Thursday, October 6, 2016
Wednesday, October 5, 2016
RAYMOND QUENEAU ~
It's Raining
Shower shower shower shower shower shower
rain oh rain oh rain oh! oh rain oh rain oh rain!
waterdrops waterdrops waterdrops waterdrops
umbrella oh umbrella oh showered oh!
waterumbdrops waterdroppel
hoods capes and raincoats
the rain's so wet and the water soaks and soaks!
wet water wet water wet water wet water
and how nice nice nice it is isn't it
to have your feet soaked and your hair all wet
wet from the shower and the rain and the drops
of rainwater and of shower and with no dropbrella
to protect your feet and your wet hair
that won't curl up again won't curl up again
because of the shower because of the rain
because of the shower and the drops of rain
unruly hair umbrellaless hair
______________________
Raymond Queneau
E Y E S E A S (Les Ziaux)
translated from the French by
Daniela Hurezanu & Stephen Kessler
Black Widow Press 2008

Tuesday, October 4, 2016
HAPPY BIRTHDAY ALVARO ~
The wonderful poet, painter, humanitarian, activist
Alvaro Cardona-Hine passed away in late August
on the 28th, and only Alvaro would know to be
with us forever, leaving us all on our wedding anniversary.
His correspondence to me was like no other —
rich in romance and clear thinking, hard work,
steering by the poem star.
He is missed by many ~
His birth month is October.
Monday, October 3, 2016
MUSCULAR UNGULATES ~
SAVE CARIBOU
SAVE WOLVES
KILL DEVELOPMENT
photo ~
A large bull mountain caribou in late fall in British Columbia, Canada. Known as gray ghosts, the animals are among the most endangered species in the continental United States.
photographer ~ David Moskowitz
REPUTATION ~
Reputation
Fist-size
Harley-
Davidson
belt buckle he slouched
In
steady rain shoveling
Snow
around his truck
Parked by a driveway I shovel
As
caretaker. He told me his
Life story how things hadn’t
Life story how things hadn’t
Worked
out right when his family
Moved to the woods, hiking
Deep
snow to a trailer
Across
the river after a
Makeshift
footbridge washed
Away — and by the way, long hair
In
his eyes — could he cross our
Land
down river where most of the
New
lumber to his bridge was salvaged —
He’d heard it was best to ask me first.
Local Killers
They’re
polite, both of them
Just
killed a deer on our land.
One
hunter needs to use the phone,
The
other one doesn’t want to retrace
Their
hike through the woods
To
his car. Could I drive them back?
The
same place we buried our old dog
Last
spring these two hunters have
Dragged
an 8-point buck down the
Hill
slope and gut it right there.
Of
course they didn’t know anything
About
the dog and when I came upon
Them
they stood rubber boots
In
blood, guts matted on snow.
We
left no sign or blood when we buried
The
dog. Dropped a pine tree and buried
Her
under the boughs, head at the stump.
She
rotted. Now one of the young hunters
Is
washing his big knife off in the brook
Running
behind us. His balding head is
Ashen
with sweat, sweater blood smeared —
He
tags the deer with a rip into the
Rear
leg, shows me where they shot it
Four
times. They still don’t know where
They
are, so I point them to the road.
Goodbye
It’s
been three years
Since
we spoke with one
Another,
and I sat in my
Old
car with the engine running,
Window
rolled open, and Everett
Squatted
by the roadside in the
Dirty
wet shadow of his home-made
Barn,
munching on a cigarette stub
In
a late afternoon rain.
He
is leaving the valley. There is
A
For Sale sign hammered into his
Front
lawn above the retaining
Stone
wall I built for him long ago.
I
can remember how we cruised the
Back
road in his dusty pickup truck
Robbing
the walls that nobody seemed
To
own because no one was around.
All
that has changed.
Everyone
owns land in this
Valley
— now a dog and home are
Every
1000 feet — the same
Road
I once followed the
Dragged
trail of a porcupine
Today
I wave to six new neighbors.
Everett
still hasn’t lost his
Handsome
smile and he knows I
Think
what he is thinking but
We
don’t say anything except we do
Need
this rain as it soaks his green
Work
shirt, and nearby the familiar
Drizzle
from heaped manure drains
Down
to the brook. That water
Once
tasted like cold stone shade
And
I would haul it to my cabin every
Other
day — then Everett moved in and
With
a farmer comes manure and in that
Pissy
barn he gave me water from his tap.
No
other man on this road ever gave
Me
water from his tap or stood talking
In
the privacy of rain or paid me one
Fall
to cut his winter load of firewood
Because
his back was lame and there was
Just
no one else around to ask.
______________________
Bob Arnold
O N C E I N V E R M O N T
Gnomon
Sunday, October 2, 2016
ALTAMONT ~
Dey St, 2016
"The full enormity of the situation was crashing down on the Stones finally. The rushed preparations for the show, the absence of a police presence or any sort of practical security for that matter, the low stage, the scorched earth from the campfires of burnt garbage, the bad drugs and strong wine, the physical harm to the members of other bands who'd played that day, and the very real danger that the [Hells] Angels posed —all of it seemed to converge in this moment of the [Hells] Angel grabbing the microphone. The audience and everyone around the stage had known for hours that Sam Cutler was not in charge of this show; now it was clear that the Rolling Stones were not in charge either."
