Friday, June 10, 2011

EARTH ~




Adam Zagajewski





The Rhône Valley


High walls, sheer and powerful.

All New York could fit here,

along with its airports

and its city of underground hallways.

But the
Rhône doesn't wait for comparisons,

it flows swiftly, drunk on its own youth.

The vineyards are more cautious — they never rush,

they lie on hillsides, placid as the Swiss.

While the clouds travel on to Italy, to Bergamo,

to Padua and Ravenna — crossing borders.

The valley contains memory,

gray as stones, as granite.

The young
Rhône rushes to the sea

but thoughts move in the opposite direction.

Streams fall endlessly

in white robes of mist

as imagination, like a solitary climber,

battles daily with the force of gravity.

The old masters still live here,

unrecognizable, under assumed names,

in modest houses, little gardens;

you may catch sight of them in summer evenings,

when lazy bonfires blaze

— they tend bees and hollyhocks,

naive like Le Douanier Rousseau.

You and I are silent, attending the night.

It takes us even higher than the Alps.




~




In Valleys


And the lovely Garonne, which passes

through drowsy villages each night

like a priest with the last sacrament.

Dark clouds grow in the sky.

The Visigoths live on, in certain faces.

In summer the empire of insects spreads.

You consider how not to be yourself:

is it only on journeys, in valleys,

which open others' wounds?

In a bookshop the sales clerk calls

the author of
To the Lighthouse

Virginia. As if she might

turn up at any minute, on a bicycle,

with her long, sad face.

But Paul Valery (of the Academy) thought

history didn't exist. Perhaps he was right.

Perhaps we've been taken in. When he was dying,

General de Gaulle tried to find him

penicillin. Too late.




~




Carts


Carts full of hay

abandoned the town

in greatest quiet.



Cautious glances from the curtains.



A morning empty as a waiting room.



The rustling of papers in the archives;
men calculate the losses.



But that world.

Suitcases packed.

Sing for it, oriole,

dance for it, little fox,

catch it.





ADAM ZAGAJEWSKI
Unseen Hand
(Farrar 2011)










born in Lvov in 1945, adam zagajewski divides his time
between Chicago & Krakow
his books of poetry & essays are worth a hunt




Thursday, June 9, 2011

Wednesday, June 8, 2011

Tuesday, June 7, 2011

EARTH ~







466




I dwell in Possibility -

A fairer House than Prose -

More numerous of Windows -

Superior - for Doors -



Of Chambers as the Cedars -

Impregnable of eye -

And for an everlasting Roof

The Gambrels of the Sky -



Of Visitors - the fairest -

For Occupation - This -

The spreading wide my narrow Hands

To gather Paradise -





The "normal" opposite of Prose is Poetry. Reflecting on that tired contrast, Dickinson renames poetry "Possibility", a witty gesture that requires her to describe her "dwelling" place. Prose is normally considered to be far more roomy than poetry, able as it is to house many points of view, to have more acreage, even to exhibit more "ways in" to its theme than a poem could offer. A novel may be thought sturdier, more resistant to abuse, than verse. Not so, says Dickinson, and proposes her own view.

Poetry is, in the first place, more beautiful than prose—and hardly anyone will argue that point. She claims for it more vantage points on the world. And since she herself would eventually display almost 1,800 of such windows, what novelist could exceed that number? How is poetry, as a dwelling, superior to prose in terms of "Doors"? I am not entirely sure, but doors are for going out as well as for coming in, and the "possibilities" of poetry seem to Dickinson to allow for her readers much mental passage in and out of the concerns of their lives. Ordinary prose houses are built of pine; her house is built of the everlasting Cedar of Lebanon. Ordinary houses are subject to inspection by others, but Possibilities — those shimmering and ever-changing fantasies — being inner, cannot be seen from outside. And prose — with its expository linearity, even in fiction — is a closed form, whereas the whole hemispherical sky, with its cloudy "Gambrels" and "Roof" is open to Possibility.


(Domhnall Mitchell suggests (personal communication) that these Doors are "Superior" because they are harder to open. He also proposes that Dickinson's hands — one steadying the page, the other writing — are extending over her (graphically) narrow poem.)


