(Don't Miss the Film )
daydreaming w/ Bob Arnold
My edition of Concert (Konzert in German)
has for its front cover, naturally, one of Franz Marc's
wondrous postcard paintings which the artist sent to
Lasker-Schuler almost monthly over the years 1912-14.
Marc would perish in WW I at Verdun as a soldier in 1916,
one year after another of the author's associates,
the poet Georg Trakl, took his life after the horrendous
battle of Grodek. Misery traveled with Else Lasker-Schuler
whether the death of her beloved mother and brother Paul, and even her
only child, also Paul, from an ill-fated marriage, and still in
Concert we receive a dulcet style of stories, essays, dream-state
vignettes. It was one of the last books published by a Jew before
the rise of the Third Reich. Lasker-Schuler was out of Germany before
Hitler clearly showed his face, and wandering, wandering, eventually settling
elderly and unevenly in Palestine, struggling with the language and never
quite coming to terms with where she was and the Palestine of her dreams.
She would die of heart failure in 1945 after publishing her last book of
poems, My Blue Piano (Mein Blaues Klavier). In 1952
Gottfried Benn declared Lasker-Schuler "the greatest
poetess Germany ever had."
Poetry sails through her prose.
[ BA ]
P O E T S W H O S L E E P
" You be Harry Glazier's boy, bean't ye?"
Sugaring Off
Easter vacation
he tramps the Gutter Road
from Gramp's to Uncle Maurice's
where the whole family's sugaring
Lynn and Orman and Calvin
trip metal caps off buckets
under spiles
draining the sugar bush
Merle bossing the gathering,
tub slewing, team
straining, bobsled runners
grating on a ledge
Perry shoves another slab
in the firebox
"a gallon to the barrel, boys,
get a move on!"
Maurice tips the dipper, testing
In the kitchen Aunt Pluma
boils down a batch for
fancy sugar cakes:
stars, hearts, scaled fish
Loyce and Thelma spoon snow
from a dishpan into ie pie plates
the thick glaze pulls at the fork
"a little goes a long ways"
_________________________
Lyle Glazier
Prefatory Lyrics
Coffee House Press, 1991
___________________________________
It was the poet and editor Cid Corman
who had the great ear and tenacity to
promote, publish and persevere
so many fine back country poets —
be it Gary Snyder's early book of poems
Riprap, or Lorine Niedecker's entire workbook,
Theodore Enslin's musical memory, and gone into
the bushes forgotten Lyle Glazier's tramps in the sugar bush,
and this is a mere touching of the Corman radiance.
So few could restore that moment of lyrical movement
and visual care as Lyle Glazier works his tablet in
Prefatory Lyrics.
[ BA ]
Did you know Gertrude Stein
pointed Paul Bowles
toward his longtime
hangout of
Tangiers?
Read more!
"Very happy evenings to sit by the fire and read through Holy Ghost. You have been at this particular work of poetry, documenting in unswervingly clean verse, the life around you, that you have built with Susan, for so long. A book like this is doubly enjoyable. One for the clarity and ethos of its poems, unlike anyone else’s these days. And like an intimate extended letter from a long time friend. You may be the only poet I can think of who does something I like to do in poems: show that we live among books. How many volumes of poetry do you read in which no matter what items of life show up, it is as though the poet is shy or even ashamed to depict him or herself as a steady, serious reader? You’ve got gift for portraits of people, mostly the locals of course, and in a Niedecker offhand way you manage to get their vernacular speech into a poem, as well as your own."
_________________
Andrew Schelling
~
Bob Arnold
Holy Ghost
Longhouse 2021
_________________________________
Witness
was the one with you—
whether you knew it
or not
______________________________________
Bob Arnold
212 pages
perfect-bound
$20
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