Monday, August 25, 2014

PSYCHEDELIC NORWAY ~









Psychedelic Norway
John Colburn
Coffee House Press









first impression



we throw a party and the police come


they have black shoes and accessorize well

like hipsters

we immediately throw another party

the police come back

they are enchanted with our music

it calls to them

their fists love our doors

I have been in this kind of relationship before



the police leave

they drive through the night to end another party

we must think of them in the morning

how an officer sits at the edge of a mattress

afraid of a new day

fumbling with the silk edge of a blanket for comfort



the police want us to think of others

and to stop having this good time

but everything that happens is just something

we made up a moment ago



and when the police tell us not to be so happy

we ask them where they got their shoes



it is unspeakably early in our lives

we want to come to our own parties

as other people — then we'd show us how to live

we want to come to our party as the police

we want to be others

it is wrong but we still want to



some people keep a record of their most loved moments

on scraps of paper in a coffee can

we want to be something we just made up

when the song ends

we want the next song to make us happy



the police drive through the night on pursuit tires

we know where they get their shoes

we show them how to live

fumbling with the silk edge of a blanket for comfort

writing their names on scraps of paper

to put in a coffee can

we want them to come back




_________




ode to mescaline




Cold flower walks back and forth in the shy body.

Cactus petal swims in the hungry body.

Green vapor sings in the fever body.

The stomach goes away down a hard road.

Here comes a fireworks body.

Father flies through clouds.

Mother rises through earth.

I admire each leaf.

The sky pleases the day.

We'll give our hair back to earth.

Even the armpit, even the ditch has a pleasing fashion.

What if I were a mango?

Smell how the grass loves us.

Feel the tongue of the cloud.

A listener praises the sound of fire.

See our shadows have dignity.

Our headaches have their own lives, like moons.

I sit aside a day for clouds, a night for clouds.

It grows green light inside me.

There is nothing to resist.

Sometimes I am nothing.

The tongue of the cloud cleans each word.

The sweet offering of the voice makes a way.

Any name is good enough.

Let's hear the sound of walking.

Walking is part of the song.

A cactus god dreams everything.

I heard about your other god.

I heard it walking.




____________




obedience




It is better to sleep upstairs

in the world of dreams.

Almost shining in the sky.



My parents have never told me

one dream they've had.

When daylight moves in, a settlement,

the dream travels by dog.

It is a dog in the shape of a dog.



In a dream my parents finally tell me

one dream they've had.

Then I sit up in bed and dream I

sit up in bed

telling my wife about a dream I had

with a dog in it.

My father yells up the stairs

I had a dream, I had a dream.



Then I look out the window

and see a space on the sidewalk

where a dog just was.

The dog that sleeps when I am awake

and wakes up running when I fall asleep.



Later, in the shower,

I put my mouth to the nozzle

and I am a dog.

What if my parents

have never had one dream!



I sit up in bed

almost shining in the sky

and tell my wife about a dream.

The downstairs in the shower

I am a dog, distracting myself

from the other thing I am becoming.



My dreamless father shouts up the stairs.

He can't walk anymore,

he is in my dream.

He will have to travel by dog.





JOHN COLBURN






Sunday, August 24, 2014

THE MUSEUM OF SCANDALS ~






The Museum of Scandals
by Elea Raucheron & Diane Routex
Prestel, 2013








Saturday, August 23, 2014

Friday, August 22, 2014

BLACK PANTHERS 1968 ~








BLACK PANTHERS 1968
Howard L. Bingham
Ammo Books, 2009

~

essays by 
Howard L. Bingham, Tessa Hicks, Mar Hollingsworth,
 Earl Ofari Hutchinson, Bernard Kinsey, Gilbert Moore






"On the steps of the Capitol, Bobby Seale read a statement, an executive mandate: "The Black Panther Party for Self-Defense calls upon the American people in general, and black people in particular, to take careful note of the racist California Legislature aimed at keeping the black people disarmed and powerless at the very same time that racist police agencies throughout the country are intensifying the terror, brutality, murder, and repression of black people and at the same time that the American government is waging a racist war of genocide in Vietnam." 

May 2, 1967

 

Nearly a half century later substitute "California" for Ferguson - St. Louis, MO. and
 "Vietnam" with Iraq or Afghanistan 
— we haven't learned our lesson.





This book can still be found, very reasonably priced at $20, shrink wrapped and stunning hardback, showcasing Bingham's portrait of the Panthers in their prime.



MALCOLM COWLEY ~











Malcolm Cowley
The Long Voyage
Selected Letters 1915-1987
edited by Hans Bak
Harvard, 2013



Behind every great man there is, these days, perhaps a woman, or another man. And vice-versa. Behind every great book there has been a great editor, and Malcolm Cowley was one of the greatest in 20th century American literature. His banner list of writers include Faulkner, Fitzgerald, Hemingway, Kerouac, Tillie Olsen, and John Cheever for starters. And on the Kerouac front, Cowley not only brought On the Road forth from where he worked at Viking, he went back to Kerouac after Viking initially rejected the book and impressed upon his colleagues to have another look.
 There's your editor.