...Dickinson ensures that we come away from this exercise in Possibility with a very strong contrastive picture of the House of Prose. It is an unattractive dwelling, with ineffective doors and an insufficient supply of windows (therefore with stinted light and no vistas), with chambers of shoddy materials, easily invaded by others' peering, and with a roof preventing a view of the heavens. This is as "realistic" as one could wish, and Dickinson's aim in leading us into the Paradise of Possibility is precisely to make us realize, by comparison, the limits of our own "prose" shelters. By affixing the verb of habit, "dwell", to the limitless abstraction "Possibility", Dickinson generates a host of particular features constituting her spectacular dwelling place. Through the poet's enumeration of its splendors, Possibility becomes (imaginatively speaking) real to us — so much so that we, now ashamed of our dreary Houses, might begin to construct in our mind a new House for ourselves, with sturdy doors, multiple windows, and an exalted "Roof". Visitors might come to such a House, fairer visitors than we have yet encountered.

~ Helen Vendler






DICKINSON
selected poems & commentaries
Helen Vendler
(Belknap / Harvard 2010)







Dickinson grave site, Amherst, MA.








Sunday, June 5, 2011

Saturday, June 4, 2011



W






They say you are
rare —
who isn't?






walking out the
back door
evening all you







in the blossoming apple
tree
of course







you call your name over
and over and over and over
with primitive fluidity






wild wilder wildest
fly like a
moth









grander
than any
of us







who are stuck in place
waiting for more
no more



late may 2011














whippoorwill
bob arnold


Friday, June 3, 2011

EARTH ~






Adolfas Mekas, Filmmaker

September 30, 1925 – May 31, 2011


Adolfas Mekas, Hallelujah the Hills, 1963 (excerpt) from RE:VOIR on Vimeo.







photograph: ©Syd M Johnson





EARTH ~







THE VOICE ~












the great state of Vermont
with a population of 630 thousand and change
has the second smallest population next to Wyoming
in the U.S.A.
the state bird is the hermit thrush, which shows up
majestically in the poetry of both Whitman & Eliot
which isn't bad for a tropical bird found in the northern woods
of its current leadership we kick a hardcore group:
Bernie Sanders, Patrick Leahy, Peter Welch & Gov. Peter Shumlin
with
an added ingredient, Barack Obama as President,
and even with all that, creeps and business suits run the country
oh, by the way, Hawkeye Pierce, the Alan Alda character
from M*A*S*H, came from Vermont
*

*Crabapple Cove, Maine : Some interesting facts about Crabapple Cove: It doesn't exist in 'real life'! Though throughout most of the series (and the book) Crabapple Cove is mentioned as Hawkeye's hometown, in a few instances his place of origin has varied. In the year one episode 'Dear Dad', Hawkeye calls Vermont his homestate, while in the episode 'The Late Captain Pierce', Hawkeye claims that the family only has a 'summer cottage' in Crabapple Cove.



Thursday, June 2, 2011

EARTH ~





















to George, Mary Ann & Bootsie halfway home



Wednesday, June 1, 2011

Tuesday, May 31, 2011

EARTH ~






VLADIMIR NABOKOV


The Wood-Sprite


I was pensively penning the outline of the inkstand's circular, quivering shadow. In a distant room a clock struck the hour, while I, dreamer that I am, imagined someone was knocking at the door, softly at first, then louder and louder. He knocked twelve times and paused expectantly.

"Yes, I'm here, come in..."

The door knob creaked timidly, the flame of the runny candle tilted, and he hopped sidewise out of a rectangle of shadow, hunched, gray, powdered with the pollen of the frosty, starry night.

I knew his face - oh, how long I had known it!

His right eye was still in the shadows, the left peered at me timorously, elongated, smoky-green. The pupil glowed like a point of rust....That mossy-gray tuft on his temple, the pale-silver, scarcely noticeable eyebrow, the comical wrinkle near his whiskerless mouth - how all this teased and vaguely vexed my memory!

I got up. He stepped forward.

