Wednesday, March 8, 2017

INUA ELLAMS ~











The Forced


One day when you are pissing on the roadside,
your cracked bare feet on grass streaked with feces
and porewater plastic bags, you will hear his name
and turn to watch his convoy, numerous as the aunts,
the uncles and ancestors you have never known, inch
down the crowded Mushin street singing his praises
as if a capitalist black Jesus, dishing cold hand cash
to those pressed either side of his jeep, hands out —
stretched, pleading with a hunger you know too well.

One month later, when another born-troway smoking
stolen Indian hemp talks softly of the crude oil rags
and patchwork dishcloths you both wore as nappies,
shivers from the same foul breeze blowing the truth
of your fractured life, you will call his name, Oluomo,
speak its solid weight and wonder if it is worth a try.

One year after your quick slim fingers have caught
the attention of his boys who dance drunk on paraga,
the oil drum fire flickering in their eyes, you will hear
they too were born and thrown away, they had snakes
for mothers too, but were lifted from gutters and now
are this citywide tribe of hard men spidering through
the night Oluomo alone controls: homes raided, rivals
knifed, politicians bribed, the rich ransomed and each
area-boy willing to die for each. You marvel at such
family, ask if they need help, anything you will do.

One decade from now, when police who are vicious
as they are duplicitous have beaten you senseless,
have dumped your swollen self in a concrete cell,
when you deny them the satisfaction of betrayal
/ no be by force o, no be by force / you will cry
your throat dry as cracked feet, sob uncontrollably
as blood bubbling your torn nostril bursts, you will
call for your brothers, but for now you are free.



——————————

INUA ELLAMS
The Wire-Headed Heathen
Akashic Books 2015

Inua Ellams was born in Nigeria in 1984.
He now lives in London and works as a poet,
playwright, performer and graphic artist.











Tuesday, March 7, 2017

NANCY WILLARD ~




N A N C Y      W I L L A R D
photo 1998. CreditEric Lindbloom

1936 ~ 2017













HUMMINGBIRD ~










Saturday, March 4, 2017

RELIEF MAP ~













PIERRE REVERDY ~













From hand to hand


I no longer think of anything but the night

The long thawing winter of sovereign thoughts

Now that the circuit is closing

A dead star drags a fire without sparks though the black sky

Cold hands unshackled but always at a cost

A timid distorted glow around the unsheltering hearth

At the roundabout of failures

Destitution      paler than an egg

Against the battered fence      in the foul breath of hate

I walk the parched trail of happiness

The distance open to its hour

In the furious rattling of links shaken free

Desertionless days held back with a chain

No room any more     not here    not there

Fixed      at a standstill

The hive of light



———————————

Pierre Reverdy
translated from the French by Dan Bellm
Black Square Editions






Thursday, March 2, 2017

POETS WHO SLEEP ~











imagined ancient love poems ]





MY LIPS are shy,

like a candle that will not flicker.















I WOULD twist my arms like coral

if that made them delicate enough to hold you.









COLOR IS sleeping in some birds

when the sun is too early

to make use of it.









THE SEASON is yet unlit

by the glint of the sewing needle.

The thread is stored away, the light

is an unwoven shirt.









I EMBRACED YOU by mistake

when I was only trying to caress you.

Now you love me.









WE CAME across a hunter disguised as a bird.

The towns pay these lords for protection. This is revealed

in a parable the women tell. They speak of a rose

that grew in the desert from a drop of blood.









WHO ARE you going to meet tonight

in the tall grass

where even snakes cannot find each other?



Your bare feet

will be the safest part of you.









CLAY pots, shaped from the inside

like a sun

when the sky was spinning.



_____________________

DANIEL NADLER
Lacunae
Farrar 2016






DANIEL  NADLER












Wednesday, March 1, 2017

TRIVIAL FIGHTS ~


______________________________________________________________________


And Trump said the time for “trivial 
fights is behind us.” He just didn’t say
which trivial fights he meant.


