Monday, March 23, 2026

DEBORAH DIGGES ~

    




    So Light You Were

I Would Have Carried You


So light you were

I would have carried you,

hacked from the ice

a bridge,

you in my arms,

from February into April.

And crossed

above the snow

banked narrowing

the streets, this winter's

tired citizens, the erlking

and his foundling crossing.

Light as you were

I would have carried you

from the room

of your death back

to our room,

climbed back,

crawled up the stairs

to our bed.

From February into

April, hid in your arms

in the woods

frantic please.

Light as we were.

And could be carried out

on a float of last year's

leaves

and bracken thaw

rinsing the tide pools.

So light you were.

I would have carried you

from February

into April.


___________________________

Deborah Digges

Trapeze

Knopf, 2004




Sunday, March 22, 2026

PRINCE TONIGHT ~

 



Parade - Music from the Motion Picture Under the Cherry Moon ℗ 1986 Warner Records Inc.




ROBERT M. WEST ~

 





Heartbeat



Hold me

too


close to

tell


whose is

whose.





Echo



A lone

voice


in the

right


empty space

makes


its own

best


company.





Exposure



What you're

eager to

believe may


say more

about you


than you'd

be eager

to admit.





Ulysses



Even frailer,

bound for failure

die at sea or home


I roam.



________________________________

Robert M. West

A Clear Eye

Broadstone Books, 2026





Friday, March 20, 2026

Thursday, March 19, 2026

ZANZIBARA TONIGHT ~

 




Musiciens: Matano Juma ; Yasseen Mohamed ; Zuhura Swaleh ; Ali Mkali ; Zein l’Abdin ; Maulidi Juma ; Zuhura & Zein Musical Part ; Ahmed bin Brek 

Production exécutive / éditeur / transferts / restauration / mastering : Werner Graebner

Enregistrements : Zanzibar (2004) ; Dubaï (2005)

Prise de son : Werner Graebner

TIM O'BRIEN (VIETNAM WAR) ~

 



Writer and veteran Tim O'Brien reflects on the moral weight of the Vietnam War’s most infamous atrocity. Official website: https://www.pbs.org/wgbh/americanexpe... | #AmericanExperiencePBS In this interview from the American Experience archives, novelist and Vietnam War veteran Tim O'Brien, author of "The Things They Carried," reflects on the legacy of the 1968 My Lai massacre, in which U.S. soldiers killed hundreds of unarmed Vietnamese civilians. O’Brien discusses how the massacre shaped Americans’ understanding of the war, the moral and psychological toll on the soldiers involved, and the challenges of confronting painful truths about the past. Drawing on his experience as both a veteran and a writer, O’Brien explores how memory, storytelling, and accountability shape the way societies remember war. His reflections illuminate the broader context of the conflict and the lasting impact of My Lai on American public life. O’Brien spoke to American Experience on November 20, 2009. This interview was conducted for our 2015 documentary MY LAI and is being published as part of our series spotlighting remarkable archival conversations with historians, journalists, eyewitnesses, and other primary sources whose insights deepen our understanding of the past. This interview has been edited for length and clarity.



Wednesday, March 18, 2026

JEAN FOLLAIN ~




Day on Fire


The door shined in fiery daylight

but the braids of the women there

held still

one of them leaned over the waters on the cauldron

and on a piece of porcelain

a painted bird had worn itself out with singing.

The messenger was seen to come in

with a letter and a golden loaf in his hands

he spoke

then it was dead silence

and the whole garden gave up its scent.





Landscape with Two Laborers


The countyside was calm

a girl was washing her unblemished leg

and the hours

etched themselves into the cloth they faded

attacking the damask flowers.

The pages of a schoolbook

had been carried off by the wind

up above the eglantines

and down the length of the path

to ditches filled with clever beasts

to embankments covered in those herbs

favored for soothing teas

two laborers took their time

telling each other

the secrets of working with wood.





The Notice


The child pushing along the ring of a barrel

as his makeshift hoop

runs alone and shouts

but to the one who has just spelled out

beneath the N and the eagle of Empire

the draft notice

the old man says simply

in the blazing sun

while drinking a foamy pear cider:

"the next century will be worse"

though lovers go by singing.





Edge of the Hearth


The outbuildings with no real use

are left to the rains

a peasant woman

has an edge of the black hearth

for a seat

the evening turns

in swirls of her breath

the wind in the hollow tree

why beings and things

she thinks

and not nothing



_______________________________

Jean Follain

Earthly

The Song Cave 2025

translated by Andrew Seguin




Monday, March 16, 2026

Sunday, March 15, 2026

RONALD BAATZ ~

 




Their ashes

where my father used to kneel

planting

where my mother used to bend

picking




As she puts

water on for tea

from my own pile

of bones and ashes

I reassess hers





In a crowded mountain bus

the endlessly monotonous

talk about Buddhist scriptures

when all I want to listen to

are the wheels on the road





The degrees to which

the closed fairgrounds

brings in even more

spellbinding beauty

to the sunset





In early spring mist

my lover floats across fields

from one dream

of sweet grass

to another





Our old

peacefully

decaying bodies

talking to children

selling lemonade





For anyone who sings

by a small window

in a small room

in the depths of

dying light





In the bedroom

sweeping up popcorn

from the night before

I see the hopeful eyes

of birds in the window



_____________________________

Ronald Baatz

One Oblivious Orange Fish

Black Fig Press, 2026





Saturday, March 14, 2026

THE INCREDIBLE STRING BAND TONIGHT ~

 




HAN KANG ~

 



A Very Small Snowflake 


A very small snowflake, you

As if dancing

As if slowly dancing, approach

My face


Instead of falling straight down like all the other snowflakes

Somehow, you spread your wings toward my face


But where did you get to, after that?

