Sunday, October 12, 2014

DETOUR ~










What I Found on the Detour





That there are other ways to go —


That the Zimmermans sold their cows
And now there is a hillside of sheep

 

That the fellow who saws and sells firewood
That his work horses look healthy

 

That there are other towns
One growing & selling the best tasting corn of the summer

 

That there are small town libraries
That there are small town post offices

 

That there are people in both ready to help
That I feel robust seeing and knowing this

 

That everyone, everyone! pulled off to the side
Of our narrow river road and let others come first

 

That only one fool barked his car horn because
He won't talk, but he was the only one

 

That the river is shallower south
Than it is in the north

 

That there are footbridges with cameras
God help us

 

That engineers describe a bridge plan 600 feet long out in
Splendid nowhere, and drop it like a lead weight

 

That others actually propose moving the covered bridge
That was certainly built where it is for a reason

 

That it has earned and survived a 100 year flood to
Stay where it is, more than anything we know

 

That a state pond has a morning mist
That floats our eyes

 

That a working farm, open to the wind, has
The only light shining when I pass at 5AM

 

That a house I also pass, used to be a slaughter-
House I knew, and what a legacy

 

That at a corner store my wife met a friend for the first time
They started to shake hands, which fell into a big hug



That passing an abandoned sawmill, quiet as a ghost town
A fisher cat could be seen scrambling where logs were yanked

 

That the day the Green River Covered Bridge re-opened
Reggie from Colrain stopped, both of us driving trucks five

 

Miles south of the bridge, and pointed to a bald eagle stone
Still in a tree along the river — he wanted to take a photograph —

 

And instead the eagle flew




~ Bob Arnold



photo & poem 2014  © bob  arnold







Friday, October 10, 2014

PATTI SMITH ~








Patti Smith
in rehearsal and on stage from the film
Another Day, Another Time




long before Led Zeppelin
Anne Bredan wrote and sang this folk song in the late 1950s
Joan Baez recorded the song in 1962
Quicksilver Messenger Service in 1967
Led Zeppelin in 1969




Thursday, October 9, 2014

RED JUICE ( HOA ) ~










Hoa Nguyen has it, the modern click, furthering what has been started by Notley, Mayer, Kyger.
 Hoa is the next step.
 She's amazingly ballsy in the right way on the page.
And with such immaculate swank and precision.
 Half the time not quite knowing exactly what she is doing, which is the best way, refreshingly, she is simply being.
 That's not exactly easy.

[ BA ]







UPSIDEDOWN AGAIN




Held by the roots       like the cilantro

beaten in my mortar

Make a chicken marinade and broil

Could pluck feathers after scalding?



O circled fucked-up change



which is the mother of us

and ethics       What of that

Chicken feathers

to grow your organic vegetables



The wild will root it out

The pigs dig them up               your roots

Lovely smiling pig to string up on a pole

Fatten you          o lovely



I am the omnipotent narrator noting

the age-wrinkles around his neck



The play we make in the snow in Colorado

a survivalist trick          A snow-made den

to live in           or wave your umbrella

from your stranded car

at the rescuing helicopter



I can't stomach all these circles

or my head noise

even cartoon songs

from animated Cat in the Hat

in the woods walking the woo woo

labyrinth       (alone)



I have fetal tissue in my brain

literally



and Chinquapin Oak on my placenta in the rain



It hasn't rained like this

since they were born

meaning our boys



A woman is the person

the first person

like a chicken before an egg







––––––––––––––––––––––––––––––

Hoa Nguyen
Red Juice
Poems 1998-2008
Wave Books, 2014












Wednesday, October 8, 2014

FURTHER IAN HAMILTON FINLAY ~




At Little Sparta
photograph by George Gilliland








October 6, 2014



Hello Bob,

You won't remember me but I got some books off you many years back when I was in Northern Ireland - I was introduced to your work by Alec Finlay.

Anyway, life's quirks and turns have now brought me to where I am gardener at Little Sparta for the past 3 years and I have been enjoying the Birdhouse dispatches - and especially after todays piece thought I should get in touch again.

The house at Little Sparta and Ian's library is turning into a study centre - I don't know if you ever visited, but I came across some of your books as we were moving everything.

The garden has just closed for the year and I am putting everything under wraps - it looks like a ghost of itself….


All best wishes,

George



George Gilliland


_________




October 6, 2014



Dear George,

I have many loves to speak of having your letter today — that you came my way through the book trade, from northern Ireland ( my mother's birthplace! ) and via Eck. Very nice. Quite nice. And everlasting.

