Thursday, October 4, 2018

Wednesday, October 3, 2018

Tuesday, October 2, 2018

Monday, October 1, 2018

ARCHIVE ~











Loompanics Unlimited
Port Townsend, WA.



LUKE KELLY ~









LONNIE JOHNSON ~







TWENTY MILLION WITNESSES ~



Twenty Million Witnesses Come Forward Claiming They Saw Kavanaugh Lie Under Oath








WASHINGTON (The Borowitz Report)—As the F.B.I. hurries to complete its supplemental background check of the Supreme Court nominee Brett Kavanaugh, twenty million witnesses have come forward claiming that they saw Kavanaugh lie under oath.

According to the witnesses, they can remember the place where they saw Kavanaugh lie, a hearing room in the United States Senate, and the exact date and time, this past Thursday afternoon.

Despite the striking similarity of their stories, the twenty million witnesses to Kavanaugh’s mendacity said that they were having trouble getting in touch with the F.B.I., even though lying to the Senate is a federal crime and thus within the Bureau’s jurisdiction.

“I called my local F.B.I. office and was told to call the Bureau’s toll-free tip line,” Harland Dorrinson, a resident of Toledo, Ohio, said. “I did that, but the mailbox for Kavanaugh tips was full.”

Carol Foyler, a Mobile, Alabama, resident who said that she, too, witnessed Kavanaugh lie under oath, expressed frustration at the artificial deadline of the F.B.I.’s probe. “One week is not nearly enough time to interview twenty million people,” she said.

In Washington, Senator Lindsey Graham furiously rejected the witnesses’ version of events, arguing, “This is a classic case of he-said/twenty million said.”

“If lying in the United States Senate is a crime, none of us is safe,” Graham added.


  • Andy Borowitz is the New York Times best-selling author of “The 50 Funniest American Writers,” and a comedian who has written for The New Yorker since 1998. He writes the Borowitz Report, a satirical column on the news, for newyorker.com.

JESSE WINCHESTER ~








HEAVEN LAKE (1) ~






Starting next Monday the
Birdhouse will show
all the poems from
Bob's most recent
book of poems








Sunday, September 30, 2018

BUD POWELL ~













MICHAEL HELLER ~








Orion In December

                            Charles Burchfield's painting and note

"tortured by a multitude of thoughts,"


he lay awake, looking at luminous sky


"black studded caves" of night


first two emerging stars


then a third, Orion's belt


"peace and comfort"


came with recognition,


with resolution and familiarity,


"some Being saying 'All is well' "


                                                 .   .   .



This night, Orion


enormous in the East


—tremulous sky


pines dark

against starlight

—the constellations


no longer testify

even as they offer

"diadems"


the word cries out

thrall of space


but legato to emptiness


learning


that brought us close,


companionate


with loneliness


even as we pointed


to clustered stars


in those dark nights,


soulless nights


of stellar distances



————————

Michael Heller
DIANOIA
Night boat Books
2016










JASPER JOHNS ~







Yale
2017








Saturday, September 29, 2018

I CAN'T QUIT YOU, BABY ~








O T I S     R U S H
M A R T Y     B A L I N
F  A  R  E  W  E  L  L






BE WITH ~











Field flecked purple with nightshade

and lupine. Ruby-throated bird

at the bottlebrush bloom. One's

own mediocrity sharpens it.





————————

Forrest Gander
Be With
New Directions
2018










ABODE ~







Meanwhile, back to Thursday. I’m sure at age 14, where Kavanaugh likes to begin things, he was a good boy, a good son, to his dominating judge mother with the frizzled bleach blonde hair and the somewhat submissive father Kavanaugh obviously looked up to. You want to honor this boy who mowed lawns and tried to use his parents as fine role models. There is no doubt he is compulsive and worked against his own type to achieve what he had for goals, and without a doubt he has suffered psychologically with these pressures, which came on in full display during his Thursday combative tour de force. There we saw Scott Fitzgerald’s Crack-Up in full force inelegance. In fact, with both Ms Ford, and Kavanaugh’s primal testimonies we seemed to have a moment of exorcism where we saw the 15 year old girl Chrissie appear in the voice and even appearance (in and out) of Ms Ford, and damn straight we saw the petulant, preppy, jock swagger 17 year old Kavanaugh. It was astonishing to see. This is what human science has forecasted when rock bottom is reached with identity. I don’t know about you, but two minutes into Ms Ford’s testimony, and agony, Susan and I both had tears welling up in our eyes. For her, for us, for everybody. It was a declarative human moment. In Kavanaugh, straightening his name plate, his paper work, anal to a fault when he arrived at the table to begin his testimony, I said to Susan, “Here he comes and the game face is on.” He then proceeded to prove to everyone why he should never be a judge, a coach, or a teacher, anywhere. He should return home to Ashley and his two daughters and rebuild what is probably a ruined abode.


photo
New York Times








Thursday, September 27, 2018

JUDGMENT DAY ~









TONGO EISEN-MARTIN ~





City Lights Books
2017












MEI-MEI BERSSENBRUGGE ~







Tan Tien





As usual, the first gate was modest. It is dilapidated. She can’t tell
which bridge crossed the moat, which all cross sand now, disordered with footsteps.
It’s a precise overlay of circles on squares, but she has trouble locating
the main avenue and retraces her steps in intense heat for the correct entrance,
which was intentionally blurred, the  way a round arch can give onto a red wall,
far enough in back of the arch for sun to light.

If being by yourself separates from your symmetry, which is
the axis of your spine in the concrete sense, but becomes a suspension
in your spine like a layer of sand under the paving stones of a courtyard
or on a plain, you have to humbly seek out a person who can listen to you,
on a street crowded with bicycles at night, their bells ringing.

And any stick or straight line you hold can be your spine,
like a map she is following in French of Tan Tien. She wants space to fall
to each side of her like traction, not weight dispersed within a mirror. At any time,
an echo of what she says will multiply against the walls in balanced,
dizzying jumps like a gyroscope in the heat, but she is alone.

Later, she would remember herself as a carved figure and its shadow on a blank board,
but she is her balancing stick, and the ground to each side of her is its length,
disordered once by an armored car, and once by an urn of flowers at a crossing.
The stick isn’t really the temple’s bisection around her, like solstice or ancestor.
This Tang Dynasty peach tree would be parallel levitation in the spine
the person recording it.

Slowly the hall looms up. The red stair’s outline gives way to its duration
as it extends and rises at a low angle.
In comparison to the family, the individual hardly counts, but they all
wait for her at a teahouse inside the wall.
First the gold knob, then blue tiers above the highest step,
the same color as the sky.

When one person came to gain confidence,
she imagines he felt symmetry as flight after his fast among seven meteorites
in the dark. He really felt like a globe revolving within a globe.
Even the most singular or indivisible particle or heavenly sphere will adjust
when the axis extending beyond itself is pushed, or the sphere it is within
is pushed. What she thought was her balance flattens into a stylized dragon
on the marble paving stones.

Yet she’s reluctant to leave the compound. Only the emperor
could walk its center line. Now, anyone can imagine how it felt
to bring heaven news. She is trying to remember this in Hong Kong
as the tram pulls suddenly above skyscrapers and the harbor
and she flattens against her seat, like a reversal occurring in the poles,
or what she meant by, no one can imagine how.



——————————————

Mei-Mei Berssenbrugge
I Love Artists
University of California Press
2006