His shabby little coat seemed to be buttoned wrong - on the female side. In his hand he held a cap - no, a dark-colored, poorly tied bundle, and there was no sign of any cap....

Yes, of course I knew him - perhaps had even been fond of him, only I simple could not place the where and the when of our meetings. And we must have met often, otherwise I would not have had such a firm recollection of those cranberry lips, those pointy ears, that amusing Adam's apple....

With a welcoming murmur I shook his light, cold hand, and touche the back of a shabby arm chair. He perched like a crow on a tree stump, and began speaking hurriedly.

"It's so scary in the streets. So I dropped in. Dropped in to visit you. Do you recognize me? You and I, we used to romp together and halloo at each for days at a time. Back in the old country. Don't tell me you've forgotten?"

His voice literally blinded me. I felt dazzled and dizzy - I remembered the happiness, the echoing, endless, irreplaceable happiness....

No, it can't be: I'm alone....it's only some capricious delirium. Yet there really was somebody sitting next to me, bony and implausible, with long-earred German bootees, and his voice tintinnabulated, rustled - golden, luscious-green familiar - while the words were so simple, so human....

"There - you remember. Yes, I am a former Forest Elf, a mischievous sprite. And here I am, forced to flee like everyone else."

He heaved a deep sigh, and once again I had visions of billowing nimbus, lofty leafy undulations, bright flashes of birch bark like splashes of sea foam, against a dulcet, perpetual, hum....He bent toward me and glanced gently into my eyes. "Remember our forest, fir so black, birch all white? They've cut it all down. The grief was unbearable - I saw my dear birches crackling and falling, and how could I help? Into the marshes they drove me, I wept and I howled, I boomed like a bittern, then left lickety-split for a neighboring pinewood.

"There I pined, and could not stop sobbing. I had barely grown used to it, and lo, there was no more pinewood, just blue-tinted cinders. Had to do some more tramping. Found myself a wood - a wonderful wood it was, thick, dark, and cool. Yet somehow it was just not the same thing. In the old days I'd frolic from dawn until dusk, whistle furiously, clap my hands, frighten passersby. You remember yourself - you lost your way once in a dark nook of my woods, you in some little white dress, and I kept tying the paths up in knots, spinning the tree trunks, twinkling through the foliage. Spent the whole night playing tricks. But I was only fooling around, it was all in jest, vilify me as they might. But now I sobered up, for my new abode was not a merry one. Day and night strange things crackled around me. At first I thought a fellow elf was lurking there; I called, then listened. Something crackled, something rumbled....but no, those were not the kinds of sounds we make. Once, toward evening, I skipped out into a glade, and what do I see? People lying around, some on their backs, some on their bellies. Well, I think, I'll wake them up, I'll get them moving! And I went to work shaking boughs, bombarding with cones, rustling, hooting....I toiled away for a whole hour, all to no avail. Then I took a closer look, and I was horror-struck. Here's a man with his head hanging by one flimsy crimson thread, there's one with a heap of thick worms for a stomach....I could not endure it. I let out a howl, jumped in the air, and off I ran....

"Long I wandered through different forests, but I could find no peace. Either it was stillness, desolation, mortal boredom, or such horror it's better not to think about it. At last I made up my mind and changed into a bumpkin, a tramp with a knapsack, and left for good: Rus', adieu! Here a kindred spirit, a Water-Sprite, gave me a hand. Poor fellow as on the run too. He kept marveling, kept saying - what times are upon us, a real calamity! And even if, in olden times, he had had his fun, used to lure people down (a hospitable one, he was!), in recompense, how he petted and pampered them on the gold river bottom, with what songs he bewitched them! These days, he says, only dead men come floating by, floating in batches, enormous numbers of them, and the river's moisture is like blood, thick, warm, sticky, and there's nothing for him to breathe....and so he took me with them.

"He went off to knock about some distance sea, and put me ashore on a foggy coast - go, brother, find yourself some friendly foliage. But I found nothing, and I ended up here in this foreign, terrifying city of stone. Thus I turned into a human, complete with proper starched collars and bootees, and I've even learned human talk...."