Now you tell me you are a gardener at Little Sparta! Exceptional. I've no idea who has an eye on my daily Birdhouse but I am very thankful you dropped me a note about my wee one for Thoreau and Ian. I'll never have letters from him again, or to think he is up and about and capable of making and sending more postcards, booklets, and heaving grand statues onto the landscape. What a fellow.

I'm glad you are there. Ever thanks for letting me know some of my books gifted to Ian are still about the premises.

I never made it over. Ian had some dream notion of having me there to build him a stone hut. Eck said at the time his father was serious. The dream will last me until the end of time.

Take care of the place.

all's well, Bob


Bob Arnold



_________




October 7, 2014



Hello Bob,

Many thanks for your reply - its always fascinating to see how things connect - a grand idea for a stone hut - - pity, it would have sat very well in the landscape here. I write a little bit about the garden each month, which might be interesting for you if only for the photos which show how the garden is now in its maturity, and how it looks out of season too when I have it all to myself - http://www.littlesparta.org.uk/news/gardenersReports.htm

Could you also let me know the price to send a couple of your more recent books to Scotland - Beautiful Days and the Love poems..

Again, all best,

George



_____________



Please tap onto this link for much more of George Gilliland, Little Sparta, and the current rhymes and rhythms of Ian Hamilton Finlay's home and garden. George's monthly garden journal is a treasury ~




  correspondence 2014  © bob  arnold, george gilliland

permission to reprint at A Longhouse Birdhouse was granted by both authors







Tuesday, October 7, 2014

Monday, October 6, 2014

VISITING THOREAU & FINLAY ~







Henry David Thoreau's hut site, October 1, 2014





Long ago, but not really long ago (40 years — and in those 40 years Earth has lost half of its wildlife) one could drive Route 2 along the top edge of the Massachusetts plain and pretty much have a countryside drive until one reached Concord, home of Henry David Thoreau.

















Walden Pond, October 1, 2014




When hiking around Walden Pond my hiking partner will ask whose land it was that Thoreau built his hut upon, and I'll say Emerson, while steering at our hike on the sandy beach around the emerald pond. Ralph Waldo Emerson was another rock star resident of Concord. That countryside drive could be excused around cities like Leominster and Gardner because they were still populated by town folk who had been raised by country folk, and those two folk together allowed for a certain calmer behavior. There were working farms and farm stands selling produce just around the corner from Walden Pond. Big pumpkins rolled out of pumpkin patches this time of year. Now all disappeared. Vanished. Most likely never to return. They call it "progress" all this traffic and all this noise and all this continuous construction along the highway seemingly never ending and advancing inches. I call it the end of the world.








Dare to watch what this world is becoming, but I've given up on that ride, or even hope, and am planning to continue to build, as I always have, tiny books and booklets, now smaller living structures, quieter habitats, and join those people who live and do much the same. We'll all go down in Charley Patton's high water, or flames. We could try to heal Earth, but we seem to have lost our way.












The Present Order is the Disorder of the Future  [ Saint-Just ]
1984







So a notice to all zombies — you need the world of Thoreau and Finlay. 19th and 20th century marvels who were shunned for the greater part of their lives and slowly but surely gained some glory after their deaths. Men who built things outdoors. Who lived by the commerce of sunshine and rain. Who never needed you but eventually you'll get to them.






100 Postcards
1968-1998
















It's 89 miles according to Google, but we don't need Google except my partner has told me it is spot-on with the calculated distance from our back door to Thoreau's back door at Walden Pond. Not 90 miles, but 89 on the button. Same distance from Florida to Cuba. We drive down in a day of rain. We're coming to hike the pond since we last hiked it one May evening this year and now we want to hike it before breakfast in October. Usually swimmers are in the pond no matter the time of day but this morning we only catch one swimmer lifting out of the pond as we arrive and he's quickly aiming for his towel. Slim and fit like all the swimmers are at Walden Pond. It's a deep pond, over 100 feet (according to Thoreau and everyone who have measured since Thoreau) and standing along any part of the shore line returning from the hut one can see a quick drop off a few steps into the pond. Three steps and you're over your head. It's a deep bowl kettle. New England serious.







