Monday, September 16, 2013

BUILD UP ~









The sun room is going to take awhile to complete. It has too many persuasions. As if I'm attempting to build everything I know into one small structure: heavy glass work, eyebrow windows hand built, all the exterior stone walls, jacking timbers into place, rough beam work, sawmill visits, painting before too cold, masonry work before too cold, a ton of Mexican tile work and adhesive before it is too cold, switching 100 pound doors around because new doors, insulated glass, are way too costly now, way too. Slate work, stone cutting, stone drilling. Rebuilding old doors to be new doors, finish carpentry inside, new floor, build a large trap door into this new floor because the whole ball of wax is over our cellar bulkhead which was built into the original porch deck which is now the subfloor for the sun room. Talk about multitasking! Ah, shut up, and get back to work! Extremely extensive and heavy stonework I did into this bulkhead 30 years ago is now underneath all this new stuff. Never hide old stuff with new stuff — blend it together, work it as harmony, let it all show and be its function(s).

 There is a very old door, just look at the cut nails (above) sunk into its pine boards, that used to be gerry-rigged in this 223 year old house as an entry way down into the cellar from inside the house. In the same vicinity, once, as the stairway that went from the front door up into the second story. All removed over decades, rebuilt, reformed, renewed. I even built in a new short stairway like one finds in a ship and I swear when I duck up into this little secret passageway stairway I feel I'm at sea and on a ship, which is my secret way of being on-a-ship.  Have secrets. Share them.

Anyway, I took off this door and stored it away in the rafters of the big woodshed for many more years knowing I'd have a use for it one day. It hasn't happened and the door is becoming in-the-way. So yesterday, I did a 'heaven's forbid' in the eyes of the purists, which I know for a fact the old timers have done forever (how do you think they got that gloss and bulk and antiquity to work?) by tearing down the old door, saving every damn hard-to-pull cut nail, and the elegant wood cleats built into the door, and took the one inch thick boards I needed instead of measly 3/4 inch lumber stock, and hand built all day framing for these eyebrow windows. I found the glass for the windows at a FREE display awhile back in Chester, Vermont, just leaning against a tree waiting for the likes of me; and Sweetheart took that into the local hardware store, along with a bunch of other loose sized glass panes I bought over the years for other jobs here, there and everywhere from this hardware store and didn't use for lopsided reasons, and a very generous young clerk took all that glass and cut it down to eyebrow window size for us. This is exactly how the world moves along and works well with the complexities of one another: you help me who has helped you and buildings go up (instead of down).







Bob Arnold is expanding his original builder's notebook On Stone, published from Origin Press in 1988, into a new edition, with new title, and all the old work-site photographs, along with dozens of new ones, plus more chapters and an updating to the building practice. Longhouse will publish later this year the revised book for a 25th anniversary edition.





thick and now rock hard
 softwood plank walls
just look at the air-space!
corn cobs, between these planks
and the lathed plastered walls on the
interior, would be the best
bet for insulation





Sunday, September 15, 2013

HANK BALLARD ~











All day at stone work building I had this song rolling around in my noggin', so we put it on and played it over & over & over which is quite the point with Hank Ballard (November 18, 1927 – March 2, 2003). Of his many crackerjack songs, Ballard wrote and performed "The Twist," which in 1960 Chubby Checker made a million on.









STICK WITH IT ~ IT GETS BETTER AS YOU READ ~









Jonathan Franzen: what's wrong with the modern world







Portrait of Karl Kraus, 1925
by Oskar Kokoschka






Saturday, September 14, 2013

Friday, September 13, 2013

POSTCARD 4 ~








Buster Keaton, Hollywood 1963


Here is Buster Keaton at age 67 holding a portrait of Keaton from a vaudeville act; the comedic maestro will pass away at age 70 of lung cancer.
Orson Welles believed  Keaton's silent film The General "the greatest comedy ever made, the greatest Civil War film ever made, and perhaps the greatest film ever made."

photograph : Roddy McDowell



http://www.pbs.org/wnet/americanmasters/episodes/buster-keaton/about-buster-keaton/644/





Tuesday, September 10, 2013

POSTCARD 3 ~







"Cowgirls" 
 oil on photo linen
Photograph : Bob Wade
1988

 

 

Monday, September 9, 2013

CLOTH OF THE TEMPEST, KENNETH PATCHEN










Lips of the Angel



Hate the world
For the world is not love

Only life is loved
O only life is loved

Not the evil
Not the weak
Not the said thing
Not the saying of the Highest

Not the love of good at all
On the earth and off the earth

O only death is loved
Only death is the loved of every thing
On the earth and off the earth









Roglolisendurikahrium


The pathway. It needs O it needs
Light on it. As a face
We love.

I know the gray panther. He kills,
And it is fun O it is fun
In his heart. As a day
We die through.
Sullen. The deathman is sullen. O
He does not like
Little cars. Cars full of huge snowroses
And men wearing heaven
On their caps.