Thursday, August 21, 2014

AMIS TO LARKIN ~













Kingsley Amis & Philip Larkin
The Odd Couple
by Richard Bradford
The Robson Press





Wednesday, August 20, 2014

RURAL LIFE AND THE NEIGHBORHOOD (BERKSHIRES) ~







Summertime



Thinking over the past week, which then takes me further back, as it always does —


Robin Williams could have been capable of striving deeply into acting and the cinema world but my hunch is he couldn't control his vices, so the comedy masqueraded much of his madness. He was as mad as depressed. If you watch him in his earlier films, you see deep potential and scale. Then he got lazy with fame, fortune and needing the audience to respond to him. Thus the standup and the constant tv work on talk shows where he couldn't resist but to go into his scheme, which I loved of course, since it was channeling my own humor and madness but I'll let him do it for me. With that relief, I can stick to the real world. We use our comedians and they know it. The two rarest ones: Keaton and Chaplin made more than comedy. It was drama. I feel terrible for Williams since he had powerhouse abilities and now he's sunk by his own hand. Hunter Thompson raising a big revolver at his kitchen stool, son and family in the other room, blows his brains out. No warning. Another one who worked masterpieces, gone. In the meantime we have the likes of Kissinger and the whole Bush family moving around us doing just fine. Accepted or ignored in a benign way. We lose the Masters. It's always been this way. Thompson and Williams ended up believing, somehow, that they were shunned.


Now look at the comedians of old — George Burns, Milton Berle, Sid Cesar, Bob Hope, Jonathan Winters, Joan Rivers, Lucille Ball, Jerry Lewis, Don Rickles, Carol Burnett, many many more, all lived and some are still living, deep into old age. What did they have, despite the comedy, the tragedy, the acceptance and the shunning? They have and had a classical bent. Very different from the 60s icons and troubled souls, although Dylan may get there. They all had a poise and an elegance for style and demeanor, and an almost balance with patience and timing, and they listened as well as any wild animal since they drew their work from the public and privacy of life. They took care of business.

Susan and I have just put down one half of the chapel roof, or is it a garage or is it a small barn, that may one day also become part bookshop, or even a lending library? You dream when you build if you're really building. Build in a routine and you're sure to get a routine. Today we take a rare lunch break since the work has driven us ravenous. We'll go out and start on the other side of the roof so we can finish it all by tomorrow afternoon and then take off Sunday and travel, frolic, hike, search out the bookshops, byways, even strangers, and say "hello." We give ourselves, if we're lucky, one day off a week.

Yesterday -

Changed horses at the last minute yesterday morning - 4AM - and took the new Tacoma pickup, which I call the Bronco.  We were gone by 5 and in the Berkshires, southern level, Stockbridge town to be exact (where Alice's Restaurant was, sung by Arlo Guthrie, I ate there once upon a leafy time), where I used to see Norman Rockwell cross the quiet streets very early in the morning on my way as a teenager to work the family lumberyards with a roving manager. I was his roving sidekick. 5 lumberyards, one a day for us, quite a mutt & jeff team. Rockwell with his pipe, debonair hat, and the New York Times under his arm. That's what he was walking for. A classic gentleman. It's 7:30 and chilly when we arrive in the town.

Now the town is summer-tourist crazy, bustling, loud, way too much traffic storming through for a town its size. Susan used the bathroom she likes from the fanciful Red Lion Inn (50 years ago my father was flagged down for a speeding ticket right at this corner, four kids in the backseat) while I got the bicycles out from the back of the short pickup. They fit like sardines, but they fit. And we rode for a good hour around all the side street neighborhoods with good homes, none too fancy, and then a deeper ride through the back gardens of Austin Riggs, the expensive mental institution. James Taylor was stationed there when I was that boy passing through. The rumor at the time was his heroin addiction, who knows? When he got out he played a concert, large as jesus, up the road in Lenox and I was there for Sweet Baby James.

By 9 we were at the used book shop we love, and its owner a real tireless book lover out of Manhattan long ago, in her 70s, with a classic eye and so many books I need to be there almost all of a day. So we were. The owner says, and she has a sweet way of saying it, "I love you visiting, but you take my best books." I smile back to this Londoner (native home) and say, "Well, I can't very well take your worse books." She laughs and agrees. Susan worked finding books and I also asked her to just sit out in the sun and partake there. No complaints. I worked the premises. Good stuff. Nuts in the cheeks. Winter fuel. It will also appease us from any appetite to head back down to the Berkshires in a week to a library book sale we hardly ever miss in Lenox. This year we'll miss it, having spent our wad here, and work instead in buttoning up the chapel construction. I have stone work to get to.

