Friday, January 13, 2017

DEVOURING BIRDS ~





R O N A L D      B A A T Z




My Prize Possession


The skull of a dog hangs over the fireplace.
  On the mantlepiece there is a deck of cards,
 not used in over half a year, at least.
Nothing else hangs on the walls.
  There is almost no furniture to speak of.
 In the kitchen cabinets a few dishes reside,
along with cans of beans and a bottle containing
  the last of the olive oil I cannot afford to replace.
 In the bedroom upstairs, where I sleep, there is a futon.
In the spare bedroom on the other side of the hallway
  there is nothing but long, thin roots hanging on the wall,
that are entangled and twisting on the wall like a wreath.
I found these sacred roots in the stream, nearby
  the motel where I was living and working.  To say
 that I like to keep things simple is no big revelation.
Simplicity is easy in such a large house, where ponies
  were once raised in the barn out back.  The pony shoes
 I come across in the garden I hang in the woodshed.
From a great apple tree, that is in dire need of pruning,
  blossoms fall and cover the roof of this woodshed.  But,
 yes, there are so many rooms, my god, certainly too many
for one person.  It is rare that a visitor does not show envy.
  I moved in with a woman, but the relationship changed
 and the change left me alone and responsible for these rooms.
I cherish the skull of the dog.  It is a prize possession.
  I ask it no questions, and it shows me the same courtesy.
 I'll keep it with me as I grow old.  It will be the best of company.
I admire the teeth it has left.




———————————————

Ronald Baatz
Devouring Birds
NEW AND SELECTED POEMS
Blind Dog Press
Australia




Wednesday, January 11, 2017

URSULA K. LE GUIN ~








The Salt
                         

                                                         para Gabriela


The salt in the small bowl looks up at me

with all its little glittering eyes and says:

I am the dry sea.

Your blood tastes of me.




———————————

Ursula K. Le Guin
Late in the Day
poems 2010-2014
PM Press 2016





SPEECH IN ACCEPTANCE OF THE NATIONAL BOOK FOUNDATION MEDAL FOR DISTINGUISHED CONTRIBUTION TO AMERICAN LETTERS NOVEMBER 2014

To the givers of this beautiful reward, my thanks, from the heart. My family, my agents, my editors, know that my being here is their doing as well as my own, and that the beautiful reward is theirs as much as mine. And I rejoice in accepting it for, and sharing it with, all the writers who’ve been excluded from literature for so long – my fellow authors of fantasy and science fiction, writers of the imagination, who for 50 years have watched the beautiful rewards go to the so-called realists.
Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality. 
Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship. 
Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.
Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words. 
I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom.

Ursula K. Le Guin 





Tuesday, January 10, 2017

ALBERT WOODFOX ~






HOW ALBERT WOODFOX SURVIVED SOLITARY

As one of the Angola 3, he was in isolation longer than any other American. Then he came home to face his future.


go ~




The New Yorker magazine










THINGS BEHIND THE SUN ~













Monday, January 9, 2017

LESSON ~







Black Bear



Who carried the rain on his back

Who we haven’t seen for a very long time

Who knows this

Who ran like me if I ran for my life

Who crossed the wet dirt road without a track

Who had me look over the same place twice

Who mussed the deep pool river

Who reminded me of nothing else

Who crossed the road and hit a vertical bank

Who vanished up that bank of trees and brush venetian

Who isn’t easy to forget

Who isn’t a riddle







Lesson



There was a weasel

In the yard for months



Then one day there was

A hawk in the yard



Only his head moved

In the tree



When the hawk was gone

The weasel was gone






Geese



They squawk & bite

& hit & scream &

Shit in your path

& destroy & you

Chase them into the

Pond in a rage



& they float









She Talks



Standing in a

Chain saw repair

Shop waiting for a



New chain to be

Fitted onto her

Homelite, most of



Us standing close

To the wood stove,

Gloves icy, she



Said how today

Oodles of geese

Flew over her farm





____________________________

Bob Arnold
Once In Vermont
Gnomon Books


photograph by
Two~Hands












Sunday, January 8, 2017

YOSHIMASU GOZO ~





New Directions, 2016


P O E M S












HERE'S YOUR PATRIOT ~ (NAT HENTOFF)







[ b. June 10, 1925 Boston ~ 7 January 2017 ]




I worked six straight hours last night on the Birdhouse for the Inauguration. I take that day very seriously. And then when I was done at midnight I read one of my all time heroes, Nat Hentoff has died. I’ve been waiting; all my life reading and being educated by the man, who grew up with Cid (Corman) in Boston. Friends. Worked on the same radio. Amazing individuals, and of course the New York Times could barely rise to the occasion for a deserving obituary. They fawn over David Bowie, whereas Hentoff, a grand New Yorker, was a master in all political, social and artistic forums. Legion. This weakening of the grasp, everywhere, is what swung a Dump (Trump) into existence and play. We’ve lost the masterworks. Many, each week, all heading to the pearly gates.  The last of the classical  up-bringing are leaving us. We’ll be left with cyber learners. Quick heat bores.

[ BA ]




Credit
photograph ~ Clyde Haberman Marilynn K. Yee/The New York Times




Saturday, January 7, 2017

LADY GAGA ~













A MAN CALLED OVE ~








"I can’t recall a film we watched twice in the same day, 
and cried twice in the same day."

[ BA ]











DAVID REMNICK ~






By 


"If these declassified intelligence reports are true, how is it possible to count the 2016 Presidential election as unsullied?"





RAS MICHAEL ~












Friday, January 6, 2017

THE MOTH SNOWSTORM ~





The New York Review of Books, 2016







"In a famous preface to one of his short novels, Joseph Conrad
pointed out that the enterprise of the scientists or the intellectual
may have more immediate impact, but that of the artist is
more enduring because it goes far deeper; the statement of fact,
however powerful, does not take hold like the image does. I
believe that in defending the natural world, the time has come
to offer up the images.


What I mean is, it is time for a different, formal defense of
nature. We should offer up not just the notion of being sensible
and responsible about it, which is sustainable development, nor
the notion of its mammoth utilitarian and financial value, which
is ecosystem services, but a third way, something different entirely:
we should offer up what it means to our spirits; the love of it.
We should offer up its joy."

from THE MOTH SNOWSTORM











Thursday, January 5, 2017

BOB KAUFMAN ~








"Bob Kaufman Alley, in San Francisco’s neighborhood of North Beach, is tiny—"

read more:

BOB KAUFMAN
  AND WHEN I DIE, I WON'T STAY DEAD










FIERY FURNACES ~







By way of Oak Park, Illinois
Eleanor Friedberger, singer
brother Matthew Friedberger, guitarist-organist-pianist
 who also composes most of the songs
and rippling arrangements

( 2009 )




Wednesday, January 4, 2017

POETS WITH GUITARS ~







Biblioasis / Canada 
2016


Often you can tell a wise one by their choices —
here's the evidence:

Gene Clark
Ronnie Lane
The Ramones
Sister Rosetta Tharpe
Townes Van Zandt
Little Richard
Alan Wilson
Willie P. Bennett
Gram Parsons
Hound Dog Taylor
Pau Siebel
Willis Alan Ramsey
John Hartford

Not bad, not bad at all






Tuesday, January 3, 2017

JOHN BERGER ~





J O H N      B E R G E R
(London 1926-Antony, France 2017)







John Berger at home in Paris, 2005
photograph: Ed Alcock
for the Guardian