Friday, July 3, 2015

DALE SMITH ~





D A L E   S M I T H

Slow Poetry In America

Cuneiform Press 2014

Thursday, July 2, 2015

ALICE & GERRY SPEAK ~



ISLAND DREAMS





Hi Gerry and Lorry.
I just finished reading Island Dreams, all in one sitting. If I were a poet like you, I could say all I want to say about the book in ten words. Being more limited, it would take me 100 times that. It is a book of love on many levels. Bob and Susan did a wonderful job in editing it and designing it. I like the page-size and square format because there is a lot of white space for the poems to breathe. The lack of illustrations in the main part of the book contributes to that open space also. It says, these poems can sit by themselves, they need no other support, and that space invites the reader to sit with each individual poem as long as she wants, not rushing, crowding. Reading the poems was, as I expected, a chance to visit some old friends and times, but meet a lot of new ones also.  There is a smoothness to the way Bob chose to group them. And the poems themselves, the work, are just lovely. It is like you have a vision into a crack in the world and you show us what you see, you give us light and wisdom and touch our hearts, all with so few words. What a journey. I was happy to see that you and Lorry ended up back at the reunion, slightly greyer in the hair, but no less loving or loved. Congratulations. I hope you are as proud of the book as we are of you.

Much love,

Alice

Alice Winston Carney, author of A Cowgirl in Search of a Horse: A Memoir

 It's such a great pleasure to wait and to have a book in mind that waits with you. In this case many years went into Island Dreams, actually about 50. That seems astounding to me, but yet this is my 70th year on earth.  Our friend Alice W. Carney, a really fine writer in her own right (write), has said as much as I could say about this book of ours. One of the poems in the book dates back to 1963 and describes a hitchhiking trip from Great Barrington, Massachusetts to Quebec City where we -- two friends and myself -- sang for our supper and rode a few hundred feet on a freight train and spent a night in a Montreal jail for vagrancy.
The poem "Quebec City" won a poetry prize and earned me (at age 19) a payment of $50.00 thus proving that a poet could make his way in the world, with his thumb out and his wallet handy. I was to learn as I went on down the road and Island Dreams tells the tale of living on island after island until the islands weren't islands any more -- they were just isolated pieces of earth, or sand, where we pitched our tent of love and went on from there. When I say "our" I am speaking of Lorry and Gerry, and later on, Mariah and Hannah, our daughters.
Jack Kerouac called his days with thumb out, "A billowy trip in the world." I have always thought that's what it is to be alive ... to breathe deeply and look out of unjaded eyes at all that is around you. And that's what poetry is, a little eye-prayer to all the things a baby sees. My deepest thanks go to Bob and Susan Arnold, editors and designers at Longhouse Publishers and Booksellers. It was Bob's idea to have me reach back all the way to the beginning, thumb out, and expectant that a ride would come. And it's been quite a ride.






Wednesday, July 1, 2015

NEST ~












Nest



 


Fallen nest

Under big maple tree


Made of vine  /  branch  /  hay



 

Filled in for eggs

With soft white hairs


That keep our malamute


Warm through winter



 

Which I brushed out of him

And threw away


Weeks ago



________________________

© Bob Arnold


from  DUO
Longhouse 2015





Tuesday, June 30, 2015

TOVE JANSSON ~








http://www.nybooks.com/books/authors/tove-jansson/





New York Review of Books
translated from the Swedish by Thomas Teal 






Monday, June 29, 2015

R.S. THOMAS ~







R S Thomas and Mildred Eldridge at Tallarn Vicarage 1940





That Day



Stopped the car, asked a man the way

To some place; he rested on it

Smiling, an impression of charm

As of ripe fields; talking to us

He held a reflection of the sky

In his brushed eyes. We lost interest

In the way, seeing him old

And content, feeling the sun's warmth

In his voice, watching the swallows

Above him — thirty years back

To this summer. Knowing him gone,

We wander the same flower-bordered road,

Seeing the harvest ripped from the land,

Deafened by the planes' orchestra;

Unable to direct the lost travellers

Or convince them this is a good place to be.




___________________


R.S. Thomas

H'm

Macmillan London, 1972



http://www.poetryfoundation.org/bio/r-s-thomas





Friday, June 26, 2015

JAMES KOLLER ~











J A M E S   K O L L E R

A River I Couldn't Find


Jan De Meyer, 2015






Monday, June 22, 2015

SINEAD MORRISSEY ~










And Forgive Us Our Trespasses



Of which the first is love. The sad, unrepeatable fact

that the loves we shouldn't foster burrow faster and linger longer

than sanctioned kinds can. Loves that thrive on absence, on lack

of return, or worse, on harm, are unkillable, Father.

They do not die in us. And you know how we've tried.