So while I'm finishing up, Susan in the sun, and this place is off the beaten track 5 miles from a tar road, the outer Berkshires, I see a very old fellow and know who it is instantaneously, hobbled horribly and being helped from his silver Honda by his male companion, a good and patient man, holding the old fellow up, with his cane, soft comfortable shoes, who looks at me square in the face as I approach and I look at him squarely and say, "A lovely day." Meaning the sun. He seems to agree with a nod and goes back to figuring out how to cross the earth. And I mean he's in very very rough shape moving. Susan, sitting in the sun, was surprised the man was in such bad condition yet had the wherewithal to have immediate attention onto her when he got himself, with help, out of the car. He was going to get inside the tiny book packed building and get plunked down into a comfortable wooden chair up front near the checkout counter and his friend was going to bring him a box of old postcards and John Ashbery was going to wheeze a bit and catch his breath looking over this postcard collection. I've been reading him all my life. We're nothing alike but he's my sort of man of letters. And I felt fortunate to have been with him for a moment today.

Susan later asked before we left, "Don't you want to say something to him?" I do but I shouldn't. He's at a point in life of just getting from one place to another is a dog-team effort. Leave him be to relax.

We drove home the three hours through the old roots and tangled roads of back lots and farmlands. I love the drive back to my old home place. . .in the Berkshires, and I can see it's only a matter of time my other home place, Vermont, will also be overrun.



"summertime" photo 2014  © bob arnold


Ashbery is very frail, and also edging toward 90 years of age (b. 1927), and I mean he should have been carried from the car and into the used book hamlet (which is his familiar, well welcomed by the owner etc) but there is a admirable determination on his part to get from point A to point B with his cane. I couldn't help myself to be right there, in my own familiar (the rural setting) with a man who meant a great deal to me since the age of 15 when I was discovering his poetry, art essays, and translations goodness sakes the same time I was discovering Ted Enslin, Cid Corman, James Koller, Janine Pommy Vega, Gary Snyder, Jack Kerouac and Hayden Carruth. Here is, essentially, the genius of the NY School, Frank O'Hara, a pal, later Ted Berrigan, all the guys. The guys that helped save my young life. I'll regret I didn't say something more than "hello" which I at least did, eye to eye, because I am capable of also regretting that I bothered him if I did go ahead and make the plunge. Better to be moderate, since I'm often anything but with an endurance and at least a wish at taking on the day.
(letter to John Phillips, 16 august 2014)




Tuesday, August 19, 2014

20th CENTURY WOMAN ~





 
Lorna Gibb
The Extraordinary Life of Rebecca West
Counterpoint 2014

MARGARET WALKER ~











Margaret Walker
Fields Watered With Blood
Critical essays on Margaret Walker
ed. Maryemma Graham
The University of Georgia Press





GARY SOTO ~











Gary Soto
What Poets Are Like
Sasquatch Books





Monday, August 18, 2014

VINCENT SOBOLEFF IN TLINGIT COUNTRY ~




















A Russian Photographer in Plingit Country
Vincent Soboleff in Alaska
by Sergei Kan

Sunday, August 17, 2014

CLAES OLDENBURG ~









edited by Achim Huchdorfer, Maartje Oldenburg,
Barbara Schroder
Museum of Modern Art, 2013



 
















Friday, August 15, 2014

START WITH THE TREE II ~








Get the first sheet plumb, straight and right and then move down the line using the spruce strapping for fastening.






Yep, ugly steel roofing for the siding. Not to worry I have a plan after we re-paint it all. The sheets go up quickly, tighten down and button up by screws, and it's nasty stuff cutting through for windows but windows are worth any work. These two I found years ago at a church rummage sale $1 each.






The usual bracing, wood scaffolding and interior of the chapel garage and outer base stone foundation. We had to hand fill in two feet of dirt, bark, leaf fill before we got to the finish surface of a loose stone base.






Steel walls now all on, windows open, blue blue blue.







The look to the front of the house yard from inside the big bay garage.
I like to look through my buildings from one side of the building to the other
side and into the yard. Fuller world.






The dream hatched and started — a lean-to bay garage for the pick up truck. Sawmill'd spruce has been delivered by CJ in Halifax, Vermont, stickered up and drying but I begin cutting on rafters just a day after the lumber is delivered and unloaded by CJ and I talking about old times.






Counting how many more rafters to go. All attached to the upper wall studs and then a 2 x 6 support plate underneath. Bottom half is western spruce lumber which is nothing like it used to be; the lean-to and all the upper rafters will be local spruce cut off a hillside in West Leyden, Massachusetts.







Friend wood-frog has been with me ever since I started the job and I watch out he doesn't get harmed. 
You can see he also watches me.








Just the first strokes to completing a notch, pencil scratches and messages








The lean-to almost complete — just a few more angle braces to knock in and get measured exactly — a truck has to fit in here and the doors have to open.






Keep the back wall open for the lush sight of ferns




photos 2014  © bob & susan arnold







Thursday, August 14, 2014

JOAN CHASE ~











Joan Chase
During the Reign of the Queen of Persia
New York Review of Books Classics


This stunning and persistent series continues to throw up surprises on each visit to the bookshop or library — the two places that are disappearing before our eyes! — imagine that.
All the titles are re-discovered gems from the gold digger's pan. Keep digging.