I never saw you again.



___________________

Han Kang

from The New Yorker, Feb 16, 2026

translated from the Korean by Maya West




Thursday, March 12, 2026

HORACE SILVER TONIGHT ~

 


Horace Silver – piano.... Donald Byrd – trumpet (# 1, 3-6 & 8-10).... Hank Mobley – tenor saxophone (# 1, 3-6 & 8).... Junior Cook – tenor saxophone (# 9 & 10).... Doug Watkins – bass (# 1-8).... Gene Taylor – bass (# 9 & 10).... Louis Hayes – drums.... Bill Henderson – vocals (#10).... ...................................................................... 1. "Cool Eyes" 5:55 2. "Shirl" 4:16 3. "Camouflage" 4:25 4. "Enchantment" 6:22 5. "Señor Blues" 7:01 6. "Virgo" 5:49 7. "For Heaven's Sake" 5:09 8. "Señor Blues" (Alternative take) 6:38 9. "Tippin'" 6:12 10. "Señor Blues" (Vocal version) 6:14 ...................................................................... Recorded - November 10, 1956 (#1-8), June 15, 1958 (#9-10) Van Gelder Studio, Hackensack

DON WINSLOW'S THE FINAL SCORE ~

 


R E A D   M E


     William Morrow 2025



Wednesday, March 11, 2026

RAMBLIN' JACK ELLIOTT TONIGHT ~



 

℗ 1995 Red House Records Inc

JOSE KOZER ~

 



Mercurial Motion


Ineffable

translucent

white

becomes

a

baroque

pearl

(alone)

in

the

mirror

as

she

fastens

the

platinum

necklace

an

anniversary

present

behind

her:

it

regains

transparency

a

primary

consition

of

Li

Ching

Chao's

naked

nipples.

I

raise

Chinese

mamoncillos

to

my

mouth,

bite

rind

(nipple)

suck

white

viscous

(nipple)

fruit

I

eat

three

meals

(not

certainly

in

sequence)

three

meals

three

languages:

shark

fin

soup.

Sliced

papaya

(drops

of

lime

juice).

Herring

in

brine

with

dill

and

onion.

I

fasten

(unfasten)

Li 

Ching

Chao's

necklace

three

times

a

day

(at

night

three

candles)

(printed

kimono

thrown

on

the

floor)

(slow

caterpillar

progress).

Wandering.

Reverberation.

I

receive

the

immanent

grace

of

Guadalupe

(Li

Ching

Chao)

turned

aside

the

middle

distance

the

(second)

condition

of

primordial

mercury:

transfixed

I'm

aware

(transcribe

it

here)

that

I've

left

on

the

beloved's

neck

the

(third)

trace

of

waterlily

(duckweed)

its

(snow-white)

skin

efflorescence

of

fish.


_________________________

Jose Kozer

translated from Spanish by Mark Weiss


Tuesday, March 10, 2026

Monday, March 9, 2026

JOHN CALDWELL ~



 

J O H N   C A L D W E L L


         via New England Nordic Ski Association



THE HOUSTON KID (RODNEY CROWELL)~

 


   2001

DIANE DI PRIMA ~




 from Loba [She-Wolf]


(as her own fierce imagining of a female Coyote-like presence)


I am a shadow crossing ice

I am rusting knife in the water

I am pear tree bitten by frost

I uphold the mountain with my hand

My feet are cut by glass

I walk in the windy forest after dark

I am wrapped in a gold cloud

I whistle thru my teeth

I lose my hat

My eyes are fed to eagles & my jaw

is locked with silver wire

I have burned often and my bones are soup

I am stone giant statue on a cliff

I am mad as a blizzard

I stare out of broken cupboards


__________________________

Diane Di Prima





Sunday, March 8, 2026

COUNTRY JOE SINGS WOODY ~

 




Thinking of Woody Guthrie was released in 1969 by Vanguard Records and is the second album of Country Joe McDonald. Everyone needs to own this go to countryjoe.com 1. "Pastures of Plenty" 2:13 2. "Talkin' Dust Bowl" 2:22 3. "Blowing Down That Dusty Road" 2:34 4. "So Long (It's Been Good to Know Yuh)" 3:01 5. "Tom Joad" 7:08 6. "The Sinking of the Reuben James" 2:42 7. "Roll on, Columbia" 3:25 8. "Pretty Boy Floyd" 3:22 9. "When the Curfew Blows" 2:16 10. "This Land Is Your Land" 3:21 Performers Vocals, Guitar, - Country Joe McDonald Guitar - Grady Martin, Ray Edenton, Samuel Charters, Harold Rugg Sitar - Grady Martin Drums - Buddy Harmon Dobro - Grady Martin Bass - Harold Bradley Piano - Hargus "Pig" Robbins

COUNTRY JOE McDONALD ~

 


C O U N T R Y   J O E   M c D O N A L D

Country Joe McDonald at Woodstock in 1969.Credit...Bear Family Records

   1942 ~ 2026