

YOUTH ~






Marina Keegan



It's the photograph of Marina Keegan that pulled me in, tiny and on the front page of the screen version of Thursday's New York Times. There is something about that photograph, the tilt of seaside face, the eyes to our eyes.

She may be a stranger to most of us.

Marina Keegan died in May 2012 on the road in Dennis, Massachusetts on Cape Cod, a rollover car wreck, with her boyfriend driving, who survived. A week earlier she had graduated from Yale. I know Dennis well having put a roof on there, and built a deck and hiked along the beaches of the National Seashore for decades. Somehow now it will never be the same.

Marina Keegan is an accomplished writer, poet, essayist. Is.







EARTH ~






Walden Pond
7AM





NUMBERS

_________________________


. 2,000 population of Concord during Thoreau's stay at the pond

. 2 years, 2 months, 2 days : length of Thoreau's stay at Walden (before deducting a month spent at home while his cabin was being winterproofed and his two-week Maine trip)

. 1.3 miles distance from Thoreau's cabin to Emerson's house

. 28-36 : Thoreau's age during Walden composition

. 550 yards : distance from Thoreau's cabin to the Fitchburg railroad line

. 204 feet : distance from Thoreau's cabin to Walden Pond

. 612 acres : size of Walden Pond

. 31 : tools Thoreau used at Walden

. over 3,000 : uses of first-person pronoun Walden

. less than half a mile : distance from Thoreau's cabin to Irish railroad laborers' huts

. 10' x 15' : size of Thoreau's cabin

. 30 : people that could fit in the cabin without removing the furniture

. almost 7 miles : total length of Thoreau's bean rows

. over 700 : reference to animals in Walden

. 6 : languages Thoreau could read fluently (English, Latin, Greek, French, German, Italian)

. 25 : Harvard faculty members when Thoreau was a student

. over $1 million : 1988 sale price of Thoreau family house




"7 miles"?




Robert R. Ray
from Walden x 40
(essays on Thoreau)
Indiana University Press, 2012


photo © susan arnold



Wednesday, August 15, 2012

evil ~
(small print)





read here:









VERMONT HERITAGE ~









A Visit From Three Bears by Margaret MacArthur on Grooveshark




for more Margaret MacArthur please link here





art : Herbert Cole
British, 1867 - 1930
"The Three Bears"
Date: 1906





Tuesday, August 14, 2012

HOT CHOCOLATE ~






Rescue Me


DREAMERS ~






Buckminster Fuller & Isamu Noguchi



An informal and personal biography of the friendship between Fuller and Noguchi via Shoji Sadao, friend and partner to both men. With its deep survey on the development of Fuller's Dymaxion Map, Geodesic geometry, and Dymaxion Car, as well as Noguchi's vast career as an artist without borders: sculptor, landscape architect and industrial designer. Poets of space.


________________________



[NOGUCHI]

This appreciation for man's innate urge to create artifacts commemorating or memorializing important events would remain with Isamu for the rest of his life. In his reverence for nature he sought in his work to probe its inner, timeless meaning and its relevance to contemporary society. His interest in prehistoric sites, the dolmens and menhirs in Europe, Cycladic sculpture, and Jomon and Haniwa sculpture in Japan, attest to his fascination with and the influence of primitive objects on his works. Traveling with Isamu to Paris we visited the ethnographic museum whose ritual objects I remember he observed with an intense interest. His friendship with Joseph Campbell stemmed from their shared quest for the truth in ancient meanings and interpretation of symbolic language, myths, and archaic rituals. He subscribed to Joseph Campbell's conviction that "It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestations." During a 1962 interview, Isamu responded to Katherine Kuh's question, "What kind of art do you admire?" with, "Actually the older it is, the more archaic and primitive, the better I like it. I don't know why, but perhaps it's simply because the repeated distillation of art brings you back to the primordial: the monoliths, the cave paintings, the scratching, the shorthand by which the earliest people tried to indicate their sense of significance, and even further back until you get to the fundamental material itself."



[ FULLER ]

Bucky's aesthetics, if this term can be used, were similar, but Fuller began with the concept of an inherently complex and eternally regenerative Universe. He believed in the primacy of the forces of the Universe, and in staying true to nature's principles in the design of artifacts. "When I'm working on a problem, I never think about beauty. I think only how to solve the problem. . .But when I have finished, if the solution is not beautiful, I know it is wrong." He applied to design the principle of Occam's razor (which holds that the simplest solution is often the best) and from his New England heritage, Emerson's precepts on beauty: "Beauty rests on necessities. The line of beauty is the result of perfect economy. The cell of the bee is built at that angle which gives the most strength with the least wax; the bone or quill of the bird gives the most alar strength. 'It is the purgation of superfluities,' said Michael Angelo [sic]. There is not a particle to spare in natural structures."





Buckminster Fuller & Isamu Noguchi
Best of Friends

by Shoji Sadao
5 Continents Editions, 2011