the divided exhibit


















 
 One can take a drive on Route 2 in Massachusetts and visit either the birth places and or graves of the three giant beatific figures of the 19th-20th century, the real deals, the real mccoys, and I call them beatific, working toward and away from the over used word "beat," as classic examples of going by the route of the individual drummer: Henry David Thoreau, Herbert Huncke, Jack Kerouac. All Massachusetts born. And in these three gems we receive the literature, the lifestyle, and the complete aura of the free spirit. Two would pass from this world cruelly before the age of 50, and one would hang in there by a thread, maybe electrified by amphetamine. All three makeup the frontier and pioneer and the modern of American literature. Ginsberg, Ferlinghetti, Burroughs and the like would have been diminished without them. Add as a final note, since he is always forgotten, and always taking up the rear: John Clellon Holmes, the fourth corner of this Massachusetts-born cube, who wrote the first Beat novel "Go," and we get to them all by wandering on and a bit away from Route 2.














Today, a mere stone's throw off Route 2, we came to see Ian Hamilton Finlay. Not Ian himself, since he passed away in Scotland in 2006, but a fine fiddle exhibit spanning an attractive portion of his life.










The poet, the gardener, the activist, the fighter, the classicist, the prankster, the publisher, the artist. A very full life, lived for the greater part with himself in rural Scotland, small family, small pond, windy mowing, grandeur designed buildings, sculptures, pathways, delightfully historical and personal at once. Much like Thoreau — his neighbor the last five months while this exhibit has been up at deCordova Sculpture Park and Museum in Lincoln, MA., — a once in a lifetime individual. They certainly would have visited one another.























The exhibit is grand and Finlay is well appreciated. There are maybe two faults about the exhibit though: in one example they divide Ian's portion up with another artist in the same large room not at all pulling the Finlay magic, even if the artist is borrowing Emily Dickinson's poems, and another poet's, it all feels forced and unrealized. Exaggerated. Maybe a better choice, at the very least complimentary and of contrast, would have been the art world of Jenny Holzer. Some of her outdoor landscape art may be seen at The Clark Museum in Williamstown going in the other direction on grand Route 2. Or the Robert Seydel exhibit currently on display at Smith College, down the road from Route 2. But perhaps the best choice would be Tomi Ungerer (see Longhouse Birdhouse for October 5, 2014) like Finlay, Ungerer is drawing straight from his own straw and guts. By dividing Finlay's great share this way, asking us to move to another floor to continue our Finlay quest (and Ian can handle it), we lose the wonderful opportunity to feel a continuity of the whole Finlay world pulsing inside one large room. It would have. I'm missing that.










The second cringe is seeing all one hundred of Finlay's beautifully printed broadsides and small posters and poem cards displayed more for the benefit of an irritating artful design (half the problem with museums) in five broad rows of frames and only the bottom row is at our eye level. The rest of the frames you have to crane your neck and look up, as the already smaller and humble gifts of each piece diminishes by the mere distance between the artifact and the viewer. And these are each distinguished pieces meant to be seen, read and soaked into. You can't. I can imagine Ian sort of dying at seeing this part of the display. Since there is plenty of open space to reveal each frame down at eye level around the pie wedge arena.























Other than that, the exhibit is gorgeous, generous, and we can easily adopt to the next floor of more Finlay by enjoying how two parts of the exhibit vibrate because they have been sequestered into smaller rooms. In there you get more of Ian the sailor, and Ian with Saint-Just of the guillotine lore. Both rooms will nicely overwhelm.













Outdoors, if you don't mind getting wet in the day's rain, you can find one of Ian's sundials. It loves the rain. There are well crafted stonewalls natural to the museum grounds that work splendidly with Finlay. I would even bet there are very few locations in the United States that match the Finlay spirit as well as this once former castle on wealthy grounds in Lincoln.








Stonypath  /  Little Sparta











 
You have less than a week to get there for the show.










I was lucky, a friend who comes and goes, notified me of the exhibit or else I would have been lost.








Ian








There was a time when Ian Hamilton Finlay wrote to me handwritten letters straight off his writing tablet and folded these letters up into little gifts like books and cards and even once a whistle. The whistle was old and it was still in its box that was old and that maybe told me it once was Ian's. 



~ Bob Arnold





















text  2014  ©  bob arnold

photos 2014  © bob & susan arnold

while hiking around walden pond

and attending the Ian Hamilton Finlay exhibit

pointing the camera at sculptures,

works on paper

&

a video of Ian and Stonypath

running in one quiet corner

as a continuous loop. 

 

––––––––––––––––––––––––––

 

http://www.ianhamiltonfinlay.com/ian_hamilton_finlay.html

 http://www.thoreausociety.org/life-legacy

http://www.decordova.org/