But joy.

O the joy of roads sweetens the earth
And the panther is a fool
And a fool is that deathman
Who brought us here. For joy
Shall touch every being. As the sun
These fields. O what is a tree and a brook
And a hill and a lamb and a brown sparrow?
What is a pathway?
O look at the beautiful cars O
Thy are full of strange creatures
Who do not have guns in their hands.









           This Poor Life; the Rain
          and the Shining Guide:
   the Nest of the Horse and the Scales
                    of Eternity
Make a Pattern but I've Got My Life Caught
          in a Road Going Nowhere



The empire is
Officially a goddamned bore.

Money's antennae
Feel over the asses of everybody.

As far as that goes a fire ten miles high
Wouldn't warm some of these toads.
They shake my hand and their gloves stink
With the sweat of my people.

They ride a blind horse in a race to hell.
But they sing pretty fat now.
Try tickling me under the chin!
"I just met the most amusing writer   . . ."
How perfectly snotty.

For the pittie o' 'em,
O for the pittie of their bloddy ways   . . .

As now I've said their death —
I'm sure they will know whose friend I am.









The Slums


That should be obvious.
Of course it won't.
Any fool knows that.
Even in the winter.
Consider for a moment.
What?
Consider what!
They never have.
Why now?
Certainly it means nothing.
It's all a lie.
What else could it be?
That's right.
Sure.
Any way you look at it.
A silk hat.
A fat belly.
A nice church to squat in.
My holy ass   . . .
What should they care about?
It's quaint.
Twelve kids on a fire escape   . . .
Flowers on the windowsill   . . .
You're damn right.
That the way it is.
That's just the way it is.









'The Animal I Wanted'



The animal I wanted

Couldn't get into the world   . . .

I can hear it crying

When I sit like this away from life.









The Prize


There are no losses.
There is only life.


Pear-smooth, cool face of a child   . . .
Black cow wading in a green pond   . . .
The crazy loft in an old building   . . .
Sea comin in, honey
O Lord sea comin in
You will find the Lion
O Lord you will find the lion
And war!  War?
What is lost now is the world in this time.
Any peace they make is a lie.
Butchers are not interested in freedom;
The higher their talk, the bloodier their aims.
'Why don't you lead me to that rock?'


But there can be no losses.
There is only life for all men!









To A Certain Section Of Our Population



It is ordered now

That you push your beliefs

Up out of the filth high enough

For the inchworm to get their measure.









'She Is the Prettiest of Creatures'



She is the prettiest of creatures
All like a queen she is

I have made a paper wheel
And I pin it to her dress

We lie together sometimes
And it is as nice as music
When you are half-asleep

And then we want to cry because
We are so clean and warm
And sometimes it is raining
And the little drops scuttle
Like the feet of angels on the roof

I have made this poem tonight
And I pin it in her hair

For she is the prettiest of creatures
O all like a strange queen she is













While the Panther Sleeps



It is not entirely wrong to think
That there are angels here.
The weather is right for them;
And the panther is asleep.

Walk into the beautiful.
Hold your hand out to it.
Put on good like a bird.
Does it amaze you?
Do you really hate God?
O the panther is asleep,
And the soul of man fondles a higher season.

For there are angels around us.
They wear little yellow hats,
And their eyes are made of water.
Give them your doings to hold.
Let them try on your tall.
Will they like to kiss you?
Will your love clothe their fire?
The panther of the world is asleep,
And the spirit hastens to its brightest home.










Not to Disturb This Gay Gathering



O I know a fabulous cowshed

Where a strange beast is kept

That gives milk the color of blood.

And the reason I tell you this

Is that its mate is loose in your world.










The Buffalo That Went To Live At the Waldorf Astoria



It makes so much noise when I walk
Down the stairs
And the elevator is too damn small altogether.
Maybe I can get them to put in a field
Where the dining room is   . . .
A lake would be nice where they have the lobby.
If I asked friends in the way things are now,
They'd laugh at me.
It seems odd that all the trees have been cut down
And there isn't a blade of grass anywhere
Except on the floor of the manager's own room.
My wife complains that the bathtub is so tiny
That there is hardly space for the water to fit,
And none at all for her when the water is in.
Surely the management must realize that to sit
In an empty tub is pretty cold comfort at best,
And the results on the score of personal cleanliness
Are not encouraging from our way of thinking.
It does seem to me that the less I say about the food
The better it will be for the mental climate
Of the maniacs who concot it:
Tomato sauce on rice pudding! Whipped cream
With devilled lobster! Great mother of the plains
Preserve us!
If my poor father could only taste their crepes suzettes,
I'm sure he'd demand to be taken off the nickel.
But the watering trough in the Grand Ball Room
Is at once aesthetically satisfying and eminently practical.









