Christopher Carrillo
daydreaming w/ Bob Arnold
D E C E M B E R 2 0 2 4
Willie Nelson long ago speaking about
a way of music, and music is often
applied many ways
The Optimism of French Toast
No matter how many years since
the first bite passed my lips, that business
of eggs and day-old bread, ribbon of syrup,
fireflies of butter sparking my tongue's buds,
I think of my Arcadian ancestors
landing on the shores of Nova Scotia, dragging
logs from the deep woods, fashioning windows,
hanging laundry from two oars dug into sand —
the flags of domesticity flayed by the wind.
I see the fruits of their labor rise up
from the marshes: beets, parsnips, cabbages
and corn, and the wheat they ground
to powder and baked into bread.
And the chicken shook out egg after egg
we broke into shallow bowls, beat
with a spoon, each thick slice dipped
into that loom of albumen, chalazae and yolk,
then laid on a scrim of grease in the pan
where it sizzled its solitary song.
How could these French be
considered a scrouge, their houses
burned to the ground they had worked,
forced to take the tangled circuity
of dirt roads with nothing but what
they could carry on their backs? No time
for funerals, no place to go. And yet
here I am at my kitchen table listening
to Clifton Chenier on the radio, daughter
of a people who refused to die: sacks
of wheat on their shoulders, spoon
in a belt loop, sugar sprinkled in a pant cuff,
a sleeping chicken hidden under a coat.
____________________
Dorianne Laux
Life on Earth
Norton, 2024
lyrics: 𝑷𝒔𝒂𝒍𝒎 104 (𝑪𝒓𝒆𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒕𝒉𝒆 𝒖𝒏𝒊𝒗𝒆𝒓𝒔𝒆 𝑷𝒔𝒂𝒍𝒎) composition: 𝒕𝒓𝒂𝒅𝒊𝒕𝒊𝒐𝒏𝒂𝒍 𝑱𝒆𝒘𝒊𝒔𝒉 𝒃𝒂𝒃𝒚𝒍𝒐𝒏𝒊𝒂𝒏 arrangement: 𝒀𝒐𝒏𝒏𝒊𝒆 (𝑱𝒐𝒏𝒂𝒕𝒉𝒂𝒏) 𝑫𝒓𝒐𝒓
The band: Eric Dolphy (Alto Saxophone, Bass Clarinet, Flute) Charles Mingus (Bass) Dannie Richmond (Drums) Jaki Byard (Piano) Clifford Jordan (Tenor Saxophone) Johnny Coles (Trumpet)
The longtime Knopf editor Judith Jones in her Manhattan apartment in 2007.
Credit...
Chester Higgins Jr./The New York Times
For Chan Po-ying, a labor rights leader, life is one of constant police surveillance, even on hikes. But she finds solace from tiny gestures of support.
Billy H.C. Kwok for The New York Times
Flutes
in a time of idleness,
when the tender breeze
Zephyr
blows and caresses
their cheeks,
they sit in the thick shade
of a rock.
drinking milk
or wine.
lulled by the rustle
of leaves
and the tiny song of the cicada.
carving wood
or whistling.
but the best flute
isn't made of wood
but from the bones
of an eagle.
to make this music
you first needed to learn
how to fly.
_______________________
Phoebe Giannisi
Chimera
New Directions 2024
Birthday
first it was the train tracks,
then telecommunications
and now parties until the break of day.
i'm fucked
and everyone i know
is fucked.
and i guess everyone
i don't know
is also fucked,
and i guess that's why
i'm not interested
in getting to know new people,
and i guess that's why
no one else is
interested in getting to know me.
________________________
Oscar Garcia Sierra
Houston, I'm the Problem
World Poetry, 2023
translated from the Spanish by
Carmen Yus Quintero
Ghislaine Maxwell, seated second from right, was convicted of sex trafficking in 2021 after a monthlong trial in U.S. District Court in Manhattan.Credit...Jane Rosenberg
Drawing & riveting
[ BA ]
HANOVER SQUARE, 2024
Some Songs of Mirabai
________________________
paga bandha ghumgharyam nacyari
Binding my ankles with silver
I danced —
people in town called me crazy.
She'll run the clan
said my mother-in-law,
and the prince
had a cup ofvenom delivered.
I laughed as I drank it.
Can't they see?
Body and mind aren't something to lose,
the Dark One's already seized them.
Mira's lord can lift mountains,
he is her refuge.
mhare dere ajyo
Come to my bedroom,
I've scattered fresh buds on the couch,
perfumed my body.
Birth after birth I am your servant,
sleep only with you.
Mira's lord does not perish —
one glimpse of the Dark One is all she requests.
jagamam jivana thora
Life on this planet is fragile,
why take up a burden?
From mother and father
come birth,
but from the font of creation comes karma.
People waste life,
heaping up merit like they're buying and selling —
it's pointless.
I sing out the raptures
of Hari, go into passions with sadhus,
nothing disturbs me.
Mira says — it's your power Dark One,
but it's me who crosses
the limits.
nenam lobham atakam
Wolfish eyes fixed on the Dark One,
hungry, restless,
scouring every inch of his body.
When he came into view
smiling faintly,
lit up with moonlight.
I nearly collapsed by the door.
My family speaks of their plans
to restrain me
but my eyes flash through every obstruction.
Don't they know somebody's claimed me?
I lift to my forehead
every word uttered,
some ugly, some tender —
without the Dark one's approval
nothing survives.
kina sang khelum holi
Terrible solitude
festival day
now that he's gone.
Damn these rubies and pearls,
I'll string devotional beads
at my throat.
And here's an old hermit cloak —
now that fod and house
are distasteful
it matches my feelings.
What makes me like this?
It's a riddle.
You take me to bed
then go off and fuck
some other girl.
Does she have you under her spell
that you can't even write me?
Mira's bundle of nerves in your absence.
Look at her,
an unwatered weed when the
Dark One's away,
she wilts in the rubble.
______________________
Songs of Mirabai
translated by Andrew Schelling
White Pine Press, 2024
COMPANION FOR THE JOURNEY VOLUME 31