a biography by Alex Danchev
Pantheon 2021
daydreaming w/ Bob Arnold
It's a shame, the re-issue of this anthology is almost batting .1000 —
it has a lush cover photograph of the poet Bobbie Louise Hawkins
by Gerard Malanga, who not only captures the time element of the late 1960s,
but Malanga has always had an affectionate eye for cats.
This anthology was first published by City Lights in 1971
and this expanded edition draws in an aura of American poetry
including Black Mountain poets, San Francisco Renaissance, Beat,
and the NewYork School of poets, and for a change digs into
the ground and finds at least one half of Coyote's Journal poetry (Bill Brown)
but badly misses James Koller — a close friend with many in this
anthology and a sure hand of the California poem.
As they say in that funny world: it's the only reason why I
can't give this book 5 Stars.
A thorough biographical index of each poet would have
also been a treat and finished off a sterling package.
Nonetheless, the new anthology is beautifully edited —
you can sense certain poets touching certain poets —
for instance Joanne Kyger touching Tom Clark
touching Jim Carroll touching Bill Berkson.
The Song Cave makes terrific books, each title comes off the block
similar but unique, much as New Directions used to make them and
how we used to go hunting for them. Black spine, same square size,
cool and fashionable, neat typeface, and an exciting range
of poets. You absolutely can't go wrong.
Just not perfect, yet.
[ BA ]
Quite an interesting book and format of "interviews" —
really sharp and informative conversations
and you can see the names here listed,
a great crew.
Reich is generous with his time and knowledge
and quite kind and appealing between the lines.
Don't hesitate.
_______________
Hanover Square Books
2022
Stay Home
I will wait here in the fields
to see how well the rain
brings on the grass.
In the labor of the fields
longer than a man's life
I am home. Don't come with me.
You stay home too.
I will be standing in the woods
where the old trees
move only with the wind
and then with gravity.
In the stillness of the trees
I am at home. Don't come with me.
You stay home too.
_______________
Wendell Berry
New Collected Poems
Counterpoint Press, 1980
Isn't It Strange
Acid rain . . . On the wall
a picture of your long-deceased
cat.
Isn't it strange that every day
I pray to her
to return you to me.
Twin
He resembled me.
I held him up to my lips,
then threw him into the salty
water. He sank to the bottom.
I heard a giggle.
An invitation to play
together.
You and Me
It couldn't have worked out better.
I am with you without you.
I draw figures on the sand.
I breathe.
I wait.
I decay.
Boeing 737
We watched as it disappeared inside a gray cloud.
(We all would like to do something similar.)
Osaka
an eye.
Keep it,
just in
case.
______________________
Grzegorz Wroblewski
Zero Visibility
Phoneme Media, 2017
translated from the Polish by Piotr Gwiazda
1934 ~ 2022
"The first five-four tune ever written. I wrote it in
1950, way, way before "Take Five" came on the scene.
Unfortunately I went to the federal penitentiary right after that and
Paul Desmond and what's-his name went on ahead playing in the clubs
and all that, became big names, and I just sunk to the depths of zero."
A R T P E P P E R
from Thirteen Quintets for Lois
Death arrives as the body's memory,
becomes expression and promissory
note in a generative relation.
Leibniz might point to an aberration,
or scout an asymmetric assumption
for a flowing body, transitory,
an occasion for light's authority.
In Mali, the owner of water finds
a stolen seed and the logic that binds
the mask to its event, depth of matter,
true signature and motive, the flatter
change in direction, all set to shatter
the indivisible and instant lines.
Logic brings no temper to these designs.
______________________
Jay Wright
Thirteen Quintets for Lois
Flood Editions 2021
Three color booklet of new poems
by Kent Johnson
in fold-out splendor
____________________________
$12
with free shipping
________________________
(International orders please inquire)
order through Paypal with free shipping
(use our email address of longhousepoetry@gmail.com)
or a check to:
Longhouse, PO Box 2454, West Brattleboro, VT 05303
Longhouse
Publishers & Booksellers
Green River, Vermont
2022
Homesick for the Earth
One day we'll say 'The sun ruled then.
Don't you remember how it shone on the twigs,
on the old, as well as the wide-eyed young?
It knew how to make all things vivid
the second it alighted on them.
It could run just like the racehorse.
How can we forget the time we had on earth?
If we dropped a plate it clattered.
We'd look around like connoisseurs,
alert to the slightest nuance of the air,
knew if a friend was coming towards us.
We'd pick daffodils, collect pebbles, shells —
when we couldn't catch the smoke.
Now smoke is all we hold in our hands.'
________________________________
Jules Supervielle (1884-1960)
translated by Moniza Alvi
I finished the Snyder COLLECTED POEMS (Library of America, 2022) yesterday (then started Nelly Sachs, the new translations are refreshing, as they have been for Celan and Rimbaud). No doubt Snyder is the central river after Pound — it’s both in his poems, translations and far better than Pound, his psyche. I read every page. Some more than once. I maneuvered the many excellent notes and chronology by constantly referring to them, like a fine relief map. Ran my fingers over.
DO NOT MISS THE TRIBUTE TO GARY AT THE LIBRARY OF AMERICA