Protecting the rights of gay, lesbian 
and transgender people? 
Safeguarding voting rights? 
Investigating whether members of the
Trump team had colluded with the 
Russians to influence the 2016 
presidential election? Or maybe
finally getting him to release his tax 
returns, as every other modern
president has done?
_________________________
A N D R E W     R O S E N T H A L 
March 1, 2017 (New York Times, excerpt)

                    Donald Trump, Master of Low Expectations






GUY BIRCHARD~








Hecatomb Sixteen




Monarchs in hatbands:


Defeat deep in one's captured eyes.


Insouciance in the other's sweet.


Sitting Bull sees back forever, 1881,
downriver, liberty bad arrested,
last rifle surrendered,
earthly beauty and symbol of a
Monarch butterfly pinched from the air,
tucked for emblem, for camera, in hatband.


Old Walt, celebrated signifier at large, 'bout
same date, photographer's fool-de-rol, props
one of cardboard on forefinger, points a-
way. We don't do defeat in this culture.
We may do a cardboard
Monarch for the camera . . .


Defeat defeats us. In Sitting Bull's memory
and mind he rides all day in one direction
at liberty in open country. Without


no pain.





Hecatomb nine


Shooting Crows Again:


Time was, we lived odd
seasons on the prairie. Then


we witnessed first basque flower break
sod, and the cranes' high gyre.


Now I'm a townie, aint seen
a crocus in years, no more than hear


the cranes' weird croak way up.
Wind burns the snow and the snow


decomposes, the land so dry no melt
runs off. Shallow sloughs for waterfowl.


The crows are a good sight, back. I could
stand to be a crow, to make their play


in flight, to gang up in raucous confab, but for
the diet . . .


Cousin magpie succumbs to the new
virus in the land. Rancher


says he don't miss 'em. "Bastards
peck fresh cattle brands." I


miss them. I turn fifty-five
this spring, storm stayed. No


excuses, lots less of the map to follow
than retrace, fiddle-footed as ever,


a man of no rank come to a place without merit.


______________

Guy Birchard
H E C A T O M B
Pressed Wafer | Brooklyn
2017









Tuesday, February 28, 2017

BERTA CACERES ~





Berta Cáceres speaks to people near the Gualcarque river in 2015 where residents were fighting a dam project. Photograph: Tim Russo/AP


Berta Cáceres court papers show murder suspects' links to US-trained elite troops








THE ONE SIDE ~






KNOPF, 2017


Monday, February 27, 2017

Sunday, February 26, 2017

DOROTHY DAY ~






Scribner 2017


No one but no one could have written this fascinating biography but a grand-daughter and a grand-daughter has. There have been many biographies and celebrations to the wonderful Dorothy Day over the years now, including by Robert Coles ( a beautiful mind barely ever mentioned any longer ) but there is something endearing and everlasting how a grand-daughter can circulate and write not only a biography from a personal perspective, but also
a universal scale, by a storyteller writing a passionate and even critical portrait of her grandmother, Dorothy Day, as well as Dorothy’s only child Tamar (the biographer’s mother) and also the author, a child then, bringing her own story
into the book. The biography becomes the story of three women’s lives, over a century long, cutting through some of the toughest ground of this country’s history: labor struggle, world wars, economic depression, civil rights, women’s rights, tattered joyous 60s, Presidential impeachment, Christian brotherhood, the Catholic Worker movement. Don’t go dummy or gummy on the word “Christian.” Here it means goodwill to all mankind. This sterling portrait will showcase how many people – often castoffs — others remarkable alongside them, and Dorothy Day, held their ground.

[ BA ]


———————————————————

"Love, motherhood, religion — how many of us on finding ourselves embraced by any one of those would have stopped, rested, and remained? But this is the mystery of those forces that led her to go one step further, and another step, and another. And in one of the most grace-filled moments of a life full of grace, Dorothy finds herself praying to the Blessed Mother. Here I am — what would you have me do? Isn’t this that in-between time, that liminal space cherished by the Irish, the mysterious time of waiting and wandering? Isn’t it about hearing the call?"


~ from DOROTHY DAY
Kate Hennessey

———————————————————













Saturday, February 25, 2017