(Joel Selvin, Altamont, page 208)
Labels:
Altamont,
Dey St.,
Hells Angels,
Jimmy Reed,
Joel Selvin,
Music Box,
Rolling Stones
Saturday, October 1, 2016
MARGARET RANDALL ~
M A R G A R E T R A N D A L L
"This is an urgent call. Those who haven't seen the PBS Frontline special "The Choice-2016" should watch it. I realize many of us are sicker than usual of the campaign spectacle this time around. It makes us ill. We think we cannot watch or listen to another sound bite, even from the candidate of our choice. But I urge you to watch this Frontline video for several reasons. First, it is brilliant. Second, it traces Donald Trump and Hillary Clinton from their childhoods so that we come away with an in-depth sense of who they are and how they became who they are. Third--and perhaps most importantly--watching this special we learn that Trump is far more dangerous than anything we may previously have understood. Trump is not simply a self-serving lying megalomaniac racist, sexist and xenophobe. He is a eugenicist. This means that he believes there are some human beings who are genetically superior to others. This was Hitler's philosophy. I sympathize with those in this country who favor a third political party. Who wouldn't like to see our two-party system open to include other truly competitive possibilities. But preventing a Trump presidency is too important right now to be supporting Jill Stein, whose ideology we may appreciate, or Gary Johnson, who doesn't recognize the word Aleppo and cannot name a single foreign leader he admires. The race is too close. The stakes are too high. Watch "The Choice-2016" and then do everything in your power to elect Hillary Clinton, no matter what disagreements you may have with some of her policies. If she doesn't win, it will be too late to bemoan a government in the hands of Mike Pence (whose hero is Dick Cheney), a Supreme Court capable of pushing back every gain we have made in the past many decades, despair among righteously desperate working people who believed they could trust a strongman to fix their lives, and "law and order" rather than the healing of our communities."
_______________________________
M A R G A R E T R A N D A L L
from MR Facebook page, September 29, 2016
Reprinted by permission of the author
F R O N T L I N E ` "The Choice 2016"

Friday, September 30, 2016
ROLAND BARTHES ~
R O L A N D B A R T H E S
Signs & Images
essays on art, cinema, photography
translated by Chris Turner
Seagull Books 2016
Labels:
Art,
Chris Tuner,
cinema,
Photography,
Roland Barthes
Thursday, September 29, 2016
Wednesday, September 28, 2016
ETEL ADNAN~
E T E L A D N A N
Still from I See Infinite Distance Between Any Point and Another. Courtesy LUX
"Poets used to walk across countries; they now sit motionless."
Seasons
O the Syrian desert mounted by its young emperors in the steel
days of Rome! Its salt has melted in the Euphrates. Further north
the spring has planted miles of orchards. Frantic flowers whisper
to the wind. Birds use corridors of air within the air for their flight.
Their shadows come from the soul. It is necessary not to stay still;
the voyage is family.
Shiny red peppers! Green peppers! Women walk between
tomatoes and leeks, in a season of war; that's not unusual. It's
rather like swimming in the summer. Things move fast in a world
of silence and disruption. In the morning, pushing dreams aside,
it's good to take a walk down alleys linden trees, vegetable
gardens.
Writing: the body's imprint on wet sand. Spring is element of
thinking; perfect tool. Poetry is a question of speed and time,
speed and time. For insomniacs, mind — while all other things are
excluded — plays games with itself. Then language, in those nights,
reveals itself as being our essential self. In dreams, we fly as fast as
we think, and we're rather happy.
When the world and the mind face each other with ultimate
intensity, they cannot cancel out. With its electrical system broken down,
the body doesn't qualify anymore for a name. One can then water
the garden with wine.
Eucalyptus doesn't grow for the shade it provides but for sheer
pleasure. Plane trees spend their nights on the county's lower
meadows. During the winter their branches burn in the
woodstoves. Silence falls gradually. Sleep becomes another form
of awareness.
Small towns suit the full moon. In the bars, loud music increases
the nature weariness of the customers. The season is undamaged
but there's danger in the grass. An apprehension of things to come.
That woman doesn't shoot heroin, being naturally high. Fate is
cruel and its damage irreparable.
Women enter their bed with their lover and feel their loneliness.
There's mystery to their flesh. On Saturn's moons a watery stuff
has been found. This night is not a night although it's not a day.
It's late at night. In a matter of a few hours a motion picture
has covered the lives of a bunch of people. In the same lapse of
time the air has hardly stirred, the trees have hardly grown and the
animals in the surrounding farms have not turned in their sleep.
The season is passing by.
A silver box on a table was considered one's Greek temple. To
teach the Veil's other side one needs to already by there. Obviously.
Winter is mystic season: a time for the transmutation of the cold
into intimacy; of terror, into certitude. Old Tolstoy, where are you,
you who knew departure on trains as liberation?
Are we a dream, a nightmare, a fulfillment? The desire for
permanence has given way to the eminence of the ephemeral.
That's why air drafts, dance, cinema or fire are privileged; they
disappear as they come. To be is a process that we're searching for
while it's already here. We are the looking, the heat, and the
voyage.
__________________
E T E L A D N A N
Seasons
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