Now I Went Down To the Ringside
and Little Henry Armstrong Was There



They've got some pretty horses up in the long dark mountains.
Get him, boy!

They've got some nifty riders away yonder on that big sad road.
Get him, boy!

They've got some tall talk off in that damn fine garden.
Get him, boy!

When you can't use your left, then let the right go.
When your arms get tired, hit him with a wing.
When you can't see very good, smell where he is.

They've got some juicy steaks in that nice sweet by-and-by,
Get him, boy!

They've got a lot of poor black lads in that crummy old jailhouse.
Get him, boy!

O they've got a lot of clean bunks up in their big wide blue sky.
That's his number, boy!








'Enjoyment of Women'



Enjoyment of women
Makes good rooms for life to live in.
Sharp food and pleasant drink
Do town the spirit with clean inhabitants.
For the gloomy man, gloom;
For the kittenish of appetite, soft cozy pretties
To write poems about or to smack around;
People can get springheads in the winter,
And winterheads in the spring;
It all depends on what they have to live with;
But the people who don't like to be people,
Will get messed up in some way or other.




________________________________________


Kenneth Patchen, born in Niles, an Ohio steel-mill town, worked mainly on the East Coast until 1950, when he and his wife Miriam moved to San Francisco. Living in North Beach, he created his well-known “painted books” and began performing “poetry-jazz” in the city’s avant-garde clubs. A crippling back injury restricted his activities in the late 1950s; the Patchens moved to Palo Alto, where Patchen continued to write and paint until his death at age 61. He authored many many books millions read and loved; yes, millions. We ain't dead yet.






Kenneth Patchen roof-topped with some of his painted books
 


Cloth of the Tempest
Kenneth Patchen
Harper and Brothers, 1943





Sunday, September 8, 2013

MUSIC MAN MURRAY ~








 Murray Gershenz (1922-2013)
proud owner of the scarce "Butcher" version of
The Beatles "Yesterday and Today"





http://vimeo.com/24734883



photo : Damian Dovarganes/Associated Press

Saturday, September 7, 2013

FANNY HOWE ~










AMERICA  _______________________________________



We know one thing. Poverty has to exist for capitalism to
continue. As long as the cash flow is preserved within
an outer circle of raw destitution, the country is safe from social welfare.


If there were no outer circle of swamp and procreation, populations
without dental records or medical documents or photo
IDs, there would have to be a welfare state with health care and
housing provided to all. There would have to be an evening out,
all the way to the edge.


As long as the culture of poverty is maintained as a perpetual
problem, the benefits of being healthy and comfortable are inarguable
and must be paid for.


All those beds, clothes, threads lumpish and loose from water
and weight, all those mobile homes, the weeping, more water to
cope with, the bowels, more sewage, pets lost and grandparents
swept away, more mosquitoes, more bites to make more illness.
Meds for psychosis, AIDS, and depression — soaked and
missing.


Outside and inside bodies washed around in the waters of their
neighborhoods, the rooftop people called for help, or there were
the holdouts who sipped their coffee while the wind raged, muttering,
"I'm not moving."


The light hides in the top yellow leaves and at the tips of buildings
and the cold air just at knee level. This is what it was like
when the planes flew over Manhattan, the sky was an abnormal
cerulean blue.


Today a woman in New Orleans thanked Jesus when she was handed a drink of water.
We saw her on television.
Why did the woman thank Jesus instead of the man who
brought it to her?
I mean, if she thinks Jesus brought the glass of water, who
brought the flood that made her thirsty?
Tell me, why did the woman thank Jesus?
What if you were to tell her that not only did Jesus die two thousand years ago,
but he did not come back and does not exist in
any possible sense today.
What if you were to tell her that she should thank the man in
front of her instead and ask him his name.
What if you were to tell her that we stand alone on a planet and
when she is given a glass of water, it follows from a series of
causes  that have made it an inevitable gesture.
And so she should thank the man, not Jesus, for the water since
he was the faithful member of a chain of neighborly acts.
Or maybe that is what she meant.





_____________________________

FANNY HOWE
The Winter Sun
(Notes on a Vocation)
Graywolf Press, 2009


http://www.poetryfoundation.org/bio/fanny-howe






Thursday, September 5, 2013

BUILDER ~



(week one)






















































sliver




photographs © Susan Arnold





Wednesday, September 4, 2013

POSTCARD 2 ~







Photograph Mike Roberts
"Man Eater? No. These loggers climbed into this undercut
to emphasize the enormity of the trunk of this giant
California Redwood. These men are each over 6 feet tall.
The diameter of the tree is over 13 feet."










POSTCARD 1 ~








"Crew Felling Fir Tree" Washington 1899
Photograph Darius Kinsey
Library of Congress




I've collected Darius Kinsey photographs since I was a kid growing up in a five generation family lumber business, and workers back then still had a little of the glean & verve seen in this photo.