He fell silent. His eyes glistened like wet leaves, his arms were crossed, and, by the wavering light of the drowning candle, some pale strands combed to the left shimmered so strangely.

"I know you two are pining," his voiced shimmered again, "but you're pining, compared to mine, my tempestuous, turbulent pining, is but the even breathing of one who is asleep and think about it: not one of our Tribe is there left in the Rus'. Some of us swirled away like wisps of fog. Others scattered over the world. Our native rivers are melancholy, there is no frisky hand to splash up the moon-gleams. Silent are the orphaned bluebells that remain. By chance, unmown, the pale-blue gusli that once served my rival, the ethereal Field-Sprite, for his songs. A shaggy, friendly, household spirit, in tears, has forsaken your besmirched, humiliated home, and the groves that withered, the pathetically luminous, magically somber groves....

"It was we, Rus', who were your inspiration, your unfathomable beauty, your age long enchantment! And we are all gone, gone, driven into exile by a crazed surveyor.

"My friend, soon I shall die, say something to me, tell me that you love me, a homeless phantom, come sit closer, give me your hand...."

The candle sputtered and went out. Cold fingers touched my palm. The familiar melancholy laugh pealed and fell still.

When I turned on the light there was no one in the armchair....no one!....nothing was left but a wondrously subtle scent in the room, of birch, of humid moss....


from The Stories of Vladimir Nabokov (Vintage)
translated by Dimitri Nabokov




A beautiful early tale by the author to be read aloud (as I did this morning on a drive with Sweetheart) and translated by Nabokov's son Dimitri. Written when the author was barely in his twenties — his first story ever published — then signed with his pseudonym "Vladimir Sirin" (sirin is a hawk owl). Nabokov became a published author while a student at Trinity College, Cambridge. He had moved with his family to England in 1919, abandoning Russia forever, and by 1922 they were in Berlin where his father was assassinated.

Monday, May 30, 2011

TWO FERNS ~
PAINT YOUR WAGON ~






Someone's little red wagon (I) repainted after twenty-years
(with a periwinkle touch)






photo © bob arnold



Sunday, May 29, 2011

EARTH ~






Gil Scott-Heron





"I listen to the jazz station.”

April 1, 1949-May 27, 2011


EARTH ~



Early Tuesday, José Cláudio Ribeiro da Silva, a forest activist and tree nut harvester, and his wife, Maria do Espirito Santo, drove a motorcycle through Brazil’s northern Para State, in the Amazon rain forest. As they crossed a river bridge, gunmen lying in wait opened fire with a pistol and shotgun, killing them.








terramagazine.terra.com.br






Saturday, May 28, 2011

BACK ROAD CHALKIE ~









film © bob arnold

Friday, May 27, 2011

WITH ME ~







ANITA O' DAY

Here is Richard Cook cutting to the chase on Anita O' Day from the Penguin Jazz Encyclopedia (2007):

"At fast tempos, she was incomparable. Lighter and more fluent than Ella (Fitzgerald). Less regal but more daring than Sarah Vaughan, she could scat with a dancing ease."

Born in Chicago in 1919, born Anita Belle Colton, she was gone after a stunning and rigorous career stretching from 1934 to 2006.

Two films catch the "Jezebel of Jazz" with essence:: Anita O' Day: The Life of a Music Legend (2008) and Bert Stern's Jazz on a Summer's Day (1958), where the jazz vocalist conceded she was performing at this Newport Jazz Festival date high on heroin.

While the music plays, find her 1981 memoir, High Times, Hard Times. It's written with the same hard swing and Be Bop verve of the vocalist.

















Thursday, May 26, 2011

LIBRARIES ~


A Country Without Libraries

Charles Simic

Hartland Four Corners, Vermont, 1994. Robert Dawson’s photos of libraries are currently on view in the exhibition Public Library: An American Commons at the San Francisco Public Library.

