Friday, January 20, 2017

IN MY HOUR OF DARKNESS ~










WOODY GUTHRIE ~










TOM JOAD ~











THIS LAND IS YOUR LAND ~










JUNE JORDAN 3 ~









JUNE JORDAN 2 ~








JUNE JORDAN 1 ~









MURIEL RUKEYSER ~






BALLAD OF A CARPENTER ~











HOPE ~









GARY SNYDER ~









WORKIN' MAN BLUES ~











NOAM CHOMSKY ~









GUNTER GRASS ~ XENOPHOBIA ~







Xenophobia




As millions of displaced persons

with little lullage,

burdened by memory,

were forcibly resettled

in what remained of the fatherland,

many of the locals, feeling cramped

by their arrival, shouted:

Go back where you came from!

But they stayed, as did

the well-worn cry: Go, get out!

Soon it was aimed at foreigners

who came later, and later still

from far away,

speaking in strange tongues;

they too remained,

settled down, and multiplied.

Only when the natives

began to feel foreign too

did they also begin to see,

in all those foreigners

who'd slowly learned

to bear their foreignness,

their own selves,

and start to live with them.



______________________

GUNTER GRASS
Of All That Ends
translated by Breon Mitchell
Houghton Mifflin Harcourt
2016








MARIE PONSOT ~






Here is Marie Ponsot, half circled by five of her seven children once upon a time — author of a first book, True Minds, published in 1956 by Lawrence Ferlinghetti for his City Lights Pocket Poets series, and a second book published twenty-five years later — Admit Impediment in 1981. During those in-between years, she divorced her husband, the French artist Claude Ponsot, and raised the children as a single parent. To help raise that family, Ponsot taught basic composition at Queens College. She also translated more than 30 books from French into English. One of those celebrated translations include versions of La Fontaine’s fables and Hans Christian Anderson’s fairy tales. 
Her Collected Poems was one of remarkable books in 2016.



_____________

Among Women


What women wander?

Not many. All. A few.

Most would, now & then,

& no wonder.

Some, and I’m one,

Wander sitting still.

My small grandmother

Bought from every peddler 

Less for the ribbons and lace

Than for their scent

Of sleep where you will, 

Walk out when you want, choose

Your bread and your company. 



She warned me, “Have nothing to lose.”



She looked fragile but had

High blood, runner’s ankles,

Could endure, endure.

She loved her rooted garden, her

Grand children, her once

Wild once young man.

Women wander

As best they can.


_________________________

Marie Ponsot
COLLECTED POEMS
Knopf 2016


THE WORLD IS A BEAUTIFUL PLACE ~










TO THE WORDS ~









To the Words


When it happens you are not there



O you beyond numbers

beyond recollection

passed on from breath to breath

given again

from day to day from age

to age

charged with knowledge

knowing nothing



indifferent elders

indispensable and sleepless



keepers of our names

before ever we came

to be called by them



you that were

formed to begin with

you that were cried out

you that were spoken

to begin with

to say what could not be said



ancient precious

and helpless ones



say it


________________

W. S. Merwin
Migrations
Copper Canyon Press
2005







AMEN ~








TO MY COTTAGE ~









To My Cottage


Thou lowly cot where first my breath I drew,

Past joys endear thee, childhood's past delight

Where each you summer's pictured on my view,

And, dearer still, the happy winter-night

When the storm pelted down with all his might

And roared and bellowed in the chimney-top

And pattered vehement 'against the window-light

And on the threshold fell the quick eaves-drop.

How blest I've listened on my corner stool,

Heard the storm rage, and hugged my happy spot,

While the fond parent wound her whirring spool

And spared a sigh for the poor wanderer's lot.

In thee, sweet hut, this happiness was proved,

And these endear and make thee doubly loved.


__________________

John Clare  (1793~1864)
poems selected by Paul Farley
Faber 2007









HEARTBREAK ~










THE MAN COMES AROUND ~










TOMORROW ~









AYNUR AND MORGENLAND ORCHESTRA ~












CORNEL WEST ~








DO WE? WE DO ~










TREVOR NOAH ~














HEAR MY CALL, HERE ~









ROMARE BEARDEN ~





Pittsburgh Memory, 1964, collage on board






Departure From the Planet Earth, 1975, mixed media collage on board






Mr. Blues Leaves A Calling Card, 1981, mixed media collage on Masonite







Childhood Memories, 1965, mixed media collage on board





Watching the Good Trains Go By, 1964, collage on board





DARKER THAN BLUE ~










KIZER AND CLIFTON ~










KOTO SONG ~













CLEANUP TIME ~









LIKE A TYRANT ~










LONG AS I SEE THE LIGHT ~










KEEP YOUR HANDS OUT OF MY POCKET ~










SAYAT NOVA ~









JAMES BALDWIN ~











THE MOON LOOKS DOWN AND LAUGHS ~









INAUGURAL BRAT ~