Loves nursed, inexplicably, on thoughts of sex,

a return to touched places, a backwards glance, a sigh —

they come back like the tide. They are with us at the terminus

when cancer catches us. They have never been away.

Forgive us the people we love — their dragnet influence.

Those disallowed to us, those who frighten us, those who stay

on uninvited in our lives and every night revisit us.

Accept from us the inappropriate

by which our dreams and daily scenes stay separate.






This Century, The Next, The Last



My husband requests a sky burial

he wishes to be

as carrion sequestered by leopards

strung up in a desert tree



Back to the familiar corridor he

may choose any opening

but all the rooms contain me

dressed for a wedding






Genetics



My father's in my fingers, but my mother's in my palms.

I lift them up and look at them with pleasure —

I know my parents made me by my hands.



They may have been repelled to separate lands,

to separate hemispheres, may sleep with other lovers,

but in me they touch where fingers link to palms.



With nothing left of their togetherness but friends

who quarry for their image by a river,

at least I know their marriage by my hands.



I shape a chapel where the steeple stands.

And when I turn it over,

my father's by my fingers, my mother's by my palms



demure before a priest reciting psalms.

My body is their marriage register.

I re-enact their wedding with my hands.



So take me with you, take up the skin's demands

for mirroring in bodies of the future.

I'll bequeath my fingers, if you bequeath your palms.

We know our parents make us by our hands.






Migraine



And it's happening yet again:

vandals set loose in the tapestry room

with pin-sharp knives. Such lovely scenes

as this day's scrubbed-white clouds

and shock of scarlet blooms

across the wasteground



looking abruptly damaged —

stabbed-through from the back

so that a dozen shining pin-sized

holes appear at random. Then widen.

Soon even the grass has been unpicked,

the gorse hacked open.



I can no longer see your face.

Posed in unravelling sleeves

and disappearing lace,

I have given up all hope for what was whole —

the monkey under the orange tree,

the tatterdemalion nightingale.






Blog



I don't have girlfriends but I do have sex

with a different woman about three times a month.

Sometimes more. Sometimes less. I rarely ask.



They'll stop to talk to me in the supermarket

or on the bus. Off-handedly at first.

They're not made-up or drunk. We don't flirt



or analyse it. There's this tiny electrical thrill

gets passed like an egg-yolk slipping

between the cups of its own split shell.



They take me home. It happens. I leave. Simple.

They don't invite me to dinner or text.

It's easy and clean and consensual.



Then it happens again. Loneliness's overblown —

unless I'm just one of the unnaturally blessed.

My good friend Jack told me to write this down.


______________________



SINEAD MORRISSEY
Parallax
and Selected Poems
Farrar 2015


Born in 1972 in Belfast Northern Ireland, Sinead Morrissey is the
author of five poetry collections. She teaches creative writing at the
Seamus Heaney Centre for Poetry, Queen's University, Belfast.






Friday, June 19, 2015

HERMIT'S GUIDE TO HOME ECONOMICS (ROBERT LAX) ~









Robert Lax
Hermit's Guide to Home Economics
New Directions poetry pamphlet #17
edited by Paul Spaeth
New Directions 2015







Thursday, June 18, 2015

Wednesday, June 17, 2015

LONG AGO ~







Long Ago
 


That tiny toy instrument

Shaped like a French horn

Displayed with a dozen others

We both gave it a squeeze —

But for some reason this

One sounded the best

With its familiar sound

More than a horn

And it took your breath away

And close to tears

At how its cry

Was like our geese

On a little farm

From long ago




________________________

© Bob Arnold


from  DUO
Longhouse 2015 








Tuesday, June 16, 2015

GEORG TRAKL ~





GEORG TRAKL
(1887–1914)


Helian



In the lonely hours of the ghost

There is beauty walking in the sun

Along the yellow walls of the summer.

The footsteps fall quietly in the grass; yet ever sleeps

The son of Pan in the grey marble.



Evenings on the terrace we drank ourselves drunk on brown wine.

The red glow of the peach amid the leaves;

A soft sonata, mirthful laughter.



Beautiful is the stillness of night.

On the dark plain

We meet together with the herdsmen and white stars.



When it becomes autumn

A stark clarity reveals itself in the grove.

We wander calmly along red walls

And our wide eyes follow the flight of birds.

With evening the white water dwindles in the grave urns.



The sky freezes in bare branches.

The peasant brings bread and wine in immaculate hands

And the fruit ripens tranquilly in a sunny room.

O how solemn are the faces of those precious dead.

But it does the soul good by how it does them justice.



________________



GEORG TRAKL 
Poems
translated by James Reidel
Seagull Books, 2015


http://www.poetryfoundation.org/bio/georg-trakl