Outside of a dog, a book is a man’s best friend. Inside of a dog, it’s too dark to read.
—Groucho Marx

All across the United States, large and small cities are closing public libraries or curtailing their hours of operations. Detroit, I read a few days ago, may close all of its branches and Denver half of its own: decisions that will undoubtedly put hundreds of its employees out of work. When you count the families all over this country who don’t have computers or can’t afford Internet connections and rely on the ones in libraries to look for jobs, the consequences will be even more dire. People everywhere are unhappy about these closings, and so are mayors making the hard decisions. But with roads and streets left in disrepair, teachers, policemen and firemen being laid off, and politicians in both parties pledging never to raise taxes, no matter what happens to our quality of life, the outlook is bleak. “The greatest nation on earth,” as we still call ourselves, no longer has the political will to arrest its visible and precipitous decline and save the institutions on which the workings of our democracy depend.

I don’t know of anything more disheartening than the sight of a shut down library. No matter how modest its building or its holdings, in many parts of this country a municipal library is often the only place where books in large number on every imaginable subject can be found, where both grownups and children are welcome to sit and read in peace, free of whatever distractions and aggravations await them outside. Like many other Americans of my generation, I owe much of my knowledge to thousands of books I withdrew from public libraries over a lifetime. I remember the sense of awe I felt as a teenager when I realized I could roam among the shelves, take down any book I wanted, examine it at my leisure at one of the library tables, and if it struck my fancy, bring it home. Not just some thriller or serious novel, but also big art books and recordings of everything from jazz to operas and symphonies.

In Oak Park, Illinois, when I was in high school, I went to the library two or three times a week, though in my classes I was a middling student. Even in wintertime, I’d walk the dozen blocks to the library, often in rain or snow, carrying a load of books and records to return, trembling with excitement and anticipation at all the tantalizing books that awaited me there. The kindness of the librarians, who, of course, all knew me well, was also an inducement. They were happy to see me read so many books, though I’m sure they must have wondered in private about my vast and mystifying range of interests.

I’d check out at the same time, for instance, a learned book about North American insects and bugs, a Louis-Ferdinand Céline novel, the poems of Hart Crane, an anthology of American short stories, a book about astronomy and recordings by Bix Beiderbecke and Sidney Bechet. I still can’t get over the generosity of the taxpayers of Oak Park. It’s not that I started out life being interested in everything; it was spending time in my local, extraordinarily well-stacked public library that made me so.

This was just the start. Over the years I thoroughly explored many libraries, big and small, discovering numerous writers and individual books I never knew existed, a number of them completely unknown, forgotten, and still very much worth reading. No class I attended at the university could ever match that. Even libraries in overseas army bases and in small, impoverished factory towns in New England had their treasures, like long-out of print works of avant-garde literature and hard-boiled detective stories of near-genius.

Wherever I found a library, I immediately felt at home. Empty or full, it pleased me just as much. A boy and a girl doing their homework and flirting; an old woman in obvious need of a pair of glasses squinting at a dog-eared issue of The New Yorker; a prematurely gray-haired man writing furiously on a yellow pad surrounded by pages of notes and several open books with some kind of graphs in them; and, the oddest among the lot, a balding elderly man in an elegant blue pinstripe suit with a carefully tied red bow tie, holding up and perusing a slim, antique-looking volume with black covers that could have been poetry, a religious tract, or something having to do with the occult. It’s the certainty that such mysteries lie in wait beyond its doors that still draws me to every library I come across.

I heard some politician say recently that closing libraries is no big deal, since the kids now have the Internet to do their reading and school work. It’s not the same thing. As any teacher who recalls the time when students still went to libraries and read books could tell him, study and reflection come more naturally to someone bent over a book. Seeing others, too, absorbed in their reading, holding up or pressing down on different-looking books, some intimidating in their appearance, others inviting, makes one a participant in one of the oldest and most noble human activities. Yes, reading books is a slow, time-consuming, and often tedious process. In comparison, surfing the Internet is a quick, distracting activity in which one searches for a specific subject, finds it, and then reads about it—often by skipping a great deal of material and absorbing only pertinent fragments. Books require patience, sustained attention to what is on the page, and frequent rest periods for reverie, so that the meaning of what we are reading settles in and makes its full impact.

