Monday, February 24, 2014

ROGER GILBERT-LECOMTE ~





Roger Gilbert-Lecomte



Roger Gilbert-Lecomte died on December 31, 1943 at age 36 in Paris from tetanus caused by a dirty needle. According to the poet  David Rattray, "A morphine addict, Lecomte had been jabbing the needle into a thigh muscle through a pair of dirty trousers."
Another source has stated experiments with carbon tetrachloride led Lecomte to a visionary poetic encounter (felt in the poems below) and an early death. He's gone. The poems are here.

In 1933 Lecomte published a book of poems titled La Vie l'Amour la Mort le Vide et le Vent (Life Love Death Void and Wind). The book went forgotten except for a rave review by Antonin Artaud.  Lecomte's only other book was a 1938 privately printed tiny volume, Le Mirror Noir (Black Mirror).





Testament


I come from afar in the marches of night
          Much farther than one might imagine
My story is slight in the city of light
          Well known in the deserts of famine
With her teeth and her nails she's everywhere
          I let her mangle me
But her eyes say I'm a piece of slime
          And she will strangle me
And if my berth tonight I choose
          In the havens of misery since
I never knew how to refuse
          Misery's blandishments
To the bottom of the heap I slide
          With neither pisspot nor candle
But oblivion's obscene solicitudes
          To me alone a lovely scandal









To the North Wind


Alive yet not alive you crawl in stone
Prisoner of an air castle
Lover in a dream
Crushed in advance
By the heavy heavy
Marble anchor of the
Death you have been howling for for a hundred centuries
In the ravagaes and corpses you embody
Alert scarecrow wicket in the north wind
Giddily dancing in a cold sweat
On a footing of slippery air where your weight is the weight of fear

A burst heart empty of blood and woe
Caught in frozen air
At the stony edge of space
Sealed for eternity in the crystal icebox of the sky. 









Holy Childhood
           or
Concealment of Birth


I'll speak of the dark:China doll
Buried in the floor of a false forgetful forest
Where skeletons dressed as spiders dance
Lacework of dead leaves
I'll speak of the dark
To dank caves
Mushroom beds eyes glowing in the blackness
I'll speak of the dark to coiled snails
I'll speak of the dark
To rain to soot
To the circle of moonwater motionless at the bottom of a well
To barrels rolling in the cellar at midnight
When the white lady moaned
I'll speak of the dark
On the blind side of mirrors
I'll speak of the dark
Of immortal torture
Of most ancient despair
In the absence of a universe
And should a light shine
I'll speak of the light
I always see when falling asleep
That woman stretched
On the ground weeping
An admirable death's head
Veiled in black the murdered hope of childhood
An evil scowl flaps its wings
Next to the empty blood-soaked bed
The mother will have to hang
For the crime of a former life
Restored to its point of origin the stillborn child
Will never believe the lie of broad daylight
    Black air never entered its lungs
Without making its nostrils quiver and its eyes
Widen at the horror of awakening
Having let go of life before even existing
It returns to the place it came from
By a thread linking its belly button to the top of the sky
To crystal fountains of wondrous emptiness



______________________

Roger Gilbert-Lecomte
Black Mirror
Station Hill
http://www.stationhill.org/products-page/all/black-mirror







Sunday, February 23, 2014

Friday, February 21, 2014

W.G. SEBALD ~
























Thursday, February 20, 2014

LEG UP ~







A Burrowing Owl near Goiânia, Goiás, Brazil. It is standing on one leg.





 

Wednesday, February 19, 2014

IMOGEN CUNNINGHAM ~







Imogen Cunningham and Twinka (Thiebaud) at Yosemite (1974)
 photo : Judy Dater



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Born in Portland, Oregon in 1883, Imogen Cunningham bought her first camera when she was eighteen years old — a 4 x 5 inch view finder — although she lost interest with her first fling as a photographer, she picked the camera up again in 1906 after an encounter with the work of Gertrude Kasebier. By the next year she was working with ethnologist and photographer Edward Sheriff Curtis in his Seattle studio. A life of photography ensued — brilliant botanical pieces, nudes, portraits, wild and industrial landscapes. A fascinating long life, the photographer passed away in San Francisco in 1973.


__________________________________________________________________




Ansel Adams, Yosemite Valley 1953







Edward Weston and Charis Wilson Weston at Point Lobos, 1945





 

Self-portrait in 1863 Costume, 1909







Black and white lilies 2, 1920s







 Callas, 1925





 

Dream Walking, 1968







Frida Kahlo Rivera, 1931







Kenneth Rexroth, Poet, and Mariana Rexroth, 1953







Martha Graham 2, 1931







Cary Grant, Actor, 1932







Evan Connell, Writer, 1956






 Imogen!







Ruth Asawa, Sculptor, 1963







Self-Portrait With Grandchildren in Funhouse, 1955







Sherwood Anderson and Elizabeth Prall, about 1923







The Poet and His Alter Ego, 1962

(james broughton)







Zebra, about 1921







My Father at Ninety, 1956







Navaho Rug, 1968







Self-Portrait With Morris Graves 1, 1973







The Dream, 1910







Tree at Donner Pass, 1925







Wynn Bullock, Photographer, 1966



http://www.imogencunningham.com/






Tuesday, February 18, 2014

GIOVANNA SANDRI ~







Giovanna Sandri
only fragments found
selected poems 1969~1998
www.otis.edu/graduate-writing/seismicity-editions


Monday, February 17, 2014

CID CORMAN ~








I would always rather support and boost a work of poetry — lord knows it's tough enough out there between the posers and the professionals — and I'm always on the outlook for that riveting collection of haiku poems in English — but this isn't it, although it takes a fair shot at it. Half the poems are deadwood, so be warned, and the other half are good lumber. Deeply grained. Many of the poets in the anthology who should have had multiple poems (while the editors themselves should have had less of their poems) unfortunately didn't happen. There are strong showings by Cid Corman, Gary Hotham, John Martone, Penny Harter, Vincent Tripi, Peter Yovu . . . and poets that normally kill me on the spot: Steve Sanfield, John Brandi, Thomas C. Clark, John Phillips, Ronald Baatz, have only one poem each.  It hurts to watch. Joseph Massey may have the best poem in the whole book. And who is missing will make you shudder and hear an echo.







Harvard contacted here a year ago to receive permission to release this outstanding reading by Cid in 1961. I was all ears. "By all means." I asked someone there to make contact when the site would be available and this must have slipped someone's mind, but then a poet friend knew best and sent the link. It's the wonderful patchwork quilting of the poetry trade.

On this recording Cid speaks his own early poems, as well as breathes life into Louis Zukofsky —
 it's not to be missed.


http://hcl.harvard.edu/poetryroom/listeningbooth/poets/corman.cfm


Haiku in English
edited by Jim Kacian, Philip Rowland, Allan Burns
Norton 2013


Sunday, February 16, 2014

HUSH ~







a quiet morning recently
 at 20 below zero



photo © bob arnold


Friday, February 14, 2014

BE MY VALENTINE ~







be my valentine compilation
by bob arnold
2/14/14
vermont




for susan