New York Review of Books, 2017
Friday, May 12, 2017
Thursday, May 11, 2017
Wednesday, May 10, 2017
Tuesday, May 9, 2017
JOAN DIDION ~
Knopf 2017
Joan Didion's "notebooks" are often as well wrought
and interesting as others finished essays
and interesting as others finished essays
Monday, May 8, 2017
ORDINARY EARTH ~
The Man Who Never Rode In A Plane
Hounds
Hunting hounds are again across the river barking and carrying on, lost to their scent and trail and blocked by the river. This happens rarely now but it used to happen all the time. We hear the dogs for the longest time and then the hunters get down here with their old pickup trucks and cages in the back bed rattling. They are trying to catch their dogs. The dogs have gotten away from them following a scent and the hunters weren’t aware of the river. They hiked all over the mountain and woods to locate their dogs only to find them long lost and better to take their trucks and catch the dogs where they will be at the border of the river. No way to cross, too deep. But a hunter in high waders can get across, water to his chest. He will carry the dogs across the river in his arms to his truck. The barking will stop. Before this all happens it seems like the mountain is moving horizontally with a wild and strange sound.
Ordinary Earth
Today I sat on the step stoop at the cabin I built in the woods 12 years ago. A lot has not happened and a lot has happened since then. The helper that worked with me moved away. The twin towers in New York City went down. We lived through a hurricane. A flood. The cabin didn't care, its back to the world. At the dutch door I built and the only door in and where I sit and look to the woods all the woods did was grow, much brush. Right to the door. You sat there and couldn't see a thing, only the brush. So you thought, often deeply, breathing and feeling the brush at your feet. Years of this. One day I got tired of the brush and no view and took my tools and chain saw for a few days and cleared all the brush. Not only at the cabin site but away from the cabin and up through an old sugar bush. Trees too. Made firewood. The more I cut, the more I cut some more, until I was to the top of the hill, looking back at the cabin through a glade of massive sugar maple trees. The sunlight coated the trees now, so did the shadows. It was a splendid work effort. The brush all piled. I went back to sit on the step stoop. The cabin hadn't moved.
———————————
Bob Arnold
BEAUTIFUL DAYS
Longhouse
Sunday, May 7, 2017
Saturday, May 6, 2017
THE FIGHT (DON'T TURN AWAY) ~
People with disabilities are among the most discriminated against in Bolivia. Fed up with being ignored, a group of them march across the Andes to the seat of the government in La Paz, asking to speak to President Evo Morales. They are met with riot police, barricades, teargas and water cannon
Headed by determined leaders, including Rose Mery, Marcelo, Feliza and Miguel, the protesters camp on the streets a block away from the main plaza near the government palace. For the first time in Bolivia’s history, police erect 3m-high barricades, station tanks and hundreds of riot officers to stop the protesters in wheelchairs from entering the plaza.
Violent confrontations flare up between police and the protesters, with officers using pepper spray and water cannon. The government refuses to discuss their request for a pension of $70 a month and the protesters suspend themselves from the city's bridges in their wheelchairs.
After following the protesters on the march, film-makers Violeta Ayala, Dan Fallshaw and Fernando Barbosa gain intimate access to their camp, including up-close scenes of regular violent reactions from the police. The film-makers and other journalists are also threatened. For three months the activists with disabilities attempt to speak to the president but face criticism from the state's official news outlets.
As public pressure grows, can Rose Mery and her fellow protesters win their fight?
Read our article about the changes the protests have caused since this film was shot.
Share your experiences of being a disability rights campaigner
- Directors, producers and editors:Violeta Ayala and Dan Fallshaw
- Co-producers: Fernando Barbosa and Andrea Monasterios
- Executive producers for the Guardian: Charlie Phillips, Lindsay Poulton and Laurence Topham
- This video is produced in collaboration with the Sundance Institute Short Documentary Fund supported by the John D. and Catherine T. MacArthur Foundation
Key credits
The Guardian, U.K.
Friday, May 5, 2017
Thursday, May 4, 2017
Wednesday, May 3, 2017
BACK ROAD CHALKIES, J.D.WHITNEY ~
N E W !
Order now through PAYPAL ~
J. D. Whitney
& COUSINS
Issued from Longhouse, Spring 2017
or check to ~ Longhouse, PO Box 2454, West Brattleboro, VT 05303
or contact us by email for information
$10
FREE shipping
Tuesday, May 2, 2017
Monday, May 1, 2017
GIFT ~
Gift
every
morning
the same
river
through
the woods
through
my tiny
bedroom
window
Taking A Book Off The Shelf
The mystery or the irony
or whatever you wish to call it
may be this —
the writer you read
whom you consider great
may be a true son of a bitch
in real life, this life we live in,
he or she may have solid wisdom
in the pages, though is impossible
to live with, or to live, period —
but what must not be forgotten:
this great work that has for whatever
reasons made you feel great
is enduring
and you may be, too
Waiting In The Car
That finger tap at the window
any of us can do —
I just heard the rain do
—————————————
Bob Arnold
BEAUTIFUL DAYS
Longhouse
Sunday, April 30, 2017
Saturday, April 29, 2017
Friday, April 28, 2017
SUSAN STEWART ~
Graywolf Press 2017
Wrens
their tumbling joy
decanted descanting
over cobble
stones in and out
of firethorn back
and forth to gingko
who knows
who will
ever know
what net
binds them
loosening
song?
I would not
lose them
could not lose
them know
if there's
another
place another
world another life
there must be wrens.
———————————
Susan Stewart
Thursday, April 27, 2017
Wednesday, April 26, 2017
Subscribe to:
Posts (Atom)