How many book lovers among the young has the Internet produced? Far fewer, I suspect, than the millions libraries have turned out over the last hundred years. Their slow disappearance is a tragedy, not just for those impoverished towns and cities, but for everyone everywhere terrified at the thought of a country without libraries.

May 18, 2011 10:15 a.m.


Wednesday, May 25, 2011

DANGER !







RISK FROM SPENT NUCLEAR REACTOR FUEL IS GREATER IN U.S. THAN IN JAPAN, STUDY SAYS




EARTH ~







A CONVERSATION WITH E.L. DOCTOROW











"100 tons of junk"



Tuesday, May 24, 2011

SPRING BIRTH ~














techdigest.tv
WITH ME ~



















Monday, May 23, 2011

ILLUMINATIONS ~





ARTHUR RIMBAUD


CITY



I am an ephemeral and not at all dissatisfied citizen of a

metropolis thought to be modern because every known

taste has been avoided in the furnishings and exteriors

of its houses as well as in the plan of the city. Here you

would never point to the traces of any monument to

superstition. Morality and language are reduced to their

most basic expression, indeed! These millions of people

who feel no need to know one another experience such

similar kinds of education, occupation and old age, that

their life-spans must be several times shorter than those

which a mad statistic determines for the peoples of the

continent. Just as, from my window, I see new specters

rolling through the thick and eternal fumes of coal fires,

—our shadow of the woods, our summer's night! —

modern-day Furies, in front of my cottage which is my

country and all my heart since everything here resem-

bles this, —Death without tears, our active daughter and

servant, and a despairing Love, and a pretty Crime

whimpering in the mud of the street.





RUTS


On the right, the summer dawn wakens the leaves and

vapors and sounds of this corner of the park, and the

embankments on the left hold within their purple shad-

ows the thousand rapid ruts of the damp road. Parade of

enchantments. Indeed: parade floats covered with gilded

wooden animals, masts and multicolored canvas back-

drops, drawn by twenty dappled circus horses at full gal-

lop, and children and men on the most amazing beasts;

—twenty vehicles, embossed, flag-draped and decked

with flowers like old-fashioned or fairy-tale coaches,

filled with children costumed for a suburban pastoral. —

Even coffins under their canopy of night brandishing

ebony plumes, fleeing to the sound of huge blue and

black mares' hooves.





WAR


In childhood, certain skies focused my seeing: all char-

acters modulated my features. Phenomena were set in

motion. —Now, the eternal inflection of moments and

the infinity of mathematics chase me across this world

where I undergo every civil success, respected by strange

childhood and abnormally large affections. —I dream of

a War of righteousness or force, whose logic will be quite

unexpected.

---It's as simple as a musical phrase.





DAWN


I embraced the summer dawn.

---Nothing was moving yet on the facades of palaces. The

water was still. Encampments of shadows still lingered

along the road through the woods. I walked, walking liv-

ing and warm breaths, and jewels looked on, and wings

arose noiselessly.

---The first undertaking, in the pathway already filled

with fresh, pale sparkles, was a flower which told me its

name.

---I laughed at the blond wasserfall disheveling itself

through the pines: at its silver summit, I recognized the

goddess.

---Then I lifted the veils one by one. In the pathway, ges-

ticulating. On the plain, where I denounced her to the

cock. In the great city she fled among the steeples and

domes, and running like a beggar along the marble

quays, I chased her.

---Father up the road, near a laurel grove, I wrapped

her in the veils I had collected, and I felt, a little, her

immense body. Dawn and the child fell to the bottom of

the wood.

---When I awoke it was noon.






from ILLUMINATIONS
ARTHUR RIMBAUD
JOHN ASHBERY (trans.)
Norton 2011


top photo: Étienne Carjat




Rimbaud (1854-1891) was known by one as a "disreputable, mean, ruthless, perverse, hateful wretch. He was also one of the greatest poets who ever lived." Ever restless, he managed to travel three continents before succumbing to cancer at age 37. Supposedly his poetry and creative life was all together done with by age 21. We say it has an eternal flame.





Rimbaud self